La fièvre d'aimer

This is a film a lot of people didn't see. It is just a simple tale of a younger rich man who shacks up with an older much poorer, working class woman who works at a hamburger joint called White Palace. The name is obviously taken from the East Coast burger chain White Castle. Susan Sarandon picks up a drunk James Spader in a bar and takes him home for a night of sweet lovin'. The love scenes that follow are actually very erotic and sexy, not dull like most Hollywood love scenes.

We need more stories like this. You always see movies with MUCH older men with MUCH younger women: Sean Connery and Catherine Zeta Jones in Entrapment, Jack Nicholson and Helen Hunt in As Good As It Gets...etc. Where are all the stories of younger men with older women? Welp, this film is one of 'em. And this is one younger guy who likes what he sees when he sees White Palace. Like it said on the poster of this movie: "The story of a younger man and a bolder woman."

Truth to tell I only watched this movie recently because I consider Susan Sarandon one of our finest actors. Also, I'm going add, one of our sexiest actors too. Ms. Sarandon gets the most from this role by underplaying the part with most of her interpretation deriving from her facial expressions. And, I have to admit, that if she can excite a 70 year-old man with her sexual magnetism as she did me, she has it all over some of the so-called younger sexy actresses. There was one scene that bothered me though, the Thanksgiving dinner scene where Spader's Jewish family is depicted as shallow and bigoted, something like Woody Allen's family in one of his films. Also, why the director ended the picture with that hokey table-top nonsense in a crowded restaurant is beyond understanding. It detracted from the reality of the film.

Wonderful romance and character study between two people who live on the opposite sides of the tracks.Two strong but stereotypical people pair up and evolve into very un-stereotypical unit and try to function in a hostile enviroment. The acting in the movie is so good it surpasses the diologue. The loss and love Spader communicates with just his eyes is a sight to behold and Sarandon projects a dichotomy of neediness and strength.

This movie contains one of the best endings in movie history, right up there with Green Card. A truly uplifting movie that conveys joy, hope, and victory. What more can a woman ask for? And James Spader is a hunk!!

i read the reviews of loved and hated this film, and as you can guess i am on of the ones that have loved it. I can understand that people find the story implausible, because of the age difference and the social and cultural differences of the love story. i suppose having been in a few love across the divide love stories myself i identify and understand the motivations of the two characters and what the director is trying to say. Both James Spader and Susan Sarrandon are lost in the film, James had lost his lover and all meaning in his life, and Susan has lost her son, and her self respect and is being self destructive to herself. She has a truth which she teaches him on their first meeting, where she accurately reads him, and shows him how to let go and have a good time and have contact. The original sex scene which some people hate in the reviews is my all time favourite. If the sexes were reversed it would verge on rape, but because it is female on male it doesn't feel that way. the way she holds him down catches him unawares and drags him into this sexual and emotional awakening is what makes it so electrifying for me. James spader's night after rejection of her rings true, and for most people it would end there....but he goes on and they really learn off each other...maybe as i have found in real life it would end, but i think that love is about two people coming together having contact being together loving and learning from each other.

So may people that i see staying together in so called sensible compatible marriages don't have what you see these two having together for however long.......

I liked James Spader's performance; demonstrating as it does a vulnerable quality I didn't know he had. All those wistful looks off into the distance, and the general aura of a man beaten down by life make for something that – I have to say - is pretty touching! This softer element he brings to the part was a nice change from seeing him do the sleazeball routine for the umpteenth time... The movie itself is reminiscent of Pretty Woman in spots, and is a pleasant surprise. An offbeat sleeper on Sarandon's resume.

It's got that whole 'you can't rationalise who you love' motif, which I'm all too aware of, in my everyday living... (of course)

The whole 'keeping things around for show as an empty token of status' philosophy of some of the protagonists pals is a nice comment on the world of yuppie superficiality that James Spader's characters themselves have often been found immersed in. The movie could easily have been just another bland melodrama, but these themes provide a refreshing and unexpected counterpoint.