Amy
- 1997
- Tous publics
- 1h 44m
IMDb RATING
6.6/10
834
YOUR RATING
The story of a young girl who witnesses her dad's death on stage at a rock concert and becomes mentally mute/deaf; four years later, she discovers that she can only communicate by singing.The story of a young girl who witnesses her dad's death on stage at a rock concert and becomes mentally mute/deaf; four years later, she discovers that she can only communicate by singing.The story of a young girl who witnesses her dad's death on stage at a rock concert and becomes mentally mute/deaf; four years later, she discovers that she can only communicate by singing.
- Awards
- 10 wins & 4 nominations total
Osvaldo Maione
- Franco Rammus
- (as Oswldo Maione)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Amy is one of the first Australian movies in a long time to hit a true cord! For those that have hit a hard time and know what it is like to live on the outskirts after having been given a glimpse of the high life, this movie will hit home.
Performances by Rachel Griffiths, Alana De Roma & even Nick Barker are outstanding.
The soundtrack complimnents the film from every angle Nick Barker has outdone himself.
This is a movie that that moves and is capable of making us all feel.
On a side note even those of us that find Ben Mendelson annoying can live with his performance in this film!
Performances by Rachel Griffiths, Alana De Roma & even Nick Barker are outstanding.
The soundtrack complimnents the film from every angle Nick Barker has outdone himself.
This is a movie that that moves and is capable of making us all feel.
On a side note even those of us that find Ben Mendelson annoying can live with his performance in this film!
"Amy" is an Australian Post "(Almost) Famous "with the side themes of Rock 'n' Roll Giveth and Rock 'n' Roll Takes It Away, or Our Lives Were All Saved By Rock 'n' Roll.
Combining the kind of grittiness and optimistic magic realism of "Billy Elliott," with the Ozzie quirky characters of "Muriel's Wedding," "Amy" avoids over-sentimentalizing its story of a grieving rock star widow and daughter and the other dysfunctionals who befriend them against a range of outsiders.
The original music is enjoyable, the covers unusual and the little girl with the luminous eyes and surprising voice startlingly good.
Rachel Griffiths has great chemistry in a changing relationship with a strong Ben Mendelsohn as a reclusive musician who is as touched by the girl as she is by him.
The supporting nuts are great fun, especially when singing.
We also get a nice tour of Melbourne as a bonus.
(originally written 5/27/2001))
Combining the kind of grittiness and optimistic magic realism of "Billy Elliott," with the Ozzie quirky characters of "Muriel's Wedding," "Amy" avoids over-sentimentalizing its story of a grieving rock star widow and daughter and the other dysfunctionals who befriend them against a range of outsiders.
The original music is enjoyable, the covers unusual and the little girl with the luminous eyes and surprising voice startlingly good.
Rachel Griffiths has great chemistry in a changing relationship with a strong Ben Mendelsohn as a reclusive musician who is as touched by the girl as she is by him.
The supporting nuts are great fun, especially when singing.
We also get a nice tour of Melbourne as a bonus.
(originally written 5/27/2001))
The latest film from Australians Nadia Tass and David Parker (Malcom, The Big Steal, Stark, Mr Reliable, Ricky And Pete and Pure Luck) works superbly in some respects and woefully in others.
A little girl (Amy Enker) sees her rock star father (Nick Barker from The Reptiles) die from electrocution on stage. She then seems to be unable to speak or to even hear others. Her mother (Rachel Griffiths) refuses to have her daughter taken from her by welfare and they hide out in inner city Melbourne. There they meet assorted misfits and desperates including a musician called Robert (Ben Mendelsohn).
These film makers enjoy adding a slight touch of surrealism to their movies, especially to the peripheral characters. In Amy this takes the form of stupid eccentrics, in particular singing policemen, which some may find the most appealing element of the film but which I found annoying; only a distraction from that which is so much more effective.
The dramatic aspects of Amy are particularly strong. Rachel Griffiths and Ben Mendelsohn are two of our most emotive actors. The essential element of the film is the emotional pain the little girl and her mother are enduring caused by the death of a man they both loved dearly. Their grief is strongly portrayed.
The search by these two for a solution that may allow the daughter to escape her self imposed withdrawal from the world is poignant and demanded a film that steadfastly remained a drama.
Dad's electrocution, an utterly hateful paparazzi photographer and a helplessly crying young lad reeling from domestic violence and drunkenness are all I needed from Amy. The rest didn't fit at all.
It was also pretty unlikely that the little girl could sing so well, but hey, that's entertainment!
A little girl (Amy Enker) sees her rock star father (Nick Barker from The Reptiles) die from electrocution on stage. She then seems to be unable to speak or to even hear others. Her mother (Rachel Griffiths) refuses to have her daughter taken from her by welfare and they hide out in inner city Melbourne. There they meet assorted misfits and desperates including a musician called Robert (Ben Mendelsohn).
These film makers enjoy adding a slight touch of surrealism to their movies, especially to the peripheral characters. In Amy this takes the form of stupid eccentrics, in particular singing policemen, which some may find the most appealing element of the film but which I found annoying; only a distraction from that which is so much more effective.
The dramatic aspects of Amy are particularly strong. Rachel Griffiths and Ben Mendelsohn are two of our most emotive actors. The essential element of the film is the emotional pain the little girl and her mother are enduring caused by the death of a man they both loved dearly. Their grief is strongly portrayed.
The search by these two for a solution that may allow the daughter to escape her self imposed withdrawal from the world is poignant and demanded a film that steadfastly remained a drama.
Dad's electrocution, an utterly hateful paparazzi photographer and a helplessly crying young lad reeling from domestic violence and drunkenness are all I needed from Amy. The rest didn't fit at all.
It was also pretty unlikely that the little girl could sing so well, but hey, that's entertainment!
I rented Amy with hesitance after reading that it was an Australian movie, and to be quite honest with you, I am not a huge fan of the movies that are produced in my country. Amy, however, is a brilliant film which does not focus on the typical Australian stereotypes which have previously dominated the majority of Australian movies. Instead, it relies on fantastic acting, dry humour and an intriguing storyline to capture the audience's attention. As I watched, I found myself being drawn into the mystery of Amy, a young girl who became traumatised after watching an incident which is only revealed after her mother experiences flashbacks to the event in the middle of the movie. This particular scene is superbly acted by Rachel Griffiths, and precisely depicts why Amy has withdrawn herself into a world of silence. Amy is a fantastic film which showcases Australian film production at its very finest.
10starette
As there are no comments here on my fav film i thought i'd put one. I found this film amazing. I loved it. i have now watched it 4 times on video and thinking of watching it again this afternoon. It's a fine movie to show the world just how great and touching our movies can be. Rachel Griffiths and Alana De Roma were excellent. And all supporting cast were fab. And the songs were great and well picked for where they were put into the story. Okay i better get back to my h/w now. Then watch AmY again!
Did you know
- TriviaThe venue for the concert where Amy is found towards the end of the film is the Sydney Myer Music Bowl. It is located in gardens near the centre of Melbourne and is used for a wide range of functions, including concerts and Carols by Candlelight.
- GoofsWhen Amy is lost, her travels take her through a wide range of Melbourne locations representing a long, convoluted trip that would most likely be beyond the average 8-year-old child, requiring much walking and considerable use of public transport.
- Quotes
Tanya Rammus: Do you think that someone who can't speak could sing?
Dr. Urquhart: I once saw a woman who couldn't walk, but she could dance.
- How long is Amy?Powered by Alexa
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