Darkly Noon - Le jour du châtiment

While driving through the forest to the isolated house of the lovers Callie (Ashley Judd) and Clay (Viggo Mortensen), the driver Jude (Loren Dean) finds a young man fainted on the road. He rescues the stranger and the sensual Callie welcomes him while Clay is retired in the woods. When he awakes, he tells his name, Darkly Noon (Brendan Fraser), and explains that his religious parents had been killed in their house by the furious locals and he had successfully escaped with his bible. Clay returns and accepts the presence of the new-comer in his house. Along the next days, Darkly becomes sexually obsessed by the sexy Callie and uses flagellation to punish himself for his desire. When the confused Darkly meets the deranged widow Roxy (Grace Zabriskie) in the woods, she tells him that Callie is a witch that killed her husband and that bewitches young men. When Roxy commits suicide, the insanity of the fanatic Darkly leads him to punish the sinners.

"The Passion of Darkly Noon" is another excellent and underrated movie of director Philip Ridley. I do not understand how this awesome director has only two movies in his filmography (the other is fantastic "The Reflecting Skin"). Today I have watched "The Passion of Darkly Noon" for the second time and this movie still very impressive. The story has drama, romance, eroticism and suspense, supported by magnificent direction, top-notch performances, beautiful landscapes and an awesome soundtrack. In 1995, Brendan Fraser proved for me that he is a great actor with his performance of a young man living in a conflictive situation between his religious credo and his carnal desire in spite of being miscast, since his character is a kid and Brendan was twenty-seven year-old in 1995, the same age of the sexy Ashley Judd (both were born in 1968). This gorgeous actress in her first lead role has an extremely sexy performance, with some of the hottest scenes of the cinema history with the great actor Viggo Mortensen. Unfortunately this disturbing movie is recommended for very specific audiences only. My vote is eight.

Title (Brazil): "Paixões na Floresta" ("Passions in the Forest")

In this film, Bredan Fraser shows he can strech to many different roles. It is quite a change from his sweet, the boy next door characters. Drakly is a disturbed young man who loses his parents, who raised him with stict religeous beliefs. He meets Callie, played by Ashley Judd. Soon he starts to fall for her but is torn by his religous belief. As he starts to lose all traces of sanity you feel compassion and fear for him. Altough the film opens many questions, in the end they are answered. When Darkly really starts to lose his mind you begin to fear him. In the end you almost feel sorry for him and realize the effect he really had on Callie and you begin to feel sorry for all the characters involved. This is not a typical Bredan Fraser film, and if you enjoy suspense I would definitely recommend this film.

I stumbled upon this movie years ago and only recently was I reminded of how great this movie was. Brenden Frasier and Ashley Judd were totally unknown to me at the time so I can't really compare any of their more recent works to this movie, but I can tell you that this movie has stayed with me for more than 6 or 7 years. I can't understand why anyone wouldn't be drawn in to the madness that is Darkly. His innocence alone would pull you in and beg for your compassion. I don't care what anyone else tells you, if you truly love great writing and movies that get to you where no other ones can, then you have to see The Passion of Darkly Noon. It's a dark thriller with a fabulous one-sided love story tragedy. Maybe I'm just biased for emotionally disturbing thrillers with twisted story lines that are not so far fetched that you can't relate on some levels.

This is an unusual film. The summary above does a fair description of the plot, but what it doesn't describe is the air of magic around the forest and everyone's encounters within it. It's hard to describe this, except to say that the film both brings you together with one character's descent into madness while also introducing you to people who seem as though they stepped right out of a story book.

At times, it has the feel of some children's tale of a lost soul wandering through the woods, encountering various odd characters. Some are endearing, some are frightening. The difference is that this isn't a children's tale, and the emotions and imperatives are being experienced by adults, though not always with a mature sense of self-control.

Ashley Judd is both eerily wistful and intensely sensuous as a young lady seemingly without any concept of shame or self consciousness, and deeply in love. Brendan Fraser does a credible job of portraying an inexperienced, painfully conflicted child-man and seems to sweat this tension from every pore.

The weirdly named Darkly Noon (Brendan Frasier) is the sole survivor of a Waco-style massacre and a religious fanatic. He is taken in by Ashley Judd, who lives in a isolated cabin in a huge forest. The first set of tensions come when Noon's strong attraction towards Judd clash with his religious beliefs. The second arise when Judd's mute boyfriend Viggo Mortensen returns. And then hermit Grace Zabriskie befriends Noon and tells him Judd is a witch.

This is pretty impressive stuff from writer and director Philip Ridley. He's not afraid to risk being pretentious and, in truth, he is at times. Mostly, though, he creates an unsettling, powerful piece with the texture of a nightmare. Surreal at times (a giant, glittering boot floating down a river?) it conveys the powerful and enigmatic nature of both human emotions and the unexplored forest. It's clear that things are going to end bloody but, crucially, you can't guess for who; because at times it seems the coquettish Judd might be a witch.