A high-profile murder intrigues a publicity hungry lawyer.A high-profile murder intrigues a publicity hungry lawyer.A high-profile murder intrigues a publicity hungry lawyer.
- Nominated for 1 Oscar
- 10 wins & 12 nominations total
- Director
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‘Snow White’ Stars Test Their Wits
Storyline
Did you know
- TriviaThis is Edward Norton's motion picture debut.
- Goofs(at around 1h 19 mins) It is stated by several characters that a plea cannot be changed mid trial. However, it is entirely possible to change a plea before sentencing.
- Quotes
[last lines SPOILER]
[while in a holding cell in the back of the courthouse]
Roy: Mr. Vail?
Martin Vail: Yeah?
Roy: [stammering] Will you t-tell Miss Venable I'm sorry? Tell her I hope her neck is okay.
Martin Vail: Yeah... I will.
[begins walking away, then turns back]
Martin Vail: Wait... What did you just say? What? You told me just a few minutes ago that you didn't remember. You blacked out. You "lost time" yet again. So, how do you know about her neck?
Roy: [slow clapping sardonically; sneers] Well... good for you, Marty. I was going to let it go at that. You was looking so happy just now. I was thinking, hmmm God. But to tell you the truth, I'm glad you figured it out, because I have been dying to tell you. I just didn't know who you'd wanna hear it from, you know? Aaron or Roy... or Roy or Aaron. Well, I'll let you in on a little secret. A sort of a client-attorney-privilege type of a secret, you know what I mean? It don't matter who you hear it from. It's the same story.
[stammering as Aaron]
Roy: [in a southern accent] I j-j-just... had to kill Linda, Mr. Vail.
[normal voice as Roy]
Roy: That cunt just got what she deserved. But... cutting up that son of a bitch Rushman? That was just a fucking work of art.
Martin Vail: You're good. You are really good.
Roy: Yeah. I did get caught, though, didn't I?
Martin Vail: So there never... there never was a Roy?
Roy: Jesus Christ, Marty. If that's what you think, I am disappointed in you, I don't mind telling you. There never was an Aaron... counselor! Come on, Marty! I thought you had it figured, there at the end. The way you put me on the stand like that? That was fucking brilliant, Marty! And that whole thing like "act-like-a-man"? Jesus, I knew exactly what you wanted from me. It was like we were dancing, Marty!
Martin Vail: Guard!
Roy: [as Vail walks away] Oh come on, don't be like that, Marty. We did it, man. We fucking did it! We're a great team, you and me. You think I could've done this without you? You're just feeling a little angry here, because you started to care about old Aaron, I can understand that, but... you know, love hurts, Marty. What can I say? Hey, I'm just kidding, bud! I didn't mean to hurt your feelings! What else was I supposed to do? Hey, you're gonna thank me down the road, because this is gonna toughen you right up, Martin Vail! You hear me? That's a promise!
- SoundtracksIntroitus: Cibavit Eos
by William Byrd
Performed by The Voices of Christ Church Cathedral Choir
Conducted by Stephen Darlington
Courtesy of Nimbus Records
Vail has made a fortune and a very public persona defending drug dealers and gangsters who are embarrassingly guilty of at least similar crimes to the ones of which they are accused. But then a case that is very much in the news arouses his interest - a choirboy is accused of the brutal butchering of a beloved priest. The manhunt for the blood covered suspect is even televised on local Chicago news. Vail goes to visit the suspect. He may be guilty but he is also a 19 year old stuttering kid (Edward Norton in his film debut) who at least claims he is innocent. Vail is intrigued so he takes the case pro bono. He is looking for a change of pace and this is it.
The obvious complicating factor is that the prosecuting attorney assigned to this case is his old lover (Laura Linney as Janet Venable). She saw their relationship as just one of his extended stay one night stands, he saw it as something more. And furthermore the DA is seeking the death penalty in this case.
It has several twists in it, some shocking at the time, others probably not so much considering that even in the 90s corruption in high office was not surprising to the public at all. It's probably not that well remembered today because it comes in rather late in Gere's best remembered performances and very early in Edward Norton's. Laura Linney's character was great, and a good job was done rounding out her character so that she wasn't just an easy love interest. She was a tough young female prosecutor who knew how to play the game, and Gere exploited that tough attitude in the courtroom.
I loved Alfre Woodard as the judge, someone who isn't afraid to carry a glass of iced tea into the courtroom. When someone in her chambers is obviously rattled and lights up a cigarette to calm down, she makes them put it out but then does offer a shot of bourbon instead. She is the definition of calm and smooth authority.
To say much more would be to give too much away, but I think it does still hold up almost 30 years later and I would still recommend it if you like courtroom dramas.
An interesting aside - There is a scene with Tony Plana and Richard Gere as they walk along with one of Gere's gangster clients. 14 years before they starred together in "Officer and a Gentleman" where they both played naval officer candidates. A coincidence? I don't know.
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $56,116,183
- Opening weekend US & Canada
- $9,871,222
- Apr 7, 1996
- Gross worldwide
- $102,616,183
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1