Exclusive: Daniel Cohan has joined Brillstein Entertainment Partners as a manager.
Cohan comes to the company from ICM Partners, where he worked in the Motion Picture Department since 2017, parting ways with the company following CAA’s acquisition. He was previously at WME for 11 years.
“Brillstein is a first-class company that epitomizes what drew me to management,” Cohan said. “I am thrilled to roll up my sleeves with my fantastic new colleagues. I can’t imagine a better place to embark upon this next chapter of my career.”
Cohan, who began his career as a corporate attorney, brings with him to Brillstein clients including writer/director/producer Lindsey Beer (Pet Sematary); and filmmakers Simon McQuoid (Mortal Kombat), Ciaran Foy (Eli), Jesper Ganslandt (Netflix’s Snabba Cash), Mitzi Peirone (Saint Clare), Mike P. Nelson (Wrong Turn), Taneli Mustonen & Aleksi Hyvarinen (The Twin), Adam Egypt Mortimer (Daniel Isn’t Real), Luis Prieto (Vampire Academy...
Cohan comes to the company from ICM Partners, where he worked in the Motion Picture Department since 2017, parting ways with the company following CAA’s acquisition. He was previously at WME for 11 years.
“Brillstein is a first-class company that epitomizes what drew me to management,” Cohan said. “I am thrilled to roll up my sleeves with my fantastic new colleagues. I can’t imagine a better place to embark upon this next chapter of my career.”
Cohan, who began his career as a corporate attorney, brings with him to Brillstein clients including writer/director/producer Lindsey Beer (Pet Sematary); and filmmakers Simon McQuoid (Mortal Kombat), Ciaran Foy (Eli), Jesper Ganslandt (Netflix’s Snabba Cash), Mitzi Peirone (Saint Clare), Mike P. Nelson (Wrong Turn), Taneli Mustonen & Aleksi Hyvarinen (The Twin), Adam Egypt Mortimer (Daniel Isn’t Real), Luis Prieto (Vampire Academy...
- 8/1/2022
- by Justin Kroll
- Deadline Film + TV
Writer/director Tom Holland is best known for his work on such genre staples as Fright Night (which he wrote), Child’s Play (which he wrote and directed), as well as his work on films like Thinner, the TV movie The Stranger Within, The Temp and the Masters of Horror episode “We All Scream for Ice Cream.” What many may not know is that before Holland became known for his work behind the camera, he spent a lot of time in front of the camera.
Working for years as an actor in such television series as "Combat!", "The Young Lawyers", "Medical Center", and "The Incredible Hulk", Holland was a journeyman actor before he created some of the most influential horror franchises in the Eighties.
Last year Holland returned to acting by appearing as “Uncle Bob” in Adam Green’s Hatchet II. A follow-up to Green’s 2006 swamp slasher pic of the same name,...
Working for years as an actor in such television series as "Combat!", "The Young Lawyers", "Medical Center", and "The Incredible Hulk", Holland was a journeyman actor before he created some of the most influential horror franchises in the Eighties.
Last year Holland returned to acting by appearing as “Uncle Bob” in Adam Green’s Hatchet II. A follow-up to Green’s 2006 swamp slasher pic of the same name,...
- 1/31/2011
- by Carnell
- DreadCentral.com
We at Mubi think that celebrating the films of 2010 should be a celebration of film viewing in 2010. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection of some of our favorite of 2010's retrospective viewings.
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In chronological order, and chosen rather arbitrarily:
The Norrtull Gang (Per Lindberg, 1923). An extraordinary experiment in importing literature into cinema, a confirmation of Edgardo Cozarinsky's lonely advocacy of director Per Lindberg, and a major work that has slipped through the cracks of film history.
The Stranger Within a Woman (Mikio Naruse, 1966), pictured above. How is it that Naruse and Chabrol, two of the cinema's greatest directors, could have faithfully adapted the same novel (Eduard Atiyah's 1951 The Thin Line, filmed by Chabrol in 1971 as Just Before Nightfall) within five years of each other without film scholarship having noted it? One of the most...
***
In chronological order, and chosen rather arbitrarily:
The Norrtull Gang (Per Lindberg, 1923). An extraordinary experiment in importing literature into cinema, a confirmation of Edgardo Cozarinsky's lonely advocacy of director Per Lindberg, and a major work that has slipped through the cracks of film history.
The Stranger Within a Woman (Mikio Naruse, 1966), pictured above. How is it that Naruse and Chabrol, two of the cinema's greatest directors, could have faithfully adapted the same novel (Eduard Atiyah's 1951 The Thin Line, filmed by Chabrol in 1971 as Just Before Nightfall) within five years of each other without film scholarship having noted it? One of the most...
- 1/7/2011
- MUBI
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