Will and Maura decide to come to Ireland with their daughter and live on Maura's ancestral estate. But soon weird happenings around the house lead a local priest to confess that Maura's ance... Read allWill and Maura decide to come to Ireland with their daughter and live on Maura's ancestral estate. But soon weird happenings around the house lead a local priest to confess that Maura's ancestors practiced black magic.Will and Maura decide to come to Ireland with their daughter and live on Maura's ancestral estate. But soon weird happenings around the house lead a local priest to confess that Maura's ancestors practiced black magic.
- Director
- Writers
- Stars
Eamonn Draper
- Father Seamus
- (as Eamon Draper)
Triona Ui Chonsdale
- Charwoman 2
- (as Triona Ui Chongaile)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This was a letdown in many ways. The location filming in Ireland, though quite beautiful at times, cannot save this uninspired flick. Greg Evigan and Alexandra Paul, as the married couple trying to get their marriage back on track and who inherit a haunted mansion, just aren't interesting characters. Paul, towards the end of the film, becomes incredibly annoying and one wishes she would just close her mouth and shut up, as it seems she is screaming as if it has just become an Olympic event! Other problems with this film are odd segments that have nothing to do with the core of the film, such as the opening sequence with two cleaning women and the woman in a bed with a severed hand climbing over her writhing, naked body. Although the woman is quite adequate doing this it does nothing storywise. One is left thinking the production team needed to pad out a short running time and just tossed in some padding and a bit of T and A. The CGI effects are cartoonish as well and the fiery finale rivals co-executive producer Roger Corman's much earlier and far superior film The Fall Of The House Of Usher in all its ineffective cheapness. Any attempt at true tension and suspense, and as a result chills, are thrown out the window in this low budget bust. If you like images of Ireland you might find something here but you would do better renting or buying a travelogue. Skip this unless you are undiscriminating and think plot is secondary. Rent another low budget ghost story(if you can find it) titled The Woman In Black and see how good and scary a movie can be. This was a wasted opportunity.
All these one star reviews and claims of one of the worst movies ever are not accurate. You can go to the horror category at Netflix and Amazon Prime and 99% of those movies are far worse than this. I am not sure what people were expecting. It does borrow a little from poltergeist but so what? Movies borrow from each other all the time. Put Vincent Price with this same script and that alone would raise it two stars. That is how important acting is with low budget movies like Corman's. 4 to 5 stars is about right for this.
I saw this Film one midnight and I can say that it worse than other horror film about a Haunted House.Alexandra Paul is not one of the best actress but she can do the role better,The little girl get worse this is a example about a Bad actress,she has not got future in the great world of films. SENTENCE FOR HOUSE OF THE DAMNED:BAD
New Year's Day. The day after consuming a few too many vodka martinis and Cosmopolitans mixed with a bunch of bubbly at midnight, my wife and I discovered the local cable company is offering up the digital specialty channels for free for the month of January. We had a choice - do we make use of the freebie channels or do we start watching the eight seasons of X-Files on DVD that we received from our daughter for Christmas?
We elected for the digital freebie since the DVDs are going nowhere and we need something like ten twelve-hour days to watch all the X-Files beginning to end. The Drive-In channel was offering a horror classic three movie marathon: Asylum (1972), House of the Damned (1996) and The Pit and the Pendulum (1961). Asylum is well-reviewed here and the Pit and the Pendulum was on too late for us to watch which meant we could really only be properly critical for House of the Damned.
To be honest, we tried to be serious about the movie since its stars have reasonably good acting credentials - Greg Evigan (William Shatner's over-written Tekwars) and Alexandra Paul (the only Baywatch babe who could act although she has the body of a ten-year-old boy). Unfortunately, we soon dissolved to giggles, under the influence of a little hair-of-the-dog, as we each shouted out the names of movies from which this dog borrowed its scenes: Poltergeist, The Shining, Hell House, House On Haunted Hill, Ghost Busters!
The acting, especially by Evigan's real-life daughter, wasn't too bad considering the silly script they had to work with. The CGI, for 1996, was hilarious - at its worst point in the final scene when it should have been the most horrific it was so bad my wife and I dissolved in laughter.
