Marla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales.... Read allMarla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined... Read allMarla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't cou... Read all
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Why? I dont know. I agree with another user's comments, that you have to be a Mayall fan to have enjoyed this film. Jane Horrocks once again proves what an all-round entertainer she is. Not only does she sing, but she also plays a convincing Bitch, and (in the flashbacks of the film) the Shy Mavis Davis before Stardom hits in. But I feel I have to mention Clint. Clint the hitman is hilarious in the movie. He comes highly recommended to Mayall, but its later discovered this is his first ever hit. Danny Aiello is also at his best in the movie. The film is full of visual humour too. Very good film.
BRING ME THE HEAD OF MAVIS DAVIS has few fans and while it's not exactly consistently laugh out loud it's by the same token not a truly terrible British comedy , I did see THE WEDDING TACKLE the previous night so I know what an abysmal comedy from this small island looks like believe me
Much of criticism may have to do with the casting of Rik Mayall as Marty , as everyone is keen to point out his character is very similar to Alan B'stard from THE NEW STATEMAN but dissimilar enough to make you notice that Marty is very much an inferior comic character to that of the Tory MP but any deficiencies are made up by the supporting cast especially Jane Horrocks and Marc Warren
The script by Craig Strachen is slightly uneven containing mainly moments that are fairly predictable but one or two bits are very funny . Perhaps the script can be summed up where Marty goes to buy some drugs from a rent boy where the audience are one step ahead of the script ( You can guess what's gonna happen next ) but contains a misunderstanding at the police station where Marty's cell mate starts to pull his trousers down
Often predictable , sometimes amusing and there's worst movies I've seen this week that were made in Britain
The film tells the story of a scheming manager who plots to kill his faded pop star, and in doing so increase her album sales. Years ago, in a rush to complete a first-year Screenwriting assignment I hatched a similar, lazy plot.
I never thought it was particularly astute, because everybody knows that the legends of rock stars are built on their deaths. The makers of this film think it IS astute, even if their execution is excruciatingly sloppy. Worse still, where I made the point in ten minutes, this film runs to ninety.
Ninety minutes. Ninety horrible minutes. Ninety minutes, no jokes.
I could hardly feel angry that I watched this film: it was on television and it was my own fault. I felt no malice or ill-will towards the cast and crew. I foresaw the inevitable lameness of their poorly-made product and yet I watched it anyway.
In the end I just felt like a bit of a loser. Ninety minutes I could have spent stimulating my brain or collecting for the worlds poor, but no. I watched a bad film.
Don't make the same mistake I did. But then again, Sundays make people do strange things.
rick 'im sorry'... this film suffers from the worst failing a film can have. it is so crushingly slow moving....no, sorry. its just plain boring. funny moments are negated by the whole thing being so drawn out. it has appalling pacing.There is also a weirdly misplaced 'accidental' outing that is just plain not funny, succeeds in just padding the film out. padding it really doesn't need. its fitting that in a film that deals with murder, the viewer is constantly losing the will to live.
Did you know
- ConnectionsFeatured in Des O'Connor Tonight: Episode #21.6 (1998)
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