The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.
- Nominated for 3 BAFTA Awards
- 10 wins & 7 nominations total
Kenneth Colley
- Greasley
- (as Ken Colley)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
You don't have to be a fan of brass bands to enjoy "Brassed Off", but it couldn't hurt. The music is a central focus of the film, but not as a compromise to the story of a town in turmoil. Coal mines being shut down in the name of progress puts many men out of work which naturally also jeopardizes the existence of the colliery band. The music combined with brilliant storytelling (and editing) is merely a platform for some superb acting, particularly from Pete Postlethwaite.
Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.
Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.
Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.
Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.
Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.
Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.
I was lucky enough to catch this movie in the theater and still luckier to come across it again on video. How anyone can call it a comedy is beyond me. Yes there are some laughs, but there are far more tears; some of pain, some of joy. This is a drama with a sense of humor. You have to keep a sense of humor to survive when life kicks you in the gut.
I've read some reviews condemning the politics of this film. Well, I applaud the political message. I grew up near an industrial town; one centered on the auto industry, heavy machinery, and agri-business. As I got older, I watched it disintegrate, through the 70's and 80's, as the grain embargo, auto industry woes and recession bled the life out of the town. It has never recovered. Many of us felt that Reagan and Thatcher, and their descendants, were monsters who sold their people out for a quick buck; while the parties that were supposed to represent the workers and middle class joined in the takings. To us, this isn't an anti-Thatcher film; it's the truth.
The performances of this film, particularly Pete Postlethwaite and Stephen Tompkinson, as well as Ewan McGregor and Tara Fitzgerald are top notch. There is a sweet and painful romance here; but it is the community of the miners, through the life of the band, that is the center here. The music is beautiful and will move you. The piece played as the pit closure is finalized stirs so many emotions. The rendition of "Danny Boy" brings tears to your eyes. The review in our local alternative paper said the surprise near the end would reduce even the hardest heart to tears, and they were right.
There is so much to see and love about this film, regardless of your political beliefs. Music does matter, but the people who create it matter, too. Communities matter, love matters. This is what good filmmaking is all about. See this film. You'll laugh a bit, cry a lot, get angry, become sad; but, you'll never be bored.
I've read some reviews condemning the politics of this film. Well, I applaud the political message. I grew up near an industrial town; one centered on the auto industry, heavy machinery, and agri-business. As I got older, I watched it disintegrate, through the 70's and 80's, as the grain embargo, auto industry woes and recession bled the life out of the town. It has never recovered. Many of us felt that Reagan and Thatcher, and their descendants, were monsters who sold their people out for a quick buck; while the parties that were supposed to represent the workers and middle class joined in the takings. To us, this isn't an anti-Thatcher film; it's the truth.
The performances of this film, particularly Pete Postlethwaite and Stephen Tompkinson, as well as Ewan McGregor and Tara Fitzgerald are top notch. There is a sweet and painful romance here; but it is the community of the miners, through the life of the band, that is the center here. The music is beautiful and will move you. The piece played as the pit closure is finalized stirs so many emotions. The rendition of "Danny Boy" brings tears to your eyes. The review in our local alternative paper said the surprise near the end would reduce even the hardest heart to tears, and they were right.
There is so much to see and love about this film, regardless of your political beliefs. Music does matter, but the people who create it matter, too. Communities matter, love matters. This is what good filmmaking is all about. See this film. You'll laugh a bit, cry a lot, get angry, become sad; but, you'll never be bored.
Director is Mark Herman but the movie themes remind Ken Loach and its stories about people losing jobs but keeping their dignity... Basically everything is inspired by events that really took place over Margaret Thatcher Government (when the film is set). Miners living in a Yorkshire small town (Grimley), when laid off, try to continue the activity of their band, though sadness due to economic repression is a real threat to it. But Ewan McGregor and Pete Postlewait (who on earth might forget him after "In the name of the father"?) are really powerful, two thumbs up. Altogether I really appreciated the way this film tells of fight for self-respect and courage.
The Colliery Brass Band has survived two world wars, depressions and is still playing. However the threaten closure of the pit itself puts the band under threat although many of the band fear the wider implications. Danny Ormondroyd remains focused on his music despite sickness and his son's spiral of debt. While a relationship between of the band turns sour when she is found to be working with the pit's management. The band's music becomes an allegory for the plight of the workers.
Released a year before The Full Monty made working class British comedy a Hollywood hit, this has a lot more realism and a lot more heart. The story deals mainly with the plight of the miners betrayed and deserted by the Tory Government and the bands corresponding struggle to survive and overcome. The metaphors are good but not heavy basically the story can work if you don't see the parallels. The story works best due to the level of emotion the story carries. This has a lot of heart and builds to a wonderful standoff that brings a message without being preachy.
