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Two scientists working for UK and USA invent cold fusion. They decide to auction it off to foreign nations. Two look-alike crooks decide to steal their deposits but end working for CIA and M... Read allTwo scientists working for UK and USA invent cold fusion. They decide to auction it off to foreign nations. Two look-alike crooks decide to steal their deposits but end working for CIA and MI5.Two scientists working for UK and USA invent cold fusion. They decide to auction it off to foreign nations. Two look-alike crooks decide to steal their deposits but end working for CIA and MI5.
Deborah Moore
- Flo Fleming
- (as Deborah Barrymore)
Featured reviews
Pairing Roger Moore and Michael Caine must have thought to be a great Idea. Probably inspired by The Man Who Would be King, where Caine was paired with another ex-Bond, Sean Connery. Bullseye didn't have benefit of larger scale epic-like canvass of TMWWBK, as it didn't want itself to be taken seriously. Did Bullseye work?
Yes and No (God, we all hate this kind of answer). No, because most of the time, the jokes fall flat on the face. Yes, because Caine and Moore (as usual) are always great to watch. They play a pair of conmen and a pair of treacherous scientists. Keep an eye on Moore, always known as a great ad-libber. Unfortunately only this two guys are the only reasons to watch the movie.
Bullseye takes the premise of impersonating (this time two of them) and adds twist and turn, moving from a caper flick to espionage. While it tries hard to be a comedy, most of the time you see some humourless farce in an inconsistent progress. I quickly lost interest in the story during the first half an hour and just sat through the rest watching the dynamic duo of England. Being a Bond fan, I was especially delighted to see Moore playing off his Bond persona, even throwing lines like, `For England'. Ring a bell, Bond-fans?
There is Sally Kirkland, who provides some personal agenda to the ageing conmen, while also providing a bit of flesh here and there. She looks positively old and attractive at the same time. But her character does nothing much but to be in between Moore and Caine, and helping them with their con. That's all.
I checked out Michael Winner's (the director) past record, and was surprised to note that he directed the more seroius films like the Death Wish films and The Big Sleep (a supposedly sequel of Farewell, My Lovely). While the former was successful in its own way, the latter killed nostalgic-noir delight began by Farewell, My lovely. He later went on to direct many bombs, and regarded generally as a horrible director. Wonder how he managed to find job for so long. It is so evident in this film. Whether it's him, the script or his crew, the movie failed to amuse many at that time; it will still fail to amuse many now. Bullseye is something the film couldn't achieve.
Yes and No (God, we all hate this kind of answer). No, because most of the time, the jokes fall flat on the face. Yes, because Caine and Moore (as usual) are always great to watch. They play a pair of conmen and a pair of treacherous scientists. Keep an eye on Moore, always known as a great ad-libber. Unfortunately only this two guys are the only reasons to watch the movie.
Bullseye takes the premise of impersonating (this time two of them) and adds twist and turn, moving from a caper flick to espionage. While it tries hard to be a comedy, most of the time you see some humourless farce in an inconsistent progress. I quickly lost interest in the story during the first half an hour and just sat through the rest watching the dynamic duo of England. Being a Bond fan, I was especially delighted to see Moore playing off his Bond persona, even throwing lines like, `For England'. Ring a bell, Bond-fans?
There is Sally Kirkland, who provides some personal agenda to the ageing conmen, while also providing a bit of flesh here and there. She looks positively old and attractive at the same time. But her character does nothing much but to be in between Moore and Caine, and helping them with their con. That's all.
I checked out Michael Winner's (the director) past record, and was surprised to note that he directed the more seroius films like the Death Wish films and The Big Sleep (a supposedly sequel of Farewell, My Lovely). While the former was successful in its own way, the latter killed nostalgic-noir delight began by Farewell, My lovely. He later went on to direct many bombs, and regarded generally as a horrible director. Wonder how he managed to find job for so long. It is so evident in this film. Whether it's him, the script or his crew, the movie failed to amuse many at that time; it will still fail to amuse many now. Bullseye is something the film couldn't achieve.
Winner really has hit the jackpot with this Bullseye!
The idea of pitting a good Moore & Caine against their evil counterparts can only be described as a stroke of genius. They act out both parts with the kind of style and charisma you would expect from these screen legends. They play off one another beautifully and you can't help being entertained.
Surely this was the film that they were both destined to be in, for them this is what acting is all about.
You have to credit Winner for the way in which he has drawn out such stirling performances from his two stars. They have not only cemented their megastar status here but have surely passed into the realm of screen legends. Class just oozes from their every pore.
This must surely go down as Winners 'Piece De Resistance' this is top drawer directing and you know eeeeeeeet.
If you haven't seen this film, make it top of your 'must see' list.
Also why not get 'Parting Shots' starring Chris 'Monkey' Rea it's doomsick tribes.
The idea of pitting a good Moore & Caine against their evil counterparts can only be described as a stroke of genius. They act out both parts with the kind of style and charisma you would expect from these screen legends. They play off one another beautifully and you can't help being entertained.
Surely this was the film that they were both destined to be in, for them this is what acting is all about.
You have to credit Winner for the way in which he has drawn out such stirling performances from his two stars. They have not only cemented their megastar status here but have surely passed into the realm of screen legends. Class just oozes from their every pore.
