Toto le héros

This movie is sheer visual poetry. Although it is in subtitles and I don't speak a lick of French, I found myself not needing to read the subtitles as the visuals told the entire story. This is rather impressive, as the story is very complicated. It tells the tale of one man's life by interweaving four different elements of his life: Childhood, Middle-Age, Old-Age, and a Film Noir Fantasy World. To give it even more of a chance of being confusing, these elements are not shown chronologically. However, "Toto..." is not confusing at all. It pulls off this complicated plot beautifully. This movie truly is a Modern Day Classic!! DVD? When? Criterion Edition!

Jaco van Dormael, I love you. When I first saw this film in a dilapidated arts cinema in Cambridge on a cold winter's night, I wasn't expecting much. The only review I'd read was mildly sniffy. It was French, it was about la condition humaine. I thought it'd be a reasonable way to pass a couple of hours.

When I emerged from that dark pit of a cinema, I felt, at least for a while, as if my eyesight had been transformed. As we walked back to my friend's flat, I became fixated on one thing after another - the rain upon the cobbles, the light on the church, the darkness of the sky - I felt about five years old all over again. Since then, this film has never been out of my top five. And probably never will.

That is not say it's perfect. It's message is perhaps a little too bleak for my liking, and it does indulge itself in the precept that life it utterly meaningless. But how the visuals of the film contradict that sentiment! Every shot filled with colour, with life, with imagination.

In a way, Toto is an old-fashioned film - a thriller in the Third Man/Citizen Kane mold - a complex story unfolding in a semi-linear fashion, in this case throughout one man's whole life. Dour realism this certainly ain't. A wonderfully naive 40s (?) style chanson reappears, as the adult 'Van Chickensoup' watches his dead father sing from the back of a truck in front of him. Flowers sway in time to the song. The child truly believes that his father met his mother by landing in the garden from a parachute. Scene after scene of joyful play follow each other.

But this is no art-house foppery. This is a tight, mean, well-constructed tale about the feeling that dogs us all - is this all life is? Could I have been happier as someone else? Are they happier than me? Am I lucky or unlucky? And most importantly, this: Why, when life seems so hard at times, can we find so much joy in small things, in a flower, or a kiss, or crazy weather, or new clothes?

Forget the French subtitles, a fact that seems to put off so many North American and British viewers, forget the 'art-house' tag. I own this film and have shown it to scores of friends, all of whom have walked away astonished at its vision. I assure you that you will love this film.

It's alright, you don't have to thank me, spreading the word is enough. ;-) Watch it today! And then watch the Eighth Day, Van Dormael's astonishing second feature.

Take a deep breath... and dive... The movie is about to take you in a journey trough an extraordinary life... Not very overwhelming, one might say... but the story of "Toto le héros" is an unpredictable tale about a man who always thought he was nobody, and found at the very end of his life, that he was, in fact, a hero...

The very simple storyline is a sketch, for director Jaco Van Dormael, to elaborate a complex visual narration. Since we follow the main character, Toto, throughout his whole life, the movie is full of "time games". Van Dormael uses flash-back and leap in time to get away from a simple linearity. The aproach to dreams is very similar to Terry Gilliam's that we've seen in "Brazil" and "12 Monkeys".

"Toto le héros" is a touching film that will please the movie critics as well as the common viewers.

It is a chef-d'oeuvre...

A hearty recommendation for this film, which deftly kaleidoscopes time. Three actors portray one life at various age stages, through them we see the innocence of childhood and the guilt of autumn years are two sides of the same coign of vantage.

The creative imagination of the protagonist (and the director) are well framed...and it was reassuring that some of the magic that our hero, Thomas, felt as a child stays with him throughout his life, and this film.

Minor caveats for people who

1) dislike non-linear time in a film

2) voice-over narration

But the distinct actors/times make #1 no problem here, better yet the dissolves between them are often lyrical...and I think more accurate to how we remember our time in this world.

Reaffirmed my belief of the power in charged details (shoes in a closet, a pop tune, candy wrappers) and my faith in the beautiful complexity of a simple life.

Although I'm from Belgium I don't consider myself as biased to review Toto Le Héros. Jaco Van Dormael is a great director and Toto Le Héros was his first movie that got international attention, and for a good reason. The story is about a man holding a lifetime grudge, his life is only focussed on his neighbors success which he can't get over it. It's a simple story that goes back an forth in the future, past and present, beautifully narrated by Michel Bouquet that has an enjoyable voice to listen to. The acting of the whole cast is on top, from the youngest to the eldest they all gave a very good performance. Jaco Van Dormael will later have another huge movie that was nominated for a Golden Globe, Le Huitième Jour, where he again gave the autistic actor Pascal Duquenne a chance to show he can act, only this time as the major character. Jaco Van Dormael doesn't make tons of movies, but he makes significant ones. Toto The Hero is one of the movies that put Belgium on the map for cinema. Good movie that will please most of his audience.