Tesis

In Spain, Ángela Márquez (Ana Torrent) is a student of cinema preparing her thesis about the violence in the media. She approaches to the strange student of an another class, Chema (Fele Martínez), who is fan and has a collection of violent movies, to improve her research about this theme. She is receiving orientation of Prof. Figueroa (Miguel Picazo), who finds a `snuff' movie in the library of the university, showing the death of another student, Vanessa, violently killed by a man. While watching this film, Prof. Figueroa dies, and the new professor assigned to give orientation to Ángela, Jorge Castro (Xabier Elorriaga), questions many points in her thesis, inclusive the achievement of information. Meanwhile, Ángela is introduced to Bosco Herranz (Eduardo Noriega), a handsome and nice student of the university, and she suspects he made the violent movie and killed Vanessa. The plot is only resolved in the end of the film. The first film directed by Alejandro Almenábar that I watched was `Abre Los Ojos'. This masterpiece is very unknown here in Brazil. `Abre Los Ojos' is only available on VHS, and it certainly is in my list of the best thirty favorite movies. The common viewers only know the sophisticated and spoiled Hollywood version `Vanilla Sky'. The pretentious, wealthy and ham actor Tom Cruise impaired one of the most original screenplays ever made. Then I watched the marvelous `The Others'. Last month, his first movie, `Thesis', was released on DVD in Brazil. Yesterday I saw this magnificent low budget thriller. A very simple and realistic story, which keeps the viewer in tension until the last scene. There is no clichés, the performance of the cast is very credible, and it is impossible not to like this film. I did not know the meaning of `snuff' films. Based on these three foregoing mentioned movies, I dare to say that Alejandro Almenábar is the best new director of thrillers arose in the 90s. My vote is nine.

Title (Brazil): `Thesis - Morte Ao Vivo' (`Thesis - Death Live')

First effort by now affirmed Spanish director Amenebar, Tesis starts brilliantly (with a magnificent mix of music and images) and it develops perhaps too slowly and with a unsatisfying ending - at least for a mystery lover - butt it is for a rest a perfect machine explaining how a movie works, how it captures the attention of the viewers. Its aim and final analisys of the movie event and how violence is the basis of today's society could be debatable, but Amenebar has a gift to take good script and turn them in masterpieces.

"Tesis" is not only a tantalizing Horror Thriller, but is also an intelligent study of people's fascination with death and the imagery of death. Several movies about the topic of snuff films have come up in the last several years (8 MM, for example), this one is definitely the best.

Angela is a young woman who is writing a thesis on violence in the media, in order to get her degree in communication science. Doing research, she gets to know Chema, a fellow student who is obsessed with violent movies. Angela finds a snuff video of a girl tortured to death, Chema recognizes the girl as a former student from their school, who disappeared several years ago. Angela and Chema get themselves into great danger, trying to find out who killed the girl.

Thrilling from the first to the last minute, and sometimes quite shocking and disturbing, "Tesis" is a movie that will definitely not disappoint you if you're looking for suspense. But not only is the movie thrilling and entertaining it also makes some very interesting points in the questions why people are fascinated with death and violence, what the effects of fascination with violence are and how media are dealing with it. I'll never forget the beginning of the movie, when a suicide occurs in the Madrid subway and Angela, although she doesn't want to be 'fascinated with violence', can't help but try to get a look at the dead body.

The acting in the movie is very good, specially Ana Torrent as Angela and Fele Martínez as Chema. A good cinematography supports the suspense and the thrilling atmosphere. Alejandro Amenábar did a great job writing and directing this movie, one of the most thrilling of the 90's. A great horror thriller, researching people's fascination with violence and death, 'Tesis' is disturbing, terrifying and intelligent! 8 out of 10!

Tesis is one of the finest Spanish films of the last 10 years. God help us if Tom Cruise remakes this first Amenabar gem as he has Abre los ojos> Vanilla Sky coming soon, blech! Using the iconic gaze of Ana Torrent--see her at 6 in Spirit of the Beehive or at 10 in Cria!-- Amenabar makes an obvious but still gripping statement about modern society's facination with violence in the media. Using phenomenal tracking shots, cross-referenced pov and suspenseful tension to maximum effect, he and his cast convert what could have been a hack DePalma style Hitchcock ripoff into art. An awareness of contemporary Spain certainly helps, as much that we Americans consider passe was fairly new over there at the time (not in 2001, alas.) Fele Martinez at his best, too.

This film is an efficient thriller from Spain. It deals with the popular urban legend of "snuff" films (films which depict a real-life murder committed purely for the sake of the film).

The plot involves a young film student Angela (Ana Terrant) who is doing a thesis on cinematic violence. To research her thesis she seeks out the most extreme violence films she can find and accidentally stumbles upon a snuff film depicting the torture and murder of a fellow student from her university. She soon starts investigating the film.

The film is well-made and well-acted with several effective scares and twists. It's main message is that the people who watch violent films are in some way accomplices to the violent acts that they watch. This is an old point that has been made several times before. It also deals with the attraction of the forbidden. For example, in the opening scene, Angela goes to see a dead body on a railway track, partly because she has been told not to. Just when she, and the audience, are about to see the body she is stopped. In another scene, Angela is looking away from the snuff film but takes a quick look when she is told not to.