Danzón

"Danzon" is a "chick flick", no doubt. Directed by a woman, its main star is a woman--and it is concerned mainly with woman's issues. The setting is contemporary Mexico City. The danzon--a slow, graceful dance of l9th century Cuban origin--is the force that brings the heroine Julia together and her long time competition dance partner Carmen. When Carmen vaporizes, Julia heads for the coast--Veracruz--to search for him. Once there, she meets a series of unique characters, which add up to a wonderful viewing experience. I feel that Julia also meets herself there--discovering her real value as a woman and human being. When she returns to her job in Mexico City, she's a changed woman for numerous reasons--all good. A strong subtle movie.

Maria Novaro has made a mini-specialty of what might be called the "women's road movie." (She has described her later "Without a Trace" as "Thelma and Louise" with a happy ending.) Danzon gives us Julia, a 40-ish telephone operator and single mother of a sulky teenager, who leaves her Mexico City routine when her dance partner--about whom she knows little more than his name--seems to disappear. The movie opens up into lush panoramas when Julia reaches Veracruz, a metaphor for her own blossoming self-discovery. The soundtrack alone--old-fashioned "danzons" (Mexican dance music imported from Cuba)--is worth the rental price.

I had no real expectations for this but it was definitely worth a viewing, and it's really well-filmed.

What would a film for women look like? Well, one possibility is Maria Novaro's wonderful reversal of all of the expectations of male-oriented films. Playing with a number of genres and turning them on their heads, Novaro gives us the story of Julia, an ordinary late thirty-something woman, who, used to playing a traditionally passive, "feminine" role, takes on the active role of searching for her missing danzon partner in a journey that takes her from gloomy Mexico City to sun-drenched Veracruz. In the process she changes from object of the male gaze to bearer of the gaze. The film boasts a super performance from Maria Rojo as Julia and fine supporting performances by Carmen Salinas, Tito Vasconcelos, and Victor Carpenteiro. It is saturated with fantastic Mexican music, especially songs written by Veracruz' native son, Agustin Lara. And then there is the dancing. The danzon, where a single glance may give the game away, becomes a perfect metaphor for Julia's journey of self-discovery.

Like the title says, The Dance ! According to wikipedia: "Danzón is the official musical genre and dance of Cuba. It is also an active musical form in Mexico, and is much loved in Puerto Rico as well. Written in 2/4 time, the danzón is a slow, formal partner dance." In the story, Maria Rojo is Julia, who likes to dance. when she's not dancing, she's working or looking after her daughter in Mexico City. but then Julia's dance partner goes missing. and everyone has their own idea of what might have happened to him. so Julia goes off to VeraCruz to look for him! a fun scene where Julia reads all the ships names in various languages as she walks along the piers. she makes some great new friends, and has a grand adventure. and we get to see some great scenery of VeraCruz. directed by Maria Novaro. Written by Beatriz Novaro. Maria born in 1951. Beatriz born in 1953... sisters? it's fun.