The Boxer

Sheridan's 'The Boxer' is far more complex than his other films like 'In The Name of The Father', 'My Left Foot' and 'In America'. The story revolves around a neighborhood of ordinary (and not-so-ordinary people) living in a troubled Northern Ireland. Sheridan successfully depicts the problem from both sides. One witnesses how difficult it is to lead a normal life in peace as this will be looked down upon and even used against you. The use of washed out colour gives a gloomy and depressing feel, and ironically also shows the weather. But, contradicting that Sheridan also skillfully portrays the love, devotion and hope of the people.

Fine performances are almost always expected from Sheridan's films and here too the actors do an outstanding job. Daniel Day-Lewis is superb. His restraint reflects Danny's calm dignity and he is very convincing as the man who recognizes a second opportunity in life and tries to make the better of it. Emily Watson is sublime. Her quiet portrayal of Maggie's strength, pride, courage and vulnerability is spot on. Brian Cox is stupendous. Gerard McSorley proves again how wickedly good he can be when it comes to playing menacing characters. Ken Stott is excellent.

I feel the reason why 'The Boxer' is so underrated and not as highly regarded as Sheridan's other films is because it's far more complicated than what they're used to seeing. However, in my opinion, this is just as effective as Scorsese's 'Raging Bull' and better than the likes of 'Rocky.

The Boxer is dark movie about a seemingly unsolvable problem. It's filmed in a constant dark, dreary, depressing light; this light reflects not only the weather but the mood of Northern Ireland.

This expose of "the troubles" in N. Ireland uses a story about a boxer who returns to his home after being released after 14 years of imprisonment. His goal is to take his most usable asset (boxing) and make something of himself and his former coach.

Like everything in N. Ireland, living normally is laced with problems when you're in the middle of a war. His interest in his now-married former girlfriend is forbidden, since prisoners of war wives are off limits to honor the prisoner. Accepting gifts from the police force is also a sign of capitulation, and as such carries penalties.

The film clearly shows that those that wish to make peace (however passively) and live normal lives are marked as disloyal and targeted by the Irish Mafia (alluded to as the IRA in the film).

It's a sad commentary on a desolate group of trouble makers in a growing desolate land.

I think the reason this wasn't as well received as MY LEFT FOOT and IN THE NAME OF THE FATHER (the previous collaborations of Daniel Day-Lewis and Jim Sheridan) is this is telling a more complex tale, and while I loved both of those films, this one you have to work harder for. It should be said there are some lapses, particularly in the dialogue, which is often unnecessarily repeated. And sometimes, in his attempt not to play on our emotions too much, Sheridan goes too far in the opposite direction, making the film too distant.

Still, this is a powerful film. Sheridan was accused with IN THE NAME OF THE FATHER with making an anti-British film, but in that one and this one, he shows he's not afraid of taking on his own people as well. At the same time, while his sympathies are with Day-Lewis' character, he's able to recognize all sides of the situation, as to emphasize the point that peace is always hard work. Day-Lewis, as usual, gives an outstanding performance, though he's a little too old, and Watson continues to grow as an actress with her performance.

Jim Sheridan's films are always powerful. Shakespearian in their intensity of character conflict, they bristle with grit, are masterfully acted, and propel themselves the way John Ford's best films do. I consider him, even with his limited output, one of the great A list directors. No, his camera work isn't stunning crane and rail ballet, it's old school - but GREAT old school - Zinneman, Ford. And if you're a filmgoer who likes to care deeply about characters, Sheridan makes your kind of film.

Acting doesn't get better or more truthful than Daniel Day Lewis and Emily Watson working together. They're absolutely believable - inspiring actually - as a couple struggling through forbidden love after 14 years apart. The dialogue they work with is A plus and written by Sheridan; thus it's probably tuned collaboratively during rehearsal. Very organic. Great (!) work by Gerard McSorley, Brian Cox (L.I.E.) and David Stott as Ike.

Yep, Northern Ireland as Sheridan portrays it can be dreary, as commented here. But it's also full of humanity, drunkeness, hope, cruelty, love, loyalty, oppression, and a desperate longing for change - all the stuff of true drama. The action commences at the moment Ireland is on the cusp of real but fragile peace. Boxing and the IRA? A one two punch.

I love this film and I'd watch it again with any friend who wanted to see an excellently written and played picture. If you want your blood to boil from some fine performers playing strongly written characters, check this out. Not quite "Elizabeth", but powerful. Good enough dramatically (albeit not quite visually) to sit on the same shelf with Raging Bull.

I really liked this film for several reasons. Firstly, it dares to tell the story of ordinary people caught up in a conflict that they don't want to be a part of, and having their best hopes crushed. The script isn't written to be a crowd-pleaser.

Secondly, the story and the style of narration is wonderfully subdued and lowkey, both fitting the story perfectly and allowing the viewer to really involve him/herself in the story and characters.

Finally, the performances of Day-Lewis and Watson are very good. Day-Lewis lends great credibility to his character. He is no Mel Gibson or Harrison Ford rising again with a firm jaw after each blow, but rather a believable portrait of a man believing and wanting to do his best, but time and time again having his hopes crushed.

But the real star performance of the film is by Watson. After "Breaking the Waves" I had written her off (sorry, but I tend to do that with people who have played in von Trier movies), but her performance in this film is simply outstanding. Her portrait of both pride, strength and vulnerability is amazing.

9 out of 10.