Phénomène

Original title: Phenomenon

IMDb RATING

6.4/10

87K

YOUR RATING

POPULARITY

Play trailer2:44

Drama Fantasy Romance Sci-Fi

An ordinary man sees a bright light descend from the sky, and discovers he now has super-intelligence and telekinesis.An ordinary man sees a bright light descend from the sky, and discovers he now has super-intelligence and telekinesis.An ordinary man sees a bright light descend from the sky, and discovers he now has super-intelligence and telekinesis.

See production info at IMDbPro

IMDb RATING

6.4/10

87K

YOUR RATING

POPULARITY

779

945

See production info at IMDbPro

Awards
- 7 wins & 8 nominations total

Videos3

Trailer 2:44

Official Trailer

Clip 1:05

Phenomenon: 15th Anniversary Edition

Clip 1:05

Phenomenon: 15th Anniversary Edition

Clip 1:14

Phenomenon: 15th Anniversary Edition

Photos98

+ 94

User reviews163

6.486.6K

Featured reviews

7=G=

Sometimes you just gotta go with it

"Phenomenon" is about a small town auto mechanic (Travolta) who experiences something he can only describe as being "light" and suddenly has peculiar powers such as being able to learn to speak Portuguese in 20 minutes or understanding Dianetics. At issue is, will these powers, which make him the object of fear and awe by the townsfolk, help of hurt his chances with his reluctant love interest (Sedgwick). An pleasant little folksy, Mayberry RFDish flick, "Phenomenon" sticks to the people story and doesn't go off into sci-fi-land as it conjures up the warm and fuzzies, takes a romantic turn with the best haircut & shave since "Wrestling Ernest Hemingway", and tries hard to deliver a message about what's important in life. Yes, the film gets a little sugary sweet but...okay, it gets a lot sugary sweet...but, if you go with it and don't fight it you'll be assured of a pleasant three star watch. Good stuff for sentimentalists. (B)

6ed_two_o_nine

Shot in the dark

Well I approached this movie with trepidation thinking this was going to be some pseudo babble about higher powers and higher beings. Instead I was pleasantly surprised without being blown away. Basically this is the story of George Malley (Travaolta) a small town mechanic who though an unexplainable phenomenon becomes able to function of a higher level, gaining the ability to process information like no other human being. This plays out affecting all his relationships and drawing attention from the wider world. There is lots to like here and Travolta is earnest enough, and maybe this is just me but I really struggle to accept him as a small town mechanic he is just not every day enough for me to carry of these sort of roles. But on the plus point he is supported by the ever wonderful Robert Duvall and Forrest Whittaker and his best friends. This has a good message at its core without being spectacular at anything. Would I watch it again. On a rainy day yes and preferably with my wife.

myklrichter

Travolta and Duval at their finest.....

This movie was, without a doubt, one of the finest ever made in a long, long time. I was expecting ti to take a sci-fi route with abductions and vulcan mind-melds...but the ending and explanation for George's predicament are not only plausable but heart-breaking. You cannot help but feel for a like George Malley. I didn't buy into too much of the hyseria surrounding the townsfolk as it seemed a little "tacked on"...but the performances by Travolta, Duval, Kyra Sedgwick and Forrest Whitaker made up for any shortcomings and plot holes. I have watched this movie time and time again and the combination of true emotional drama and a beautiful score nearly bring me to tears everytime. 9 out of 10.

10a16a16k

One of my all-time favorites.

This movie doesn't get the credit that it deserves. Travolta's speech at the end of the movie to the doctor is incredible. Rarely do I ever see a movie that acknowledges the value of a single human life like this movie does. Most movies glorify sacrifice. This movie glorifies life. I highly recommend it.

daghda_jim

More than it might seem to be

I think any movie that can be described as both (a) a Scientology recruiting pamphlet, and (b) an analogy to Jesus' life has to be a bit out of the ordinary. In some ways, this film reminds me of another seeming science fiction movie that really turned out to be about people's response to the unusual: `Charly' In both films an extraordinary increase in intelligence frightened the people around the main character; they just couldn't deal with it and feared him for it. The love story was a gem. Lacy had obviously been badly hurt by a past relationship, and simply didn't want to encourage George's love. But when he began to be hurt by the way some of his friends treated him, she warmed and opened her heart to him. The way George tried to describe how he looked at things differently and saw relationships that he'd never seen before reminded me of classical descriptions of the act of creativity in many fields. And it's a sad thing but true that we are all capable of concentrating harder and focusing on things to achieve more, but it's very difficult, and more often than not, we tend to take the easier road. Good thought-provoking flick.

