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IMDbPro

Hangin' with the Homeboys

  • 1991
  • Tous publics
  • 1h 28m
IMDb RATING
6.9/10
1.6K
YOUR RATING
Hangin' with the Homeboys (1991)
Official Trailer
Play trailer1:38
1 Video
10 Photos
ComedyDrama

Four young friends spend one crazy Friday night on the streets of Manhattan that quickly turns into a night, they'll never forget.Four young friends spend one crazy Friday night on the streets of Manhattan that quickly turns into a night, they'll never forget.Four young friends spend one crazy Friday night on the streets of Manhattan that quickly turns into a night, they'll never forget.

  • Director
    • Joseph B. Vasquez
  • Writer
    • Joseph B. Vasquez
  • Stars
    • Doug E. Doug
    • Mario Joyner
    • John Leguizamo
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    1.6K
    YOUR RATING
    • Director
      • Joseph B. Vasquez
    • Writer
      • Joseph B. Vasquez
    • Stars
      • Doug E. Doug
      • Mario Joyner
      • John Leguizamo
    • 20User reviews
    • 5Critic reviews
  • See production info at IMDbPro
    • Awards
      • 2 wins & 8 nominations total

    Videos1

    Hangin' with the Homeboys
    Trailer 1:38
    Hangin' with the Homeboys

    Photos10

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    Top cast42

    Edit
    Doug E. Doug
    Doug E. Doug
    • Willie Stevens
    Mario Joyner
    Mario Joyner
    • Tom McNeal
    John Leguizamo
    John Leguizamo
    • Johnny
    Nestor Serrano
    Nestor Serrano
    • Vinny…
    Kimberly Russell
    Kimberly Russell
    • Vanessa
    Mary B. Ward
    • Luna
    Reggie Montgomery
    • Rasta
    Christine Claravall
    • Daria
    Rose Jackson
    Rose Jackson
    • Lila
    Steven Randazzo
    Steven Randazzo
    • Pedro
    Marisol R. Reyes
    • Sara
    Victor L. Cook
    • Louie-Louie
    LaTanya Richardson Jackson
    LaTanya Richardson Jackson
    • Caseworker
    • (as LaTanya Richardson)
    Clayton Prince
    Clayton Prince
    • Frederick
    Ellis Williams
    • Bobby
    Anthony Ruiz
    Anthony Ruiz
    • Angry Father
    Gene Canfield
    Gene Canfield
    • Transit Policeman
    Billy Strong
    • Transit Policeman
    • Director
      • Joseph B. Vasquez
    • Writer
      • Joseph B. Vasquez
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews20

    6.91.6K
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    Featured reviews

    8washthis

    An entertaining foray into ethnic relationships in NYC disguised as a low-ball comedy

    I starting watching this on Comedy Central and assumed "oh, a film about some guys partying in the Bronx...i'll give it a whirl." I was not expecting a curiously sincere, although somewhat slap-stick, film about class differences in NYC.

    The four characters represent the spectrum of what any struggling urban area would produce: a loaner who blames his race on his inability to thrive in society, an actor who tries but eventually fails to make his movie dreams a reality, a gigolo who denies his often maligned heritage in order to court women, and a genuinely earnest stock-boy who secretly desires to do what few in his position are able to: leave the monotony of dead-end beginnings and go to college and experience the world.

    After each character is introduced, the film follows the journey of the men from areas of the Bronx (where beer bottles are thrown at the car after a protective father hears one of the men whistling at his daughter) to Midtown Manhattan, where the group partake in some harmless pre-Giuliani peep-show fun.

    I rarely comment on films, but I thoroughly enjoyed this 'Hunt's Point Odyssey'. Some of the messages the film tries to convey are done so unrealistically, however, some of the scenes are moving and authentic (an interrogation scene involving a racist Italian subway cop who discredits the gigolo's purported identity by reacquainting him with his given Hispanic name on a driver's license, in an attempt to further emblaze immovable class lines).

    Many cities contain areas with steep social and economic gradations, but none compare to NYC. It was entertaining to watch the small victories and defeats of each of these men who are somewhat pathetic, but all share common goal of enjoying themselves. Their journey is a painful reminder of the difficulty inherent in trying to escape the oft-referred realizations of each of their 'seemingly inescapable and meager' respective destinies.

    Most (if not all) of the main actors grew up in NYC, and I think that helps to add a sense of realism to their performance.

    If you have an open mind and don't mind the unmistakable sound of early 90s rap soundtracks, get this film. Perhaps you will enjoy it as much as I did.
    10thurst

    Hilarious and insightful look at one night on the town in NYC

    Joseph Vasquez' portrayal of the lives of four friends as they prowl the night in search of good times predates the ubiquitous Swingers by four years. Hangin' is similar to its more popular cousin in its sweetness and incisiveness as it deals with the heartaches and fatal flaws of its protagonists. However, these nocturnal wanderers also have to deal with some of the more sublime facets of race relation as Nestor Serrano as Fernando, aka Vinnie, a Puerto Rican gigolo tries to convince everyone, including himself, he's Italian, or Doug E. Doug as Willie blames every one of his problems on the fact he is black and moreover accuses other black people he meets of "selling out" or "ignoring {their} African roots" while he has never participated in one rally or learned a single fact about African Nationalism. The film also features one of the earliest hints at the talents of comic/playwright John Leguziamo as sweet, introspective supermarket stock boy Johnny, a subdued, endearing performance by a man who's now known for extravagance. It's just a matter of time before Leguziamo gets that role which will make him a superstar. Mario Joyner completes the foursome as a lovelorn, less confident than he tries to exude, struggling actor, nee telemarketer, in a solid, if not spectacular performance. While this wonderful film rarely lets up on the laugh, it's also intelligent and inspiring, while at times heartbreaking. What's most heartbreaking is what came after this film; after the promise of his debut, Vasquez was given a ton of money and backing for his next feature, but the film had to be shut down after a week of shooting as Vasquez was walking around the soundstage proclaiming himself Jesus, among other insane ramblings. Within a year, Vasquez died of AIDS in relative obscurity, a tragic end to a man who showed signs of genius. Who knows what that genius might have led to, but while this film will never balance off what might have been, at least he was able to leave his mark with one great film. Hopefully more people will get to see it.
    10Nick Zak

    Vasquez's lost jewel

    I have to agree with Jason's review, Hangin' with the Homeboys is an excellent and extremely funny film.

