IMDb RATING
7.0/10
4.9K
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Harry and Jake, two unsuccessful writers, spend a cathartic evening arguing about money, aesthetics, their friendship, and Harry's new manuscript.Harry and Jake, two unsuccessful writers, spend a cathartic evening arguing about money, aesthetics, their friendship, and Harry's new manuscript.Harry and Jake, two unsuccessful writers, spend a cathartic evening arguing about money, aesthetics, their friendship, and Harry's new manuscript.
Hazelle Goodman
- Cafe Dante waitress
- (as Hazel Goodman)
Featured reviews
I just watched this on DVD, and although it offered some interesting moments and insights, the dialog felt forced and the two main actors, both of whom have done great work in other projects, didn't seem to click. On the DVD, there's an epilogue in the "features" section in which Pacino, who also directed, wondered whether there were too many flashbacks. Actually, I thought the flashbacks were enlivening, enabling the story to be more involving than it might otherwise have been. Pacino also mentions that because of Orbach's "Law and Order" shooting schedule, they were forced to film 84 pages of dialog in 21 days, perhaps explaining, at least in part, why the film feels a little undercooked.
This is the only movie I've ever gone to see twice at a film festival. It played in Toronto at the 2000 film festival, and my friend and I talked about it for hours afterwards. It's an invigorating movie, based on the play by Ira Lewis, about two bohemian guys, approaching 50, adrift in the early 80's, yet stuck in the past.
It's a "talkie" movie that could play on a double-bill with "My Dinner With Andre", a two-hander about a book Pacino has written and the first encounter with his friend, played by Jerry Orbach, since the Pacino character has lent it to him. But it's about so much more than that: it's about writing, dreaming, the creative process, relationships, loneliness, poverty, and finally, values. There isn't a moment that we're not involved with these two guys as they negotiate their relationship. The script crackles with life and wit, observation and nuance. Pacino first directed the great documentary "Looking For Richard", about how to approach staging a Shakespeare play. And here in "Chinese Coffee" he proves once again that he has a natural ability to tell a story in a completely fresh and interesting way, free of the constraints and pettiness of a routine plot.
If you're an actor and you haven't seen this movie, than shame on you, this one will have you going for days. And you'll return to it, too. It's a buried treasure in a great career for Pacino. I can't recommend it any higher.
It's a "talkie" movie that could play on a double-bill with "My Dinner With Andre", a two-hander about a book Pacino has written and the first encounter with his friend, played by Jerry Orbach, since the Pacino character has lent it to him. But it's about so much more than that: it's about writing, dreaming, the creative process, relationships, loneliness, poverty, and finally, values. There isn't a moment that we're not involved with these two guys as they negotiate their relationship. The script crackles with life and wit, observation and nuance. Pacino first directed the great documentary "Looking For Richard", about how to approach staging a Shakespeare play. And here in "Chinese Coffee" he proves once again that he has a natural ability to tell a story in a completely fresh and interesting way, free of the constraints and pettiness of a routine plot.
If you're an actor and you haven't seen this movie, than shame on you, this one will have you going for days. And you'll return to it, too. It's a buried treasure in a great career for Pacino. I can't recommend it any higher.
Harry Levine (Al Pacino) and Jake Manheim (Jerry Orbach), two unsuccessful writers, spend a cathartic evening arguing about money, aesthetics, their friendship, and Harry's new manuscript.
This film, based on a Broadway play (which had starred Pacino) is well-adapted by director Al Pacino (it helps that there was minimal stuff to direct). The origin as a play is fairly obvious, given how much is talk and how little is action (and I wonder if they had to add or modify scenes to create additional movement and scenery).
While not one of the greatest films ever, and not even one of Pacino's best, it has its moments and it is a great interaction between two people. If you like a lot of dialogue and bickering (think "Clerks" without all the dirty talk) and miss Jerry Orbach, this is the film for you.
This film, based on a Broadway play (which had starred Pacino) is well-adapted by director Al Pacino (it helps that there was minimal stuff to direct). The origin as a play is fairly obvious, given how much is talk and how little is action (and I wonder if they had to add or modify scenes to create additional movement and scenery).
While not one of the greatest films ever, and not even one of Pacino's best, it has its moments and it is a great interaction between two people. If you like a lot of dialogue and bickering (think "Clerks" without all the dirty talk) and miss Jerry Orbach, this is the film for you.
9/14 9:00 am CHINESE COFFEE (*****)
Unlike most films of plays that fail to break free of stagy theatrics, this film draws its strength from a wonderful script and an intimate tone of Off-Off-Broadway theatre. The combination of Al Pacino and Jerry Orbach together for a solid hour and a half could not be more special. Susan Floyd is also wonderful as Pacino's bohemian love. Painter, long time friend of Pacino and "Before Night Falls" director, Julian Schnabel, introduced the film on behalf of Pacino, who had to return to L.A. to shoot a movie.
Unlike most films of plays that fail to break free of stagy theatrics, this film draws its strength from a wonderful script and an intimate tone of Off-Off-Broadway theatre. The combination of Al Pacino and Jerry Orbach together for a solid hour and a half could not be more special. Susan Floyd is also wonderful as Pacino's bohemian love. Painter, long time friend of Pacino and "Before Night Falls" director, Julian Schnabel, introduced the film on behalf of Pacino, who had to return to L.A. to shoot a movie.
Film that was adapted from a play and which shows, with the film delving into the life of Pacino's character along with his friendship with Jake and his life with his lover who has left him. The film is a locked room story, which interspersed with curious editing choices which always elevated the story and kept it interesting. But overall, the film is a great watch for Pacino aficionado's and people interested in the life of writers.
As most of all the movie, is about two friends and what their life amounts to in the end, and all the disappointments and vindications you have about yourself and others.
As most of all the movie, is about two friends and what their life amounts to in the end, and all the disappointments and vindications you have about yourself and others.
Did you know
- GoofsNear the end of the film Harry is poured a full glass of seltzer with a lime in it by Barney. Although he does not touch it, the glass is empty when he gets up to leave.
- Quotes
Jake Manheim: I'm exhausted from being exhausted.
- ConnectionsReferenced in Biography: Al Pacino: Inside Out (2001)
- SoundtracksPalm Court
Written by Aaron Briggs (as Briggs), Alan Briggs (as Briggs) and Paul Williams (as Williams)
Courtesy of Opus 1 Production Music and Amphonic Music Limited (ASCAP)
- How long is Chinese Coffee?Powered by Alexa
Details
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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