Aprile

I anticipated this movie for so long, because of that awesome dancing chef. Then I watch it and he's introduced at the start, then is not seen for the rest of the movie until the very end. And only for one measly minute. And even then, it was worth it. Anyone who wants to see an absolute legend, hire this movie out, fast-forward the first hour and a half, then sit back and enjoy the dancing chef.

They should make a whole movie on him, like they fictionally do at the end of APRILE.

Two words- Dancing Chef!

This film is so beautiful in so many ways. It is simple without being sparse. It tugs on the heart strings - but it has none of that Oprah vomit. Sit back and enjoy a fun and hilarious film of Moretti's move into fatherhood. Love him for the bumbling klutz he is. Want to steal his baby.

Most filmmakers don't use themselves and their families in such a shamelessly autobiographical fashion as Nanni Moretti. You could call him brave or, if a detractor, perhaps just lazy. I mean, it must be easy to regurgitate your life on screen in a quasi-documentary fashion except that Moretti is one of the smartest and funniest filmmakers ever to have come out of Italy and the shamelessly autobiographical "Aprile" is a small gem, (it's only 75 minutes long).

Moretti himself plays a film director called Nanni, planning to shoot a musical but finds he can't while his wife, played by real-life wife Silvia Nono, is pregnant, so instead he chooses to make a documentary on the Italian elections. "Aprile" itself isn't a documentary but a very charming if hugely self-indulgent comedy on the director's life. It is, in its way, another "Dear Diary" with its tongue lodged firmly in its cheek. How you respond to it, of course, will depend on how you respond to Moretti. I love him and am happy to take almost anything he sends my way. He may be indulgent but he's certainly a lot funnier and more likeable than Roberto Benigni, (he's closer to being an Italian Woody Allen). When I wasn't laughing out loud, which was frequently, I had a permanent smile on my face. See this.

Aprile (1988)

I enjoyed this film as much as Caro Diario. I thought it was hilarious, although Nanni Moretti's humour is so deadpan I suspect some people may watch this film without realising that it's supposed to be funny. Also, as someone who is interested in Italian politics but finds it confusing, I found the political parts quite interesting. Still, the film is not really about Italian politics, it's about Nanni Moretti.

Italian director Nanni Moretti returns with another film with his distinct style and humor. Semi-fiction, semi-documentary, "Aprile" describe the thoughts of the director on politics, movies, his newly-born son. Although he uses the same materials as in his previous excellent film (Caro Diario), the result is not as fresh. The scenes about the Italian elections are quite weak, especially for a non-Italian. At least, it's good to see Nanni in such a good mood as a dad.