Hamsun

First of all I'd like to say that this movie was more exciting than I would have thought it to be in the start. Which is always a plus. In the beginning it was odd to me that Knut Hamsun were played by a Swedish actor and his wife Marie Hamsun were played by a Danish actor. But to tell you the truth, after a while you hardly noticed the language difference. And they could probably not have found a better Knut and Marie for this movie. The movie starts right before the second world war, and the 'action' in it is mostly about the Hamsun family's life during the second world war and afterwards. It was kind sad that the movie started so late in Hamsun's life, seeing that he was around the age of 80 (?) in the war years. Because Knut Hamsun had an utterly exciting life before that, and the most of his writings were written before that. It was confusing to me who his kids were at times, seeing that they weren't introduced to us that well. This is a great movie about an Norwegian author who rather took side with the Germans during the second world war, since he despited the English. Or was he on the German side? this movie takes up this dilemma, which no one yet can be a 100% sure about. But just remember. This movie only takes the Last years of Knut Hamsun's life. You should know a few things about his life before this, if you want to understand the movie properly.

The extraordinary Max von Sydow stars in this terrific film about the fine line between complicity and collaboration in the life of a Noble Prize winning writer from Norway during the Nazi occupation. But this film is also so much more than that: it is a film about the complex and heart-wrenching relations between the writer, his wife and their children. Like "The Wonderful, Horrible Life of Leni Riefenstahl," this film asks where we draw the line in holding artists responsible for their art and actions in an oft confusing world. But it takes that question a step further in examining how his art may also have cost him his relationships with his wife and children.

This is a beautifully filmed, well-acted movie; a true character study of the inner lives of a family, particularly Knut Hamsun and his wife, Marie, evocatively portrayed by Ghita Norby. It is a subtle and slow-paced film in true Scandinavian fashion and von Sydow again shows us why he will be remembered of one of the finest actors of cinema's first 100 years. I highly recommend it, and for those who are interested in other movies dealing with this theme, especially as it relates to artists, so often regarded as naive regarding politics and how they are may be used and manipulated for political gain, I highly recommend "Mother Night," the aforementioned documentary about Riefenstahl, and "Mephisto."

Legendary director Jan Troell tells an uncompromising story from the Second World War in epic breadth and opulent images. His work avoids clear separations between good and evil. With Hamsun Jan Troell now makes use of a central protagonist who is both anti-hero and a victim of delusion. Late Max von Sydow offers the best portrayal of his life in the formation of Hamsun, an aloof, neck-wielding writer who was almost deaf completely dependent on his wife (Ghita Nørby). The film's plot begins in 1935, when Nobel Prize-winning Norwegian writer Knut Hamsun's passion for Hitler became increasingly known to everyone. The national bard is on the spotlight and becomes a traitor when he publicly speaks out for the German occupiers in 1940. It also portrays the relationship between Hamsun and his wife Marie in the years 1935 to 1952. They both sympathized with the Nazis, and this led to a lengthy trial against Hamsun which is one of the best highlights of the films.

Jan Troell tells of relationship and emotions at the end of the Second World War. He wraps the whole thing up in a melancholy drama, which is also loosened up again and again with a lot of dialog wit and humor. From the start, Troell has managed to break with classic clichés and shuffle the cards again and again. Hamsun is not what you would call entertainment, nor is it 100% clear who its audience is, but a good film nonetheless. The whole tragic tale is one of Jan Troell's yet again magic moments. He has so many of them. RIP Max von Sydow. there is plenty of competition, but his performance as Hamsun will be his greatest.

I expected an entirely different movie. Having read a single review when Hamsun was released, and having heard of him only from listings of Nobel Prize winners, I thought this would be about the traducing of a man's loyalty to country, the political evolution of an intellectual celebrity's thinking. It's not.