The cast are excellent. Postlethwaite is top class as Danny and delivers a metaphor for the dying mine itself not interesting in politics, just trying to keep producing the ethics he always has but all the time knowing his time is coming. Equally as good is Tompkinson a complex role, full of emotion and he deasl very, very well with it to me his was the performance of the film. Fitzgerald is a little weak but a pre-Jedi McGregor is solid in support. The rest of the band is fleshed out by solid UK faces and do well.
Overall this is a great little film. It deals with heavy politics but mixes human drama effortlessly. It delivers message without preaching or shouting and it is driven by a fantastic cast.
Released a year before The Full Monty made working class British comedy a Hollywood hit, this has a lot more realism and a lot more heart. The story deals mainly with the plight of the miners betrayed and deserted by the Tory Government and the bands corresponding struggle to survive and overcome. The metaphors are good but not heavy basically the story can work if you don't see the parallels. The story works best due to the level of emotion the story carries. This has a lot of heart and builds to a wonderful standoff that brings a message without being preachy.
The cast are excellent. Postlethwaite is top class as Danny and delivers a metaphor for the dying mine itself not interesting in politics, just trying to keep producing the ethics he always has but all the time knowing his time is coming. Equally as good is Tompkinson a complex role, full of emotion and he deasl very, very well with it to me his was the performance of the film. Fitzgerald is a little weak but a pre-Jedi McGregor is solid in support. The rest of the band is fleshed out by solid UK faces and do well.
Overall this is a great little film. It deals with heavy politics but mixes human drama effortlessly. It delivers message without preaching or shouting and it is driven by a fantastic cast.
"Brassed Off" is a surprisingly tough anti-Thatcher flick, and I did have some problem with the thick accents now and again.
While I could have done with a bit more romance, there was an excellent story line of working class difficulties to attend to that is similar to downsizing heartbreak here.
Pete Postlethwaite as the band leader/black lunged ex-coal miner was terrific, but so was Stephen Tomlinson as a guy with just everything against him under so many pressures.
Yeah it's a heartwarming story of trying to keep dignity vs. Big Business, it's not a fantasy but upliftingly realistic.
Ewan MacGregor took what could have just been the male ingénue role and was quite intense with it.
Amazingly - there's no child abuse in it, what a relief these days. Everyone here really loves their kids, their jobs, their community, their colliery band. It's just the Tories (and management) they hate.
I just hate to think how hopeless things are for them after the movie ends.
(originally written 6/14/1997)
While I could have done with a bit more romance, there was an excellent story line of working class difficulties to attend to that is similar to downsizing heartbreak here.
Pete Postlethwaite as the band leader/black lunged ex-coal miner was terrific, but so was Stephen Tomlinson as a guy with just everything against him under so many pressures.
Yeah it's a heartwarming story of trying to keep dignity vs. Big Business, it's not a fantasy but upliftingly realistic.
Ewan MacGregor took what could have just been the male ingénue role and was quite intense with it.
Amazingly - there's no child abuse in it, what a relief these days. Everyone here really loves their kids, their jobs, their community, their colliery band. It's just the Tories (and management) they hate.
I just hate to think how hopeless things are for them after the movie ends.
(originally written 6/14/1997)
Did you know
- TriviaPete Postlethwaite was heavily criticized by ex-miners for claiming he supported the 1984 strike, but believed people should never burn coal. The last remaining coal mines in the UK closed largely as a result of the 2008 Climate Change Act.
- GoofsThe result of the vote for redundancy seems to take place on a Saturday, when the regional final for the brass band is also held. Some miners are shown leaving their shift. Saturday work had been eliminated from the National Coal Board long before the film is set. An announcement as important as a redundancy vote would not have been made on a Saturday.
- Crazy creditsOn some prints, the words "The End" remain onscreen as three additional lines of "definitions" are added one by one underneath:
- 1. closure (as in 140 pits since 1984)
- 2. termination (as in 250,000 jobs)
- 3. conclusion (as in draw your own...)
- Alternate versionsThe British release does not have the dictionary definitions at the start or end of the film. These were added to the American release to introduce the US audience to British slang. The end of the film has the same information, but just as normal text.
- SoundtracksDeath Or Glory
Written by Robert Browne Hall (as R. B. Hall)
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Tocando el Viento
- Filming locations
- High Street, Grimethorpe, Barnsley, South Yorkshire, England, UK('In Cod We Trust' fish and chip shop and Spar supermarket)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,576,331
- Opening weekend US & Canada
- $52,534
- May 26, 1997
- Gross worldwide
- $2,597,310
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