    It is very reminiscent of Spike Lee's early movies in that it has a very personal feel. I noticed that in the end credits Vasquez appears to send a 'shout out' to friends he grew up with who I assume he had lost contact with. I suspect that Vasquez based a number of the characters and incidents in this film on his neighbourhood pals.

    The strength of the film is that despite the fact that Vasquez deals with some very important issues, he balances everything perfectly with great expertise. This is not just a comedy (although it is extremely funny), it is also a very intelligent and thought provoking film and it is clear that Vasquez would have had a bright future.

    The acting is excellent and despite this being a loud and brash film at times, there are some very subtle moments that will result in you remembering moments from this film weeks later.

    This film deserves to be seen and enjoyed by more people.
    8jewdarican

    Willie - "because i'm black"

    This movie is a sure classic. Vasquez manages to touch many aspects in society. When dealing with race, jobs, and friendship he makes it easy to put it all in one day. There are many movies that consist in one day, but not all of them are successful. Vasquez manages to make every character totally different. Though 2 of them are Puerto Rican and the other two African American, each one has a strong role opposite to the same race as them. This is big part in the film since tension comes from everyone, and not just racially focused on the typical black and white. The filming is good also with night on night shots that depict a true night life in New York. Vasquez used slow close ups at points for tension and meaning. I really looked forward to more from this director also writer of the movie. It is rare we get voices that relate to a movie behind the scenes of it.
    10Crayzd

    One of the best movies you never saw...

    I loved this movie. I must have watched it at least 10 times in my life because it's just that good. Usually when I watch it, it's because I recommend it to somebody who has never even heard of it, so I feel the need to let them see my copy. They usually thank me afterwards and agree that it is excellent. It's strange that such a great movie gets so little credit. Not that people don't like it, I guess it's because most people never heard of it. It's a shame.

    Next time you go to the video store, keep this one in mind. John Leguizamo does an excellent job in this movie, probably the best performance I've seen from him to this day. Doug E Doug also does a great job in this movie. Although you may not be too familiar with the rest of the small cast, don't let this stop you from checking this movie out, great performances all around. When watching this one, you really get interested in the characters as they are all unique in their own way. Johnny is a shy, honest, hard working young man who lacks experience with women. Willie is an angry man who would rather complain about his situation rather than do anything about it, but deep down he means well. Tommy is a struggling actor with woman troubles and the only one with a car. Last but not least, we have Fernando (or should I say "Vinny"), a self centered womanizer who thinks he is Italian (watch the movie and you'll see what I mean). These four friends go out on the town from the Bronx to Manhattan looking for good times and find themselves in some memorable situations. It's a lot like real life and what makes this movie so great is how the characters relate to each other. The introduction of all the characters is definitely something to see. Great directing, nice cinematography, excellent dialog and not too bad of a sound track. What more can I say.

    I recommend this movie to everybody, especially if you like comedies with original jokes that go beyond cheap gags. If you like going out with a small group of friends on a Friday night looking for something to do, this movie will remind you of all those good times. I highly recommend it, so rent it next time you go to the video store.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      John Leguizamo originally wanted to play Johnny as being street-smart and wearing the latest urban fashion. But Vasquez insisted that Johnny be an innocent character. Leguizamo originally could not believe that a young man from the ghetto could be so innocent until Vasquez revealed that that part of Johnny was based on himself.
    • Goofs
      During the car crash, the hood of Tommy's car pops up before he hits the wall.
    • Quotes

      Tom McNeal: Hey, man. You ain't got nothing? You can't put in 50 cents? Damn, Willie, man! You're pitiful!

      Willie Stevens: Come on, y'all, put me down.

      Vinny: Yeah, I'll put you down, man. You're an ugly motherfucker. How's that?

    • Connections
      Featured in Siskel & Ebert & the Movies: Thelma & Louise/Hangin' with the Homeboys/Dice Rules/Wild Hearts Can't Be Broken (1991)
    • Soundtracks
      The Power
      Written by Michael Münzing (as Benito Benites), Luca Anzilotti (as John "Virgo" Garrett III) and Toni C.

      Performed by Snap!

      Courtesy of Logic Records

      Produced by Snap!

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    FAQ19

    • How long is Hangin' with the Homeboys?Powered by Alexa

    Details

    Edit
    • Release date
      • November 27, 1991 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Une Virée d'Enfer
    • Filming locations
      • Consumers Food Supermarket - 642 Westchester Ave, Bronx, New York, USA(Johnny's [John Leguizamo] place of employment.)
    • Production companies
      • Juno Pix
      • New Line Cinema
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,900,000 (estimated)
    • Gross US & Canada
      • $532,933
    • Gross worldwide
      • $532,933
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 28 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Stereo
    • Aspect ratio
      • 1.85 : 1

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