Fox is developing a drama series about the richest man in the world having to flee his private island after a global financial collapse.
Billionaire Apocalypse (w/t) comes from The Morning Show creator Jay Carson, who will write, and exec producers including Hugh Jackman, Pulp Fiction producer Lawrence Bender and Kevin Brown, exec producer of Starz’ Flesh and Bone.
The network is unveiling the project at Mipcom, where it is hunting for international partners.
Fox Entertainment Studios is producing and it will be distributed internationally by Fox Entertainment Global.
The series follows the richest man on the planet, 200 of his employees, and his family as they are forced to flee to his private island in the wake of a global financial collapse, where the employees and family members — who he’s treated as afterthoughts for decades — quickly realize he’s no longer rich and thus no longer in charge.
Billionaire Apocalypse (w/t) comes from The Morning Show creator Jay Carson, who will write, and exec producers including Hugh Jackman, Pulp Fiction producer Lawrence Bender and Kevin Brown, exec producer of Starz’ Flesh and Bone.
The network is unveiling the project at Mipcom, where it is hunting for international partners.
Fox Entertainment Studios is producing and it will be distributed internationally by Fox Entertainment Global.
The series follows the richest man on the planet, 200 of his employees, and his family as they are forced to flee to his private island in the wake of a global financial collapse, where the employees and family members — who he’s treated as afterthoughts for decades — quickly realize he’s no longer rich and thus no longer in charge.
- 10/21/2024
- by Peter White
- Deadline Film + TV
Fox said late Sunday night that it is developing a drama series tentatively titled Billionaire Apocalypse that hails from The Morning Show creator Jay Carson and counts Hugh Jackman among its executive producers.
The drama, from Fox Entertainment Studios for the Fox network, is written and executive produced by Carson, creator and writer of Apple+’s Emmy-nominated Morning Show. Also serving as exec producers are Lawrence Bender (Flesh and Bone, Pulp Fiction) and Kevin Brown (Flesh and Bone, Trumbo).
The logline for the drama: “The richest man on the planet, 200 of his employees, and his family are forced to flee to his private island in the wake of a global financial collapse, where the employees and family members — who he’s treated as afterthoughts for decades — quickly realize he’s no longer rich and thus no longer in charge.”
The project, which has received a script commitment, is being distributed worldwide by Fox Entertainment Global.
The drama, from Fox Entertainment Studios for the Fox network, is written and executive produced by Carson, creator and writer of Apple+’s Emmy-nominated Morning Show. Also serving as exec producers are Lawrence Bender (Flesh and Bone, Pulp Fiction) and Kevin Brown (Flesh and Bone, Trumbo).
The logline for the drama: “The richest man on the planet, 200 of his employees, and his family are forced to flee to his private island in the wake of a global financial collapse, where the employees and family members — who he’s treated as afterthoughts for decades — quickly realize he’s no longer rich and thus no longer in charge.”
The project, which has received a script commitment, is being distributed worldwide by Fox Entertainment Global.
- 10/21/2024
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
During the opening frames of Sam Pollard’s “The League,” a wistful and profound documentary about the rise and fall of the Negro Leagues, baseball hall-of-famers Hank Aaron and Monte Irvin share how they played the game as kids, even when they had nothing more than broomsticks.
As footage of Black kids playing on a sandlot rush by, what’s being discussed isn’t merely successful men reminiscing about their past hardships, they’re talking about how they overcame those obstacles through resourcefulness and guile. Pollard’s newest incisive documentary about one of the largest Black-owned businesses in America, the Negro Leagues, is filled with those gems of perseverance and adaptation.
And yet, Pollard doesn’t skirt from the deeply felt dangers that afflicted these athletes living under the cloud of systemic racism. He tells this history through his narration and chronologically. He begins by straightening a misconception: Though Jackie Robinson broke the color barrier,...
As footage of Black kids playing on a sandlot rush by, what’s being discussed isn’t merely successful men reminiscing about their past hardships, they’re talking about how they overcame those obstacles through resourcefulness and guile. Pollard’s newest incisive documentary about one of the largest Black-owned businesses in America, the Negro Leagues, is filled with those gems of perseverance and adaptation.
And yet, Pollard doesn’t skirt from the deeply felt dangers that afflicted these athletes living under the cloud of systemic racism. He tells this history through his narration and chronologically. He begins by straightening a misconception: Though Jackie Robinson broke the color barrier,...
- 7/7/2023
- by Robert Daniels
- Indiewire
Rating: 2 out of 5 stars
Jackie Robinson breaking the color barrier in baseball was not only a great moment for sports but a great moment in American Civil Rights Movement. Baseball was the national pastime at a time when racial segregation was still a subject amongst half the population. And the fact that an African American was going to have a prominent role on a baseball team seemed ludicrous. But, “White Man’s Guilt” is still prominent in America that is none more evident than in the latest Jackie Robinson biopic, “42”.
The story of Jackie Robinson is a valiant one in which he had to go through struggles in order to feel accepted in a previously all white sport. But, he is no saint. However, Brian Helgeland, a white filmmaker, decides to treat his story as one of sainthood. This is disappointing from the guy who wrote about the sordid streets...
Jackie Robinson breaking the color barrier in baseball was not only a great moment for sports but a great moment in American Civil Rights Movement. Baseball was the national pastime at a time when racial segregation was still a subject amongst half the population. And the fact that an African American was going to have a prominent role on a baseball team seemed ludicrous. But, “White Man’s Guilt” is still prominent in America that is none more evident than in the latest Jackie Robinson biopic, “42”.
The story of Jackie Robinson is a valiant one in which he had to go through struggles in order to feel accepted in a previously all white sport. But, he is no saint. However, Brian Helgeland, a white filmmaker, decides to treat his story as one of sainthood. This is disappointing from the guy who wrote about the sordid streets...
- 4/18/2013
- by Patrick Hao
- Obsessed with Film
It’s spring training for baseball, a time when even Cubs fans can be hopeful despite knowing that, sooner or later, this year’s team will break our hearts as every Cubs team has done for over a century. Truth is, if the Cubs ever won the World Series, their mystique would be gone. Their legend is based on being losers.
As baseball season is upon us, and tonight is the Academy Awards, I want to look back not only at the game but at my favorite baseball movies. For my taste, there is something better about baseball films than there is in films for any other sport. There’s a duality to it; baseball is played by teams but it comes down to individuals – batter versus pitcher.
So here, in no particular order, are my favorite baseball films. I’m not saying they’re the best but they are...
As baseball season is upon us, and tonight is the Academy Awards, I want to look back not only at the game but at my favorite baseball movies. For my taste, there is something better about baseball films than there is in films for any other sport. There’s a duality to it; baseball is played by teams but it comes down to individuals – batter versus pitcher.
So here, in no particular order, are my favorite baseball films. I’m not saying they’re the best but they are...
- 2/26/2012
- by John Ostrander
- Comicmix.com
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