Broken Arrow
- 1996
- Tous publics
- 1h 48m
Terrorists steal nuclear warheads from the U.S. military but don't count on a pilot and park ranger spoiling their plans.Terrorists steal nuclear warheads from the U.S. military but don't count on a pilot and park ranger spoiling their plans.Terrorists steal nuclear warheads from the U.S. military but don't count on a pilot and park ranger spoiling their plans.
- Awards
- 1 win & 3 nominations total
Jeffrey Stephan
- Shepherd
- (as Jeffrey J. Stephen)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
John Woo's continued attempt to translate his foreign success into Hollywood gold sees him take on bigger stars than Van Damme in Christian Slater and the resurrected star of Travolta. Slater and Travolta play pilots testing a new bomber, when one of them decides to steal the missiles on board the other must begin a personal fight to stop him.
As with Hard Target this is a solid enough action movie but it really could have been made by anyone, Woo's style only really comes through in a few scenes (the birds eye view of the opening boxing match, double handed gun play). This is a shame because the action scenes only occasionally get better than average.
The plot is weak and relies a lot on coincident and luck to keep things moving. This is quite insulting to an audience because it just shows that the script writers couldn't fix the plot as a workable story and decided to try and get this past. Travolta overplays the villain well, but perhaps overdoes the ticks and the madness a bit too much to be believable. Slater clearly wants to be like Keanu was in Speed but doesn't convince as an action hero, Mathis is cute but that doesn't make her performance good - she pretty much a non-entity and doesn't really have much chemistry with Slater.
Again a solid action movie that is OK for a Saturday night, but with the stars, the budget and a director of this calibre you can't help but feel this was a missed opportunity.
As with Hard Target this is a solid enough action movie but it really could have been made by anyone, Woo's style only really comes through in a few scenes (the birds eye view of the opening boxing match, double handed gun play). This is a shame because the action scenes only occasionally get better than average.
The plot is weak and relies a lot on coincident and luck to keep things moving. This is quite insulting to an audience because it just shows that the script writers couldn't fix the plot as a workable story and decided to try and get this past. Travolta overplays the villain well, but perhaps overdoes the ticks and the madness a bit too much to be believable. Slater clearly wants to be like Keanu was in Speed but doesn't convince as an action hero, Mathis is cute but that doesn't make her performance good - she pretty much a non-entity and doesn't really have much chemistry with Slater.
Again a solid action movie that is OK for a Saturday night, but with the stars, the budget and a director of this calibre you can't help but feel this was a missed opportunity.
Frustrated by having spent years and years of being passed up for promotion, disgruntled and maniacal Air Force officer Travolta crash lands a US plane in the middle of the Utah desert where he and his cohorts plan to hold two nuclear warheads for ransom. The only ones who can stop him are his junior officer/co-pilot (Slater), who forms an unlikely team with a reluctant park ranger (Mathis), to try and thwart his diabolical scheme. Woo's one of a kind action scenes make the film worth watching, but they're outweighed by a mediocre script with too many improbabilities and excessive coincidences. Travolta's sinister villain is terribly overacted, and more laughable than menacing. **
Usually I'm the first person to label this sort of movie. Look at it. It's got the usual assortment of cliches and conventions. The John Woo directed action scenes stretch over the top. There's a mentally unstable talkative nemesis, a predictable betrayal and even one of those bombs that graces us with a digital readout. All prerequisites for movies of a certain quality and after saying all that - I'd usually be complaining about now.
Yet for one reason I can't. This movie really entertained me. It finds a way to come together in a really enjoyably manner and I'm happy with what I got. I can't bad mouth it. Nothing got in my way of everlasting enjoyment of seeing baddies die, bombs going off and the baritone guitar instrumental. It just all clicks from the get-go.
If your reading this you don't need me to recycle the plot summary. It's of a trivial nature. Good action, decent cast and a fun atmosphere go a long way with Travolta ultimately holding it all together. He plays his role to the hilt and delivers some fantastic lines. Him and Slater tango pretty well too. Travolta makes for a great bad guy and good action movies require great bad guys. Chances are anyone else in Broken Arrow and you'd be reading a completely different review. A guilty pleasure if there ever was one.
Yet for one reason I can't. This movie really entertained me. It finds a way to come together in a really enjoyably manner and I'm happy with what I got. I can't bad mouth it. Nothing got in my way of everlasting enjoyment of seeing baddies die, bombs going off and the baritone guitar instrumental. It just all clicks from the get-go.
If your reading this you don't need me to recycle the plot summary. It's of a trivial nature. Good action, decent cast and a fun atmosphere go a long way with Travolta ultimately holding it all together. He plays his role to the hilt and delivers some fantastic lines. Him and Slater tango pretty well too. Travolta makes for a great bad guy and good action movies require great bad guys. Chances are anyone else in Broken Arrow and you'd be reading a completely different review. A guilty pleasure if there ever was one.
If you want an action film in which the hero has a personality, and the bad guy has an even better personality, take a look at Broken Arrow. John Woo's choreographed action is not as dramatic as the Matrix-clone films that are so common today. He is great at creating interesting relationships between heroes and villains, and this film is a good example.
John Travolta is terrific. Christian Slater breaks typecast by playing a nice, sane soldier doing his duty. The love interest isn't an idiotic supermodel playing a nuclear scientist or something, but a park ranger, also doing her duty. She is cute, earthy, and actually believable.
If you want a film that will repeat every aspect of every other military adventure film you have ever seen, you will be disappointed. If dialog bores you, skip this film. If you like action movies filmed entirely in parking garages and spooky allies, then you will not appreciate the settings in this film in America's majestic West.
John Travolta is terrific. Christian Slater breaks typecast by playing a nice, sane soldier doing his duty. The love interest isn't an idiotic supermodel playing a nuclear scientist or something, but a park ranger, also doing her duty. She is cute, earthy, and actually believable.
If you want a film that will repeat every aspect of every other military adventure film you have ever seen, you will be disappointed. If dialog bores you, skip this film. If you like action movies filmed entirely in parking garages and spooky allies, then you will not appreciate the settings in this film in America's majestic West.
"Broken Arrow" is a good action film about a Stealth pilot (John Travolta) who steals nuclear weapons one night during a practice mission. His goal is to sell the weapons back to the United States government by blackmailing them. Old partner Christian Slater is willing to stop Travolta at all costs with the help of ranger Samantha Mathis. Howie Long makes an impressive film debut as Travolta's evil henchman. The screenplay is smart enough to work and the direction is fast and furious. A film that is about as good as it can be. 4 stars out of 5.
Did you know
- GoofsMilitary pilots aren't allowed to box due to the risk of head injury. Any loss of consciousness will DNIF (Duty Not Including Flying) a pilot and require a medical review. Especially the fact that Deakens and Hale are boxing without wearing protective headgear.
- Quotes
Giles Prentice: A Broken what?
Secretary Baird: Broken Arrow. It's a Class 4 Strategic Theatre Emergency. It's what we call it when we lose a nuclear weapon.
Giles Prentice: I don't know what's scarier, losing nuclear weapons, or that it happens so often there's actually a term for it.
- How long is Broken Arrow?Powered by Alexa
Details
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $70,770,147
- Opening weekend US & Canada
- $15,583,510
- Feb 11, 1996
- Gross worldwide
- $150,270,147
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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