The movie is instead one of the most penetrating looks at a distinctive and more often than not failing, marriage I've ever seen. The examination begins after the couple have already been married 35 years; they are a tempestuous, often bitter, and jealous former author of children's books (and in youth, an actress) who desires love from her spouse - and a proud selfish ill-tempered intellectual author who lives in splendid rural isolation and admits his wife's nature disappoints him. The story of marriage is simply fascinating - even though the relations with their five children are cryptically portrayed.

It would be hard to ever better von Sydow's performance as Hamsun (or even as a man growing very old) - or the actress (previously unknown to me)who played his wife - they are simply astounding. I definitely recommend this movie - it is in the same vein as Cries and Whispers or Scenes from a Marriage.

The question I thought the film would address - the responsibility of someone for his words during wartime - is only glancingly struck. Without any attempt to whitewash Hamsun's written opinions favoring the Nazis who had occupied Norway, the movie's author clearly makes Hamsun more sympathetic as a human being as the movie continues.

I think few would agree about where the line should be drawn on punishment for one's opinions in a free society - when that society is at war. Most think those from the democracies who sympathized with the Nazis and Fascists during the Second World War (e.g., Ezra Pound, Celine, deKock, P.G.Wodehouse, Hamsun) are villainous. But is this because they sided with Nazis or because they sided with their country's enemies? Surely in a free society in peacetime, Ezra Pound's anti-semitic ravings and pro-fascist sympathies would not be punished as treason - any more than those who spoke, but did nothing, in favor of Stalin in America during the 1950s were ever tried for treason.

Clearly in a free society, the crime is not that one has taken a particular position, but that one has spoken in favor of an enemy during wartime. But if this is so, then what is one to say of those Americans who wrote to denounce the United States' war with North Vietnam? Or with Iraq? If we do refuse to label such writings as treason (and most probably do - few call for thousands of trials for treason), why? Could it be simply because neither Iraq nor North Vietnam was likely to so succeed that they would occupy the United States? If Iraq were winning so resoundingly that it now occupied parts of the United States, would writings denouncing the war and in favor of Iraq THEN be treason? Probably most would say so.

But by what logic does treason depend on whether one is winning or losing a war?

Further, if we assume a war between different ideologies, should those who have expressed sympathy for another country's ideology BEFORE any war - at a time when no one could have called it treason - be expected to completely forswear their former opinions the date the war is declared against that country? If so, is this not a strange definition of treason? That someone with PRE-WAR sympathies for a certain position must denounce his previous sympathies when his country goes to war against a country that shares his own beliefs?

Must someone perform an about face from his own repeatedly expressed views -- whenever his country enters a war - or be guilty of treason? Betray yourself or you betray your country? If so, is this not a demerit in any society professing to be free?

And yet no one can doubt that one's own country's success is badly affected (and conversely the enemy is uplifted) to the extent that influential people denounce their own government and praise the enemy - particularly when under enemy occupation.

The issues of treason for opinions are quite complex - but are scarcely touched on in this movie.

And that is fine - this is another movie altogether, psychologically penetrating, fascinating study of old age, of a poor marriage, of the unforeseen future as disappointment, of the yearning to die when old.

This Norwegian-Swedish-Danish-German coproduction directed by Jan Troell is quite a compelling watch.

Max von Sydow playing a great role as the old writer In his early 80'ies. The Norwegian Nobel laureate has written some profoundly world-renowned novels made into films since 1916.

This film takes on Hamsun's legacy as an anti-British and pro-nazi spokesman. It tells the naïve older man's belief in the 3rd Reich, but with Norway as a sovereign nation. He meets up with Hitler, who he admires, to ask him to save Norway from Reichskommisar Terboven.

Following the last years of Hamsun's life (he died in 1952) this film gives an upright depiction of the national hero ruining his reputation with his nazi sympathies.

The film lets Max von Sydow and Danish Gitte Nørby as his wife Marie Sydow speak their own native languages, even if both Knut and Marie was Norwegian. This is it first off-outting but you soon forget it. Why it's done? Maybe making it easier to accept that he was a traitor?

In Scandinavian filmography this is a must watch.