Au-delà du silence

Young Lara is in a most unusual situation: her parents are both deaf-mute, so she has to communicate for both of them. It's sort of a constraining situation, and when a relative gives Lara the chance to become a musician, her parents try to keep her at home. She will have to choose.

The idea of the daughter having to speak for her parents is not something that I ever would have thought about, but "Jenseits der Stille" (called "Beyond Silence" in English) made me think about it. It's always good to be able to see such intellectual stories, especially when Hollywood makes so many pointless blow-'em-up movies.

"Beyond Silence" is the story of a young girl who is a musical prodigy, but her parents have no appreciation for her talents because they are deaf. Immediately you can see how this brilliantly summarizes the plight of so many youngsters, across all generations, whose hopes and dreams fall on deaf ears. In that sense, this film applies to all of us regardless of whether we play music or grow up dealing with disabilities in the family. This story is universal and timeless.

Excellently acted all around (with the 2 deaf parents played by actors who are deaf in real life), I think the character who steals the show is the young girl Lara, age 7ish, played by Tatjana Trieb. She is intelligent and clever, often manipulating the situation to her benefit in a cheeky way (for example, acting as translator between her parents and her teachers but only translating what she wants them to know). In a subtle way, it sets the tone that our young protagonist is not a victim but rather a rebel who is willing to stand up for herself. Thus, even though the plot may seem like a frustrating ride, it's actually the opposite. The young girl is the one who's in control most of the time.

The story then jumps ahead several years with the role of Lara being assumed by Sylvie Testud, whom you may recognize from her role in "La Vie en Rose" 10 years after this. The young adult Lara is now living in Berlin and navigating her life away from her family, but there are complications. Enter the aunt, "Clarissa" (Sibylle Canonica) who is a complex character suffering from a host of mental issues due to always playing second fiddle to her deaf brother (Lara's father). As we see Clarissa become increasingly unhinged, possibly manipulating Lara's career for her own interests, the story takes on a deeper layer. It's this 2nd plot--relating to the collateral damage that a disability has on other family members--that really spices up the story.

"Beyond Silence" lots of food for thought, regardless of whether your life mirrors the lives of these characters. It's a thick family drama that revolves around the emotional friction within a family when people don't "hear" each other, literally or figuratively.

As the child of a single parent who is deaf, Beyond Silence is, in most aspects, a very true portrait of how I grew up. Scenes such as going to the bank and talking to the teacher were my actual experiences and difficulties I have faced all the time. It was just so real I couldn't help getting emotional as the story went on. For those who live or work with deaf or hard-of-hearing people, this is a must see; for those who don't, you should definitely see it as well and cherish your good sense of hearing -- being able to communicate easily is not a gift for everyone as most people take for granted.

when you totally give in to a movie, let down your guards, and are completely absorbed in the life of the characters, this is a good movie. i do not have deaf parents, i have a daughter (and the father daughter relationship was very touching for me, personally)but i just surrendered and thoroughly enjoyed the experience. i'd like to take this opportunity to thank my video store for having a foreign film library. i couldn't help but think of two things while watching this movie; 1.(and apparently many of you were thinking the same)is sign language the same in all countries? and don't laugh, 2. how this film compared to flashdance(bear with me)...and how it is obvious how flashdance was such a good idea on paper, but the translation to film was a complete failure. well..not complete, i liked it for one sit down. i will watch jenseits der stille again, as i do most subtitled films and enjoy it again. thank you ms. link, the cast and especially tatjana trieb and sylvie testud. you touched me.

German films are like a tombola.You pull a lottery ticket and mostly its waste money. But sometimes you have luck and your ticket is the jackpot. Caroline Link,the director,from Bad Nauheim,my home town,is with Tom Tykwer and Hans-Christian Schmid the only hope for the german film. It was her first film for the cinema and then it was nominated for the golden globe. Its a wonderful film. You can love,hate,dream,cry and laugh. The protagonists are all very believeable. Mrs.Link doesn t need any special effects or optical drumbaborium to tell her story. One newspaper wrote,as good as candle-light,and thats the perfect description of the film. And I want to add,as soft as snow-flakes.