Impromptu

Whenever I get tired of the typical summer movie featuring highly evolved apes, genetically engineered dinosaurs, and other such foolishness, I pull out my (well-used) copy of "Impromptu," and all my blues go away. Far from an expensive, smug, carefully marketed blockbuster, "Impromptu" is a thinking person's film. The plot is cleverly constructed, the costumes are lovely, and most important: What A Cast!!! Any film that puts Bernadette Peters and Mandy Patinkin together is a winner in my book (those of us who are theatre junkies are aware of their previous marvellous collaborations), but this film manages to include Emma Thompson, Judy Davis, Julian Sands, and Hugh Grant. What fun!!!

Impromptu is one of the more charming, lighthearted period movies I have come across. If you are expecting a sweeping drama, prepared to be disappointed. Some people might not like this film, as it lacks some of the lengthy, tragic dialogue and overly melodramatic style that many period films have. If you are looking for something fun for the whole family, this is it. Judy Davis' role as George Sand is strong, and she delivers her character with the perfect amount of gusto. Hugh Grant performance as Fredric Chopin is priceless, and he makes himself very endearing and believable as the timid composer. Bernadette Peters performance as the jealous and spiteful Marie D'Agoult is marvelous - you leave the movie feeling quite annoyed by her character, which is exactly what I imagine the director wanted from her character! The costuming and set designs are exquisite, as is the cinematography, and backs the actors wonderfully.

This excellently written, splendidly acted, marvellously sound-tracked and beautifully filmed picture is most probably the best film ever made on Chopin and Sand, that subject most difficult to approach without crashing into drab sentimentality. The film is a comedy solidly anchored in historical and biographical data and impregnated with a deep love for Chopin's music as well as an understanding of the complex relationship between him and Sand. Through its apparently light touch, the film manages to convey deep sorrow, longing, extatic joy and true sensuality (the scene where the relationship between Chopin and Sand becomes physical is a master example of how such scenes should be made: Sand's naked shoulder speaks more than hours and hours of steamy make-believe, because it is the spectator who fills in the experience in his mind). Anybody who has made music will recognise the excitement and satisfaction in the scene where Chopin and Liszt play à quatre mains and manage to find JUST the right note at JUST the right second. Witty, almost farcical comedy alternates with most delicate, expressive, sober dialogue - witness Judy Davis' face when Sand tells Chopin what the reality behind her free love propaganda is. Hugh Grant shows himself once again to be the good actor that he is when working with a good director - compare this film with "Maurice", "The Remains of the Day", "An Awfully Big Adventure". It is as if this film were an enchanted one, not a single element being amiss. And last but not least, it makes you fall in love with Chopin's music, in case for some reason it hadn't happened to you before.

I came to this movie looking for a glimpse into the lives of the four artists: Chopin, Sand, Delacroix and my favourite Liszt and got much more than I bargained for.

The setting is Paris of the 1830s, where the kids play "Cowboys & Indians" as "Revolutionaries & Noblemen", where hysterical aristocrats are back to hosting soirees and honourable men are fighting the last of the duels. Obviously no possibility of spoilers, with the narrative based on actual events, so most of the entertainment arrives in the form of fabulous performances, a terrific cast and of course gorgeous piano notes.

But the biggest surprise is the humour. Ranging from subtle to farcical, it serves to gulp down the dose of human emotions and failings nicely. Watch it if you like literature or art or classical music or history, but watch it if you like subtle entertainment on a Sunday afternoon.

I first saw this film courtesy of "Masterpiece Theater", a weekly program presented by PBS -- had it not been for the good taste of one PBS program manager out there, I might never have seen this charming and provocative film.

Yes, it's a period piece. Yes, there are flounces and top hats and castles and duels. But the core of "Impromptu" explores love, jealousy, and the process of artistic creation in ways that keep the film captivating for the most jaded modern viewer.

Judy Davis capably assumes the mantle of convention-bucking authoress George Sand, providing a fiery counterpart to Hugh Grant's self-deprecating (and effective) Chopin. Mandy Patinkin shines as one of Sand's many jilted ex-lovers, and Bernadette Peters is maliciously admirable as Sand's "friend" who wants Chopin for herself. Emma Thompson's hilarious cameo as a dense provincial duchess itself provides almost enough reason to watch the film.

"Impromptu" boasts a great ensemble cast, witty dialogue, balanced humor and pathos, luscious period costumes and scenery, and the music of Chopin playing all the while -- what more could one want? "Impromptu" unfolds like a 19th-century soap opera, with arresting characters and meditations on art saving it from the banality of a typical romance...or a typical period piece.

This one's worth the flounces.