A 20-something, irresponsible party girl is bailed out of jail by her librarian godmother. To repay the loan, she starts working at the library and gradually turns her life around.A 20-something, irresponsible party girl is bailed out of jail by her librarian godmother. To repay the loan, she starts working at the library and gradually turns her life around.A 20-something, irresponsible party girl is bailed out of jail by her librarian godmother. To repay the loan, she starts working at the library and gradually turns her life around.
- Awards
- 1 nomination total
The Lady Bunny
- The 'Lady' Bunny
- (as The 'Lady' Bunny)
Anthony DeSando
- Derrick
- (as Anthony De Sando)
John Ventimiglia
- Tough Guy
- (as Johnny Ventimiglia)
Timothy Duperron
- An it Twin
- (as Tim Duperon)
Featured reviews
8tavm
After 20 years of only hearing about this quirky comedy, I finally watched this on a DVD I borrowed from the, yes, library. Parker Posey is Mary-the title character who ends up working at the place where books are borrowed because a friend (her godmother who she calls by her first name, Judy) of her late mom is one of the employees there. But Mary, well, she's not always the most responsible of people. Still, she's quite charming especially when dancing or just wearing many of her stylish outfits either in the streets or at the dance clubs she frequents. Ms. Posey is funny and stunning throughout the movie. And her charms are multiplied every time she speaks. And I liked many of the mostly unknown supporting cast that's presented here. So on that note, I highly recommend Party Girl.
This film is a delightful, light hearted look at both sides of where the "club kid" rave scene blends with the New York art, music and performance art worlds (with a cameo by the omnipresent Miss Bunny). This is "Torch Song Trilogy" for the perky-post-teen girls. "That Girl" for our disaffected, affected millennium times.
The dialogue is fast and funny, and Parker Posey's costumer deserves - if not an academy award, at least - a stadium "wave" of kudos.
Of course, this film rests on the very stylish platform heels of Miss Posey, and she is perfectly cast. Like a lot of her acting work, it may not be very deep, it is often self-referential and, well, posey... but it all WORKS. She is a talented comedienne, an incredible entertainer, and this film entertains, she carries it on her shoulders like a faux leopard wrap, and never lets it drop to the floor.
Mary is a superficial party fashionista who isn't above stealing designer clothing from a friend's closet or making out with someone else's boyfriend. On a deeper level, this is a story of a girl and her friends who are care-less in every sense of the word, including about other people; and the process of learning that caring is necessary to life.
The script is beautifully crafted, witty, and the only performance that disappoints is the Aunt, in a role that was much too one-dimensional and heavy handed; a more nuanced performance from her, would have deepened the relationship between the two... but... hey... this is comedy. A surprisingly deep role, that gives this film some substance and world vision, is the fallafel selling boyfriend. We should all be so lucky... is he the one for Mary? or the one that gets away?
I rate this as a 8 because it isn't a great moment of film history, it is not a classic, and it is not great art (all of which get deeper and richer on re-viewing). Like "Desperately Seeking Susan" it represents something very true about it's time period, but may become irrelevant with time. Still, it has everything an entertaining film needs, and is worth viewing several times for the clothes alone!
The dialogue is fast and funny, and Parker Posey's costumer deserves - if not an academy award, at least - a stadium "wave" of kudos.
Of course, this film rests on the very stylish platform heels of Miss Posey, and she is perfectly cast. Like a lot of her acting work, it may not be very deep, it is often self-referential and, well, posey... but it all WORKS. She is a talented comedienne, an incredible entertainer, and this film entertains, she carries it on her shoulders like a faux leopard wrap, and never lets it drop to the floor.
Mary is a superficial party fashionista who isn't above stealing designer clothing from a friend's closet or making out with someone else's boyfriend. On a deeper level, this is a story of a girl and her friends who are care-less in every sense of the word, including about other people; and the process of learning that caring is necessary to life.
The script is beautifully crafted, witty, and the only performance that disappoints is the Aunt, in a role that was much too one-dimensional and heavy handed; a more nuanced performance from her, would have deepened the relationship between the two... but... hey... this is comedy. A surprisingly deep role, that gives this film some substance and world vision, is the fallafel selling boyfriend. We should all be so lucky... is he the one for Mary? or the one that gets away?
