Dernières heures à Denver

This is an excellent film that has interesting characters, a tricky plot line and alot of cool phrases/sayings. This is a movie critizied for copying Pulp Fiction, but it's not the same kind of movie. It's script was made before Pulp Fiction and is more complex then Pulp fiction. Steve Buscemi is a standout in the cast as a deadly hitman named Mr. Shh, and also noticeable is Treat Williams who is the psychotic Critical Bill. This is a totally original film that should be recognized and talked about, it only had bad timing on it's release.

One of the greatest appeals of this film is its vernacular. Aside from being cast beautifully by talented actors in diverse roles set in an interesting story, it's the dialogue that is extremely memorable. That, and its great title.

And with such a great cast and dialogue, I'm absolutely stunned as to how this great little film slipped through the cracks and didn't get a wider audience. Its theatrical run here in Toronto was limited, actually I'm making an assumption, I don't recall a listing for it, but before you knew it, it was gone. Perhaps it wasn't marketed well or supported strongly enough.

I have recommended this film and lent it to many friends and every one of them has enjoyed it. I generally say, if you liked "Pulp Fiction", another film which is well cast and with great dialogue, then you will likely enjoy this one also.

One of my favourite quotes from the film (or any) comes from a supporting player. Andy Garcia as "Jimmy The Saint", seeks the advice of Bill Cobbs, playing "Malt", a Soda Jerk, on whether he should impregnate his hooker friend as a favour to help straighten her out, Malt sarcastically replies:

"That's just what the world needs... the unholy offspring of you two bag-o-smashes. That kid will be the anti-christ for sure… 666 written all over it."

Christopher Walken plays a memorable role of a crippled mob boss, known as "The Man With The Plan" who is disturbed by his son Bernard's manic and sexually obsessive behavior after having been dumped by the love of his life for another man. The Man With The Plan insists that Jimmy, come back to work for one job, an action, to scare the living daylights out of this new beau, and tell him to stay away from Bernard's former girlfriend.

Jimmy is given the option to assemble his old crew for this action, which he does. A strange bunch of men who have been long out of any illegal action, some of whom miss it, and others whom do not.

And that's just about where it gets real interesting.

The story is laden with character revelation from a old wiseguy who just doesn't shut up and scenes from everyday people who offer their wisdom to videotape at Jimmy The Saint's legitimate but failing business, "After Life Advice" for people who are terminally ill and wish to pass on a legacy to their loved ones beyond the grave.

Everyone involved with this film should be proud of their accomplishment. It is a great film and unfortunately hasn't been seen by many, by my account anyway. Let's see if we can't change that.

This film is very unique and it features a stellar cast including the great Andy Garcia, the talented Christopher Lloyd and the brilliant Christopher Walken, who;s performance is exceptional even though it is a small part.

This film is very memorable featuring great performances especially from Steve Buscemi playing the hitman. It also has very creative and quotable dialogue inluding the term boatdrinks.

I recommend this to anyone who is a fan of the crime genre or anyone who is a fan of the cast. Watch this film, quote the dialogue and be a gangster yourself.

I just wanted to choose one movie out of all the movies I've seen - per chance, I've got something like a list - and vote for it here. I happened to choose "Things to Do in Denver when You're Dead", I read a few comments, voted my 8 out of 10 and then I thought: Well, I guess I could easily write an own comment about this one quite quickly. So here is what I feel about it.

Generally, I'm a person who objects decisively to too much violence and obscenity, but still I like so much about this movie. I would have avoided many scenes and sure it is also a bit too pathetic, but it's also melancholic and poetic. Never before "good gangsters" have been as likeable as here - despite all that exaggerated kind of stuff they talk. As I told you, there is this dark poetry in this picture. The jeopardy of life in which the gangsters find themselves, their only hopes and the way they take it. There is also an unhappy love-story in this movie, no special one whereof you'd remember anything great or particularly touching, but it fits into the picture.

Already when you watch the opening scene of the movie - which you might feel quite uncomfortable about - you know that this is a unique and unconventional movie which doesn't like the word *taboo*. Therefore - there IS too much violence and obscenity in it. But also this is - depending on the way you look at it - fascinating: You don't care when someone is shot, but nethertheless you think you DID care for the main characters.

And finally the performances must be mentioned. They are really extremely fine and very charming. First of all Andy Garcia's in the lead. I've seen him in a few other movies before, but I didn't know what a good actor he is. In this movie he is absolutely brilliant, he's so very likeable - and melancholic when still full of joy. Christopher Walken of course is always fine, as is Christopher Lloyd as the leper (if he actually is one, tasteless but very very grotesque and funny!) and it's Treat Williams who stands out. Fairuza Balk also deserves being mentioned. And - it's some time ago that I saw the movie, so I can't actually recall why, but - I remember that I also enjoyed Jack Warden, who had a supporting role, very much.

I feel that a hell of a lot of ppl missed the point on this one; it is less a Tarantino-esque hip, Godfather mob drama, than a meditation on life and death, and the frustration of mortality.

Centered around Garcia's character Jimmy, the film follows him tying up his loose ends, after his gang botch up an 'action', and are given a 48hr suspended death sentence by bitter crimelord Walken, before the deadly assassin Mr Shh (Buscemi) is called in. Feeling responsible, and desperate to tie up as many loose ends in his life, the film finds Jimmy constantly striving to choose between options, and to try and finish nobly, and rectify his perceived wrongs. These include trying to secure his fellow gang members (Lloyd, Nunn, Forsythe and the crazed Williams), ensure the wellbeing of prostitute Balk, and ignore his love for Anwar, to avoid dragging her in with him. Throughout it all, Jimmy only succeeds in isolating himself further, fighting his fears and dreams with his logic and pride. Yet as Warden narrates, there is a sense that Jimmy's peace is just around the corner, if only he can do the right things.

Garcia truly tranmits his character's pain and suffering, most pertinently through the changing look on his eyes and face as the deadline nears - he tries to maintain his grace, but cant quite hide his fears. All the support are great - Walken and Buscemi as per usual are suitably fearful, Williams and Lloyd in particular represent lost souls going down defiantly very well, whilst the underused women are perfect - Anwar doing well with unhelpful scenes, and Balk truly outstanding as the prostitute with the zeal and realism that Jimmy so badly needs. The dialogue is at times cheesy and clunky, and the mob feel somewhat overdone, but the film feels true, and makes a valuable point about targets, and the temporality of life. And it refuses to lose hope, as proved by the final boat scene.

Similar to Spike Lee's new film, the issues of mortality, and aspirations and dreams are key. The film's sombre tone is perfect - not too downbeat (there are many hilarious and happy moments), but enough to make us understand the importance of the issues at stake. Aside from staunch, happy-to-be-cynical other imdb reviewers, the film will affect, and perhaps even instruct. Recommended.