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Storyline

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Did you know

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Trivia
Assuming the man in Dr. Bob Niedorf's (Brent Spiner's) question is from California, then the question is answered at 12:12 p.m. on July 26, 1996.

Goofs
Early in the film, George talks to the two children who are in their mother's pick-up truck parked on the street, with the boy sitting in the driver's seat pretending he's driving. George asks the boy to "Pop the hood", which is followed by the sound of the hood latch being released as though the boy did indeed release the hood from the driver's position. This is impossible, as vehicles of that pick-up truck's vintage (late '50's) did not have hood releases located inside the vehicle. Instead, the hood release lever was activated by reaching through the grill on the front of the vehicle.

Quotes
Dr. Bob Niedorf: All right, I'll start the questions, and I'll be timing your responses, and we'll be recording. Any questions?
George Malley: What's your first name?
Dr. Bob Niedorf: Uh, my first name is Bob.
[George reaches across the wide table to shake hands]
George Malley: Shoot, Bob.
Dr. Bob Niedorf: Right. Name as many mammals as you can in 60 seconds. Ready? Go.
[Starts stopwatch]
George Malley: Hmm. 60 seconds. Well, how would you like that? How about alphabetical? Aardvark, baboon, caribou, dolphin, eohippus, fox, gorilla, hyena, ibex, jackal, kangaroo, lion, marmoset, Newfoundland, ocelot, panda, rat, sloth, tiger, unicorn, varmint, whale, yak, zebra. Now "varmint" is a stretch; so is "Newfoundland" (that's a dog breed); "unicorn" is mythical; "eohippus" is prehistoric. But you weren't being very specific, now, were you, Bob?
Dr. Bob Niedorf: [pauses, then stops watch and laughs] Well! Ahh, I'll, uh - I'll try to be more specific. You ready for the next one?
George Malley: Shoot.
Dr. Bob Niedorf: Answer as quickly as you can... how old is a person born in 1928?
[starts stopwatch]
George Malley: Man or a woman?
Dr. Bob Niedorf: [stops stopwatch and pauses] Why?
George Malley: Specifics, Bob.
Dr. Bob Niedorf: Okay, one more time. How old is a MAN born in 1928?
[starts stopwatch]
George Malley: Still alive?
Dr. Bob Niedorf: [stops watch, pauses, nods] If a man is born in 1928, and he's still alive, how old is he?
[starts stopwatch]
George Malley: What month?
Dr. Bob Niedorf: [stops stopwatch] If a man was born October 3rd, 1928, and he's still alive, how old is he?
[starts stopwatch]
George Malley: What time?
Dr. Bob Niedorf: [stops stopwatch] 10 o'clock... PM!
[starts stopwatch]
George Malley: Where?
Dr. Bob Niedorf: [stops stopwatch; now impatient] Anywhere!
George Malley: Well, let's get specific, Bob! I mean, if the guy's still alive, born in California, October 3rd, 1928, 10 PM, he's 67 years, 9 months, 22 days, 14 hours, and...
[takes Bob's hand to see his wristwatch]
George Malley: ... and 12 minutes. If he was born in New York, he's 3 hours older, now isn't he?

Alternate versions
ABC network television version features alternate/new footage not present in the theatrical and home video releases.

Connections
Featured in Siskel & Ebert & the Movies: Striptease/Cold Fever/The Nutty Professor/A Perfect Candidate/Maybe, Maybe Not (1996)

Soundtracks
Love Child
Written by R. Dean Taylor (as R.D. Taylor), Frank Wilson (as F. Wilson), Pam Sawyer (as P. Sawyer) and Deke Richards (as D. Lussier)
Performed by Diana Ross & The Supremes
Courtesy of Motown Records Company, L.P.
By arrangement with PolyGram Film & TV Licensing