Overall: Acting 4/5, Script 2/5, SFX 0/5
We elected for the digital freebie since the DVDs are going nowhere and we need something like ten twelve-hour days to watch all the X-Files beginning to end. The Drive-In channel was offering a horror classic three movie marathon: Asylum (1972), House of the Damned (1996) and The Pit and the Pendulum (1961). Asylum is well-reviewed here and the Pit and the Pendulum was on too late for us to watch which meant we could really only be properly critical for House of the Damned.
To be honest, we tried to be serious about the movie since its stars have reasonably good acting credentials - Greg Evigan (William Shatner's over-written Tekwars) and Alexandra Paul (the only Baywatch babe who could act although she has the body of a ten-year-old boy). Unfortunately, we soon dissolved to giggles, under the influence of a little hair-of-the-dog, as we each shouted out the names of movies from which this dog borrowed its scenes: Poltergeist, The Shining, Hell House, House On Haunted Hill, Ghost Busters!
The acting, especially by Evigan's real-life daughter, wasn't too bad considering the silly script they had to work with. The CGI, for 1996, was hilarious - at its worst point in the final scene when it should have been the most horrific it was so bad my wife and I dissolved in laughter.
Overall: Acting 4/5, Script 2/5, SFX 0/5
Given that Roger Corman attached his name to this production, I had high hopes for this film. Corman directed many memorable low budget horror flicks in the 1960's. I particularly enjoyed his adaptations of Poe's stories such as `The House Of Usher,' and `The Pit And Pendulum' and `The Raven' which starred the late great Vincent Price. These films had solid acting, atmosphere, suspense, strong characterization, intriguing plot development and delivered some chilling moments. Sadly, `House Of The Damned,' for the most part, sacrifices these qualities in lieu of cheesy low budget special effects, gratuitous nudity and mindless gore topped with cliche fast edits and camera angles.
`House Of The Damned' starts off interestingly with some beautiful location shots in Ireland, but it's straight downhill from here. Unfortunately, instead of spending some time building atmosphere, creating characters we might care about, or building suspense - the director opts to begin running up the body count. After a brief introduction to the lead characters, a young couple and their daughter, the audience spends the balance of the film being bounced from one `spooky' event to another which, in this film, substitutes for coherent plot development. The lead characters are so ill conceived and are so badly acted - the audience doesn't care what happens to them. To make matters worse, the `spooky' events are either utterly cliché or unconvincing due to low tech - low budget special effects. The soundtrack has been lifted from `The Omen.' The plot, what little there is, borrows heavily from `Poltergeist' and `The Legend Of Hell House,' but lacks any of the qualities which made these films convincing.
If you interested in seeing well done haunted house flicks, I recommend you check out classics like `The Haunting (1963),' `The Innocents (1961) or look into Corman's early American International films and pass on `House Of The Damned' unless you're masochistic or mindless.
3 ½ out of 10.
Rob Rheubottom
Wpg, MB. Canada
`House Of The Damned' starts off interestingly with some beautiful location shots in Ireland, but it's straight downhill from here. Unfortunately, instead of spending some time building atmosphere, creating characters we might care about, or building suspense - the director opts to begin running up the body count. After a brief introduction to the lead characters, a young couple and their daughter, the audience spends the balance of the film being bounced from one `spooky' event to another which, in this film, substitutes for coherent plot development. The lead characters are so ill conceived and are so badly acted - the audience doesn't care what happens to them. To make matters worse, the `spooky' events are either utterly cliché or unconvincing due to low tech - low budget special effects. The soundtrack has been lifted from `The Omen.' The plot, what little there is, borrows heavily from `Poltergeist' and `The Legend Of Hell House,' but lacks any of the qualities which made these films convincing.
If you interested in seeing well done haunted house flicks, I recommend you check out classics like `The Haunting (1963),' `The Innocents (1961) or look into Corman's early American International films and pass on `House Of The Damned' unless you're masochistic or mindless.
3 ½ out of 10.
Rob Rheubottom
Wpg, MB. Canada
Did you know
- TriviaBriana Evigan's debut.
- ConnectionsReferences Poltergeist (1982)
Details
- Runtime1 hour 23 minutes
- Color
- Sound mix
Contribute to this page
Suggest an edit or add missing content