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5.6/10
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A motivational speaker discovers that the inheritance his father left for him is in the form of an elephant.A motivational speaker discovers that the inheritance his father left for him is in the form of an elephant.A motivational speaker discovers that the inheritance his father left for him is in the form of an elephant.
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Jack Corcoran (Bill Murray) is a struggling motivational speaker. When he gets a telegram that his absentee circus father had passed away, he doesn't know that he left him a giant elephant and $35k in damages. Now he must figure out what to do with the elephant, and how to get to California. He could get $30k with Mo (Janeane Garofalo) who's sending elephants to Sri Lanka for a breeding problem, or at least $40k to Terry (Linda Fiorentino) who has an animal circus.
It was probably a hilarious pitch to put Bill Murray with an elephant. I just don't know what they said to Bill to get him to do the movie. The biggest problem is that the whole story is really stupid. It's setup like a ridiculous sitcom. Bill has a few cute moments but it is mostly sad to see him fall so low. Matthew McConaughey puts in a ridiculous performance as a wild and crazy trucker.
It was probably a hilarious pitch to put Bill Murray with an elephant. I just don't know what they said to Bill to get him to do the movie. The biggest problem is that the whole story is really stupid. It's setup like a ridiculous sitcom. Bill has a few cute moments but it is mostly sad to see him fall so low. Matthew McConaughey puts in a ridiculous performance as a wild and crazy trucker.
This could have been a stupid, idiotic film. Well, actually, it /is/ a stupid, idiotic film. But it works, mostly because of Bill Murray's performance.
A man who has to unload his father's trained elephant does not make for a promising story, comic or dramatic. What makes this film work is Murray's generally laid-back performance. His character -- a motivational instructor who teaches patient and thoughtful behavior -- displays such. He rarely gets badly upset, and there's little of the frantic slapstick one would expect from other actors. (I suspect Roy Blount was consciously writing such a story.) When a reviewer states that the film misses the obvious sight gags its premise suggests -- well, that's the point of it, right?
This isn't a film that demands a second viewing. But it's far better than you might expect, and its refusal to assault the viewer is welcome. It's a perfect film when you don't want to watch anything demanding.
PS: I just love the parents who say this (and other films) are good family films because they lack sex, violence, adult language, etc. Unfortunately, most such films are garbage that pervert a child's taste.
A man who has to unload his father's trained elephant does not make for a promising story, comic or dramatic. What makes this film work is Murray's generally laid-back performance. His character -- a motivational instructor who teaches patient and thoughtful behavior -- displays such. He rarely gets badly upset, and there's little of the frantic slapstick one would expect from other actors. (I suspect Roy Blount was consciously writing such a story.) When a reviewer states that the film misses the obvious sight gags its premise suggests -- well, that's the point of it, right?
This isn't a film that demands a second viewing. But it's far better than you might expect, and its refusal to assault the viewer is welcome. It's a perfect film when you don't want to watch anything demanding.
PS: I just love the parents who say this (and other films) are good family films because they lack sex, violence, adult language, etc. Unfortunately, most such films are garbage that pervert a child's taste.
I remember seeing this movie with my Aunt a little after it came out in the theaters. We were the only people in the place and that shocked us because it turned out to be a very good movie. I remember saying to her that it was a good thing nobody else was there because we laughed as loud I ever have. I haven't seen it since then but I would love to see it again and find out if it is on DVD. It surprises me that this isn't at any of the rental places I have been to, including the almighty blockbuster. I think I was about 19 at the time it came out. This would be a great family movie too. I recommend seeing this. It is very underrated.
I think, if you take a moment, you can actually see that this movie is an interesting metaphor for the grieving process.
Grief can be seen as a big uncontrollable thing that you didn't even know was yours until you have it laid in your lap. Then you have to figure out what to do with it, maybe make friends with it. Maybe find some way to control it. And, eventually, you have to give it up.
Grief can be seen as a big uncontrollable thing that you didn't even know was yours until you have it laid in your lap. Then you have to figure out what to do with it, maybe make friends with it. Maybe find some way to control it. And, eventually, you have to give it up.
I would probably have given up on this movie had it not been showing in the middle of the night against infomercials and test patterns. It takes about 30 minutes before it really gets going, when Bill Murray and Vera hit the road. Bill Murray's performance is serviceable if unspectacular; it's a rather underwritten role that could have been played by most anyone, but the low-wattage version of Murray's charm does come through from time to time. Janeane Garofalo is well-used in a small role, but Matthew McConnaughey makes the most vivid impression in truly goofy part as an insane truck driver. Except for exposition, the first quarter or so of the film is dull, but the rest makes for pleasant if low-key entertainment. The "relationship" between man and elephant is genuinely touching.
Did you know
- TriviaThe airport scene was filmed in the San José, California airport.
- GoofsAs they are hitch-hiking, a truck pulls over and you can Bill have to step over the track for the camera dolly.
- Quotes
Jack Corcoran: You know, they say an elephant never forgets. But what they don't tell you is that you never forget an elephant.
- SoundtracksAfter You've Gone
Written by Henry Creamer and Turner Layton
- How long is Larger Than Life?Powered by Alexa
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $8,315,693
- Opening weekend US & Canada
- $3,779,504
- Nov 3, 1996
- Gross worldwide
- $8,315,693
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Un éléphant sur les bras (1996) officially released in India in English?
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