I rate this as a 8 because it isn't a great moment of film history, it is not a classic, and it is not great art (all of which get deeper and richer on re-viewing). Like "Desperately Seeking Susan" it represents something very true about it's time period, but may become irrelevant with time. Still, it has everything an entertaining film needs, and is worth viewing several times for the clothes alone!
Parker Posey flashes her 1,000-kilowatt smile frequently in this film, and your enjoyment of the movie will rely primarily on how smitten you are by Posey's quirky charm.
Count me as a follower. I think Posey is a hoot in everything she's in, incapable of giving an ordinary performance. I have a feeling that in "Party Girl" she plays a variation of herself, but that's just fine with me. She appears in virtually every frame of the film, but the movie isn't much of anything without her, so I welcomed the overdose of Posey.
The script for "Party Girl" feels half-assed, though I did appreciate the existential crisis faced by Posey's character and the shelter she seeks in the Dewey Decimal System as a way of bringing order to her chaotic existence. I wish the screenwriters had taken clever hooks like that further. And the ending had a conventional, all-loose-ends-tied-up quality that would better suit a television sitcom than an out-there indie film.
But none of these faults take anything away from Posey herself, so really, how serious can they be?
Grade: B
Count me as a follower. I think Posey is a hoot in everything she's in, incapable of giving an ordinary performance. I have a feeling that in "Party Girl" she plays a variation of herself, but that's just fine with me. She appears in virtually every frame of the film, but the movie isn't much of anything without her, so I welcomed the overdose of Posey.
The script for "Party Girl" feels half-assed, though I did appreciate the existential crisis faced by Posey's character and the shelter she seeks in the Dewey Decimal System as a way of bringing order to her chaotic existence. I wish the screenwriters had taken clever hooks like that further. And the ending had a conventional, all-loose-ends-tied-up quality that would better suit a television sitcom than an out-there indie film.
But none of these faults take anything away from Posey herself, so really, how serious can they be?
Grade: B
"Party Girl" is one of my all time favorite movies. The movie portrayed early 90's raving very well. Raves became distorted in later movies and television shows trying to depict that era of clubbing. The only show I can think of at the moment is "Saved by the Bell: The College Years" where Zack, wearing all plaid, has an idea to have a rave on campus, decked out with black lights, horrible music, and "whip-its."
"Party Girl" set itself apart from these stereotypical rave-umentaries by showing how raves (true raves) were not glow-stick, lolly-sucking teenage rebellion-fests. Posey, showing style and attitude, portrayed an over-the-top character who isn't necessarily perfect, but plays her part well. The movie isn't all about drugs, like other genre movies such as "Playing Mona Lisa." Posey played a girl that I know many of.
The movie epitomized the early 90's rave era. Watch this movie at least once just for Posey's performance.
"Party Girl" set itself apart from these stereotypical rave-umentaries by showing how raves (true raves) were not glow-stick, lolly-sucking teenage rebellion-fests. Posey, showing style and attitude, portrayed an over-the-top character who isn't necessarily perfect, but plays her part well. The movie isn't all about drugs, like other genre movies such as "Playing Mona Lisa." Posey played a girl that I know many of.
The movie epitomized the early 90's rave era. Watch this movie at least once just for Posey's performance.
This is very 90's with rave culture and house music everywhere. It's nothing earth shattering and Parker Posey's character can at times be grating and obnoxious, but it's infectious and slight enough to still be enjoyable, even if only as a time capsule.
Did you know
- TriviaOn June 3, 1995, it became the first feature film to be shown in its entirety on the Internet through Glenn Fleishman's Point of Presence Company (POPCO). Parker Posey appeared live in the POPCO offices to introduce the film and welcome Internet viewers.
- Crazy creditsTHE "LADY" BUNNY ... ITSELF
- SoundtracksMama Told Me Not to Come
Written by Randy Newman
Performed by The Wolfgang Press
Courtesy of 4ad Records by Arrangement with Warner Special Products
Used by Permission of Unichappell (BMI)
- How long is Party Girl?Powered by Alexa
Details
Box office
- Budget
- $150,000 (estimated)
- Gross US & Canada
- $472,370
- Opening weekend US & Canada
- $57,237
- Jun 11, 1995
- Gross worldwide
- $472,370
- Runtime1 hour 34 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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