A salaryman, a drug addict and a yakuza go on a breathless three man chase through the streets of Tokyo, each for a different reason and fighting demons.A salaryman, a drug addict and a yakuza go on a breathless three man chase through the streets of Tokyo, each for a different reason and fighting demons.A salaryman, a drug addict and a yakuza go on a breathless three man chase through the streets of Tokyo, each for a different reason and fighting demons.
- Awards
- 2 wins & 2 nominations total
Diamond Yukai
- Kenji Aizawa
- (as Daiamondo Yukai)
Ryôko Takizawa
- Midori
- (as Ryoko Takizawa)
- …
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Japanese "Run Lola Run," his is one offbeat movie which will put a smile on just about anyone's face. Fans of Run Lola Run, Tampopo, Go!, and Slacker will probably like this one. It does tend to follow a formula that is increasingly popular these days of separate, seemingly unrelated vignettes, all contributing the the overall story in unexpected ways. catch it if you see it, otherwise wait for the rental.
An entertaining and substantive film, Non-Stop has drawn deserving comparisons with "Run Lola Run". The film quickly develops into a chase sequence, during which the viewers learn about the three main characters through flashbacks and daydream sequences. The chase serves not as as a fast-paced climax, but as a journey that makes up the majority of the film. During the "run" we see the characters grow and momentarily forget about their dreary lives, about the "macho" roles they've bought into, and eventually forgetting about why they started running in the first place. Much like fighting provided a "clarity" for the characters in "Fight Club," running provides this film's characters with a means to step away from the false values that we all allow society to create for us. Their running serves as way to truly taste life from an unclouded perspective, and all three find some level of clarity and joy in the process.
My appreciation and enjoyment only wavered slightly in the ending of the film, where instead of learning from their experience, the characters seem to revert to acting out those false macho roles I thought they had escaped from through their journey.
Still, the only true problem with this film is that it wasn't distributed outside Japan sooner.
My appreciation and enjoyment only wavered slightly in the ending of the film, where instead of learning from their experience, the characters seem to revert to acting out those false macho roles I thought they had escaped from through their journey.
Still, the only true problem with this film is that it wasn't distributed outside Japan sooner.
This movie has a very simple yet clever premise - an unemployed man trying to steal from a convenience store, and the store clerk catches him in the act... the thief runs away with the store-clerk right after him. All the while, the store clerk is in trouble with a low-rank Yakuza chinpira (gangster). Along the chase for the thief, they catch the eye of the Yakuza who's been looking for the convenience store clerk. The story then moves into high gear in the form of a Tom & Jerry (cat & mouse), but is added with the dog chasing after the cat. The entire 2nd act of D.A.N.G.A.N. Runner (can be translate to English as "PINBALL RUNNERS") is about the chase, and the chase goes on & on to the point that by the end of the 2nd act, the bum forgets why he is running away, and the Yakuza don't remember which of the 2 guys he is chasing, nor does he remember why they're running away from him.
Similar to SABU's later film POSTMAN BLUES, the bulk of the film is simply all chase and action, with plenty of physical comedy and dark humor injected to keep the audience engaged. What falls short is the ending, to which the chase stops when the three men run out of steam, and into one of the most chaotic Mexican stand-offs you'll see on film that looks almost as if Sabu was paying homage to Tony Scott's TRUE ROMANCE (written by Quentin Tarantino).
Similar to SABU's later film POSTMAN BLUES, the bulk of the film is simply all chase and action, with plenty of physical comedy and dark humor injected to keep the audience engaged. What falls short is the ending, to which the chase stops when the three men run out of steam, and into one of the most chaotic Mexican stand-offs you'll see on film that looks almost as if Sabu was paying homage to Tony Scott's TRUE ROMANCE (written by Quentin Tarantino).
I finally saw this film tonight after renting it at Blockbuster (VHS). I have to agree that it is wildly original. Yes, maybe the characters were not fully realized but it isn't one of those movies. Rather, we are treated to the director's eye, his vision of what the story is about. And it does not stop. And to be honest, I didn't want it to. I do believe that Sabu had to have influenced the director's of 'Lock, Stock & Two Smoking Barrels' and 'Run, Lola, Run'. But I absolutely loved the way the three leads SEE the beautiful woman on the street to distract them momentarily. I really need to see this director's other work because this film really intrigued me. If you want insight, culture, sturm und drang, go somewhere else. If you want a laugh, camera movement and criminal hilarity, look here.
This film is listed as a comedy, but it's not the "laugh out loud" type. In fact, there is some pretty serious subject matter involving a bank robbery, heroin addiction and the Japanese mafia. It's comparable to "Run Lola Run" in that yes, there is a lot of running! But it also shares "Lola's" non-linear story line. Some people may find this confusing. It's also similar in some respects to "Lock Stock and Two Smoking Barrels" as you learn (eventually) that all the characters introduced are connected in some way.
It helps to have some knowledge of the Asian culture (even if you learned it through Jackie Chan movies). The Asian's emphasis on honor and saving face is a key driving force for these characters. The relationship between the yakuza/mafia guys and their boss/master is laughable to an American sensibility. The motivations these guys have to run all over town in a marathon chase would never work in this country.
If you can be patient and wait it out, the plot will fall into place. If you don't like movies you have to figure out, or if you get lost during flashbacks, you probably won't enjoy this one. Don't expect a knee-slapper, but there are a few good chuckles (some probably unintended) and interesting plot twists.
P.S. If shaky hand-held camera work a la "Blair Witch" makes you queasy, beware!
It helps to have some knowledge of the Asian culture (even if you learned it through Jackie Chan movies). The Asian's emphasis on honor and saving face is a key driving force for these characters. The relationship between the yakuza/mafia guys and their boss/master is laughable to an American sensibility. The motivations these guys have to run all over town in a marathon chase would never work in this country.
If you can be patient and wait it out, the plot will fall into place. If you don't like movies you have to figure out, or if you get lost during flashbacks, you probably won't enjoy this one. Don't expect a knee-slapper, but there are a few good chuckles (some probably unintended) and interesting plot twists.
P.S. If shaky hand-held camera work a la "Blair Witch" makes you queasy, beware!
Did you know
- ConnectionsReferenced in Cours, Lola, cours (1998)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Non-Stop
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $38,442
- Opening weekend US & Canada
- $23,402
- Nov 12, 2000
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