Harley Davidson et l'homme aux santiags
Original title: Harley Davidson and the Marlboro Man
- 1991
- Tous publics
- 1h 38m
Two lone riders hold up a bank's armoured car to save their friend's bar from imminent foreclosure. Soon, the mission goes awry when they discover the vehicle's unexpected cargo.Two lone riders hold up a bank's armoured car to save their friend's bar from imminent foreclosure. Soon, the mission goes awry when they discover the vehicle's unexpected cargo.Two lone riders hold up a bank's armoured car to save their friend's bar from imminent foreclosure. Soon, the mission goes awry when they discover the vehicle's unexpected cargo.
- Awards
- 1 nomination total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Good buddy movies don't have to have to seem real. The more far-fetched the better, And not many movies stretch as far as this one. The combined charisma of Rourke and Johnson make up for the questionable story. Tom Sizemore is a great villain, and Daniel Baldwin is not half bad as his cold blooded henchman. The other thing that stands out about this film is the futuristic feel to the movie. It was made in 1986 and the movie was supposed to take place in 1996, so it guesses as to what changes would be. It's another corny, but fun touch. Top that off with a gorgeous cameo from Tia Carrere and you have all the trappings of a great, cheeseball buddy-movie.
The Wrestler's jacket. Sonny Crockett's hat. A crystal dream. Pool hustling. A barroom brawl. Blowing off some steam. Wise advice from your old man. Learning how to shoot by reading a book. A swan dive into a pool. A cool mute bartender. Gus before Los Pollos Hermanos. Big John Studd is a stud. A former Miss America sings. A badass helicopter. Goons with bulletproof turtleneck jackets. A shootout with a Baldwin brother. Tom Sizemore before the crack. An opening featuring boobs, Mickey on a Harley and Wanted Dead or Alive playing in the background. A fun ride best enjoyed with a smoke.
This was a typical late 80's early 90's action flick....but its memorable for the title alone...just like all of these action movies THE PLOT IS EXTRA! the dialogue is head and shoulders above anything Stalone or Segal ever said...and the bickering between Johnson and Rourke is genuinely funny.... Above Average Action; Very Good Dialogue (for an action movie)
If it werent for these 2 cool actors this movie would at best be a B-movie, but Mickey Rourke and Don Johnson are COOL and they save this movie.
The good: lots of gangsters, lots of machos, lots of shootouts and chases, lots of chicks and motorcycles and barfights.
The bad: this story is quite silly, the shootouts are silly and so are the bad guys. Still I didnt mind it because I just wanted to see shootout after shootout by some cool dudes. And COOL THEY ARE! Yes sir indeed.
The good: lots of gangsters, lots of machos, lots of shootouts and chases, lots of chicks and motorcycles and barfights.
The bad: this story is quite silly, the shootouts are silly and so are the bad guys. Still I didnt mind it because I just wanted to see shootout after shootout by some cool dudes. And COOL THEY ARE! Yes sir indeed.
Here it is 2011 and I'm STILL lovin' this movie! As a matter of fact up until I looked over my IMDb history, I thought I had already reviewed it but much to my surprise I haven't. I guess that will make this review that much more better as it will be one of the more current ones.
This is one of those "you-either-get-it-or-you-don't" movies made to appeal to the egos and fantasies of the rugged alpha male. You get that sense at the opening credits as Mickey Rourke's intro scene during the opening credits makes you want to go out and ride a chopped up steel horse. It's the ultimate escape, at least for men! It's laced w/ moral fiber in that it's all about being down-and-out and still managing to drum up the where-with-all to help your fellow man. IMHO I think this movie's setbacks are through no fault of any of its creators or participants. Looking at many of the cynical reviews of movie-goers and critics of its time, it was clearly ahead of its own genre. And although many might find the title as well as some of the names of the characters to be cheesy (Virginia Slim, Jack Daniels, etc), I admire that they took the risk to acknowledge the outlaw, anti-hero biker image through images of Americana. I also read somewhere (probably on this site) that Rourke did this movie out of desperation which doesn't help a new viewer go in w/ a favorable attitude. Hopefully Mickey can look back and appreciate this piece of work like much of us do. I've still yet to see Butch & Sundance but now I'm inspired to check out Redford and Newman's piece even if it's just for the similarities that many reviewers have suggested.
I guess it comes down to the fact that this is much like anything else in that it isn't for everybody. Perhaps the audience it was intended for has dwindled substantially (if it's ever really been out there). But if that's so, we can always take comfort in knowing that we have something we can truly appreciate w/o having to be fashionable.
This is one of those "you-either-get-it-or-you-don't" movies made to appeal to the egos and fantasies of the rugged alpha male. You get that sense at the opening credits as Mickey Rourke's intro scene during the opening credits makes you want to go out and ride a chopped up steel horse. It's the ultimate escape, at least for men! It's laced w/ moral fiber in that it's all about being down-and-out and still managing to drum up the where-with-all to help your fellow man. IMHO I think this movie's setbacks are through no fault of any of its creators or participants. Looking at many of the cynical reviews of movie-goers and critics of its time, it was clearly ahead of its own genre. And although many might find the title as well as some of the names of the characters to be cheesy (Virginia Slim, Jack Daniels, etc), I admire that they took the risk to acknowledge the outlaw, anti-hero biker image through images of Americana. I also read somewhere (probably on this site) that Rourke did this movie out of desperation which doesn't help a new viewer go in w/ a favorable attitude. Hopefully Mickey can look back and appreciate this piece of work like much of us do. I've still yet to see Butch & Sundance but now I'm inspired to check out Redford and Newman's piece even if it's just for the similarities that many reviewers have suggested.
I guess it comes down to the fact that this is much like anything else in that it isn't for everybody. Perhaps the audience it was intended for has dwindled substantially (if it's ever really been out there). But if that's so, we can always take comfort in knowing that we have something we can truly appreciate w/o having to be fashionable.
Did you know
- TriviaIn numerous interviews, Mickey Rourke has said that he signed on to this film purely for financial reasons. He said it made him feel "like a sell-out" and fueled his descent into self-loathing in the mid-1990s.
- GoofsWhen the boys get caught behind the aircon unit on the roof, they would have been killed when Alexander and his goons opened fire. 5.56mm rounds would have penetrated the tin like it was cheese.
- Quotes
Harley Davidson: It's better to be dead and cool, than alive and uncool.
- Alternate versionsUK cinema and video versions were cut by 2 secs by the BBFC to remove shots of a butterfly knife. The cuts were waived for the 2003 MGM DVD release.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Dos duros sobre ruedas
- Filming locations
- Pima Air Museum - 6000 East Valencia Road, Tucson, Arizona, USA(airplane graveyard)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $7,434,726
- Opening weekend US & Canada
- $2,200,549
- Aug 25, 1991
- Gross worldwide
- $7,434,726
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.85 : 1
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By what name was Harley Davidson et l'homme aux santiags (1991) officially released in India in Hindi?
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