This must surely go down as Winners 'Piece De Resistance' this is top drawer directing and you know eeeeeeeet.
If you haven't seen this film, make it top of your 'must see' list.
Also why not get 'Parting Shots' starring Chris 'Monkey' Rea it's doomsick tribes.
This film is a real mess and that is especially disappointing considering that Moore and Caine work well together and the opening 25 minutes of the film are mildly entertaining.
The basic premise of the film is that Caine and Moore both play dual roles, firstly as an evil pairing (scientists) and as a good pairing (con-men). It's a silly premise but it works well on its own terms at first but once the evil pair are aware of what the good pair is doing, the film disintegrates. The plot becomes more and more convoluted and incomprehensible as the film goes along and therefore all the potential entertainment is extinguished. Caine and Moore aren't to blame for the film's failure as they both give good performances; the fault lies with director Michael Winner.
Even the cameo by John Cleese at the end is muffed.
The basic premise of the film is that Caine and Moore both play dual roles, firstly as an evil pairing (scientists) and as a good pairing (con-men). It's a silly premise but it works well on its own terms at first but once the evil pair are aware of what the good pair is doing, the film disintegrates. The plot becomes more and more convoluted and incomprehensible as the film goes along and therefore all the potential entertainment is extinguished. Caine and Moore aren't to blame for the film's failure as they both give good performances; the fault lies with director Michael Winner.
Even the cameo by John Cleese at the end is muffed.
Yes its as funny as a burning burns unit but on the other hand it isn't 'Large'
Bullseye is the kind of film that lovers of the truly terrible will relish.
Its got bad everything, accents, acting, directing, script. Its like the Superman 4 of comedy.
I remember it being released at the cinema, how did that happen? Its probably made by Cannon so they could at least get it into their own flea pits (god bless em)
I'd love the DVD. If you like this film may I recommend Sextette.
Bullseye is the kind of film that lovers of the truly terrible will relish.
Its got bad everything, accents, acting, directing, script. Its like the Superman 4 of comedy.
I remember it being released at the cinema, how did that happen? Its probably made by Cannon so they could at least get it into their own flea pits (god bless em)
I'd love the DVD. If you like this film may I recommend Sextette.
Not quite the bullseye, but nonetheless director Michael Winner would get enough amusement out of the pairing of English actors Michael Caine and Roger Moore in this riotously goof-ball and crude comedy caper that sees the pair playing dual roles. Two small time conman take on a job which sees them impersonating two look-alike nuclear scientists to use their identities to get into the scientific safety deposit box which is filled with millions of dollars worth of diamonds. However they are found out by the authorities, where they learn that these scientists happen to be crooked and they get caught up in the country's national security ("We're thieves, not spies").
Bumbling, cartoon-like slapstick of the lowest dominator, but I liked it a little more than its monstrous reputation. The performances are all over the shop, as an animated Caine shamelessly bellows out his lines while Moore goes about things in a dry manner. Sally Kirkland is a bright spark and Deborah Moore is a complete delight. The cast look like they are having a good time together. Then there's a clever little cameo by John Cleese along with Jenny Seagrove. The episodic plot is filled with twists and turns, as the characters bicker, find themselves being outsmarted, double-crossed and in some sort of dangerous predicament. While the board script is wittily madcap, if downright low-brow. Director Winner's arrant handling (odd camera angles) perfectly paints a local flavour to the surroundings, but the snappy comic timing can be messy and tiredly relying on the on-going gags ("What did they say?"). "Bullseye!" maybe lame, but joyfully crazy and loud comedy hokum.
"They say everybody in the world has someone somewhere who looks like they do".
Bumbling, cartoon-like slapstick of the lowest dominator, but I liked it a little more than its monstrous reputation. The performances are all over the shop, as an animated Caine shamelessly bellows out his lines while Moore goes about things in a dry manner. Sally Kirkland is a bright spark and Deborah Moore is a complete delight. The cast look like they are having a good time together. Then there's a clever little cameo by John Cleese along with Jenny Seagrove. The episodic plot is filled with twists and turns, as the characters bicker, find themselves being outsmarted, double-crossed and in some sort of dangerous predicament. While the board script is wittily madcap, if downright low-brow. Director Winner's arrant handling (odd camera angles) perfectly paints a local flavour to the surroundings, but the snappy comic timing can be messy and tiredly relying on the on-going gags ("What did they say?"). "Bullseye!" maybe lame, but joyfully crazy and loud comedy hokum.
"They say everybody in the world has someone somewhere who looks like they do".
Did you know
- TriviaThe final scenes had the smallest ever crew on a major movie. Writer and director Michael Winner operated the camera, cameraman David Wynn-Jones held the reflector. John Cleese moonlighted as sound man, but as he was performing at the same time (the sound recorder was concealed in a book he carried), he did not count as crew.
- GoofsWhen the train worker is shot you can clearly see that it was a dummy.
- Crazy creditsAppearing without the permission of his mother: John Cleese as the man on the beach in Barbados who looks like John Cleese.
- ConnectionsFeatured in Premio Donostia a Michael Caine (2000)
- How long is Bullseye!?Powered by Alexa
Details
Box office
- Budget
- $15,000,000 (estimated)
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.85 : 1
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