Schizo

The feature length directorial debut of Manny Coto, the man who gave us the entertaining Dr. Giggles, Playroom starts off slow and rather dull. Archeologist Chris (Christopher McDonald) returns to the Yugoslavian ruins where his parents were murdered when he was a child; Chris is accompanied by his girlfriend Jenny (Lisa Aliff) and colleagues Paul and Marcy (James Purcell and Jamie Rose), who help him to try and find the hidden tomb and torture chamber of 10-year-old Prince Ilok, who - as legend has it - was granted eternal life by a Slavic demon.

Much of the first half of the film is taken up by scenes of Chris exploring the old ruin and laboriously digging his way through to a hidden chamber using a pick axe; it's as frustrating for the viewer as it is for Chris, whose slow, tedious task ultimately proves pointless, for when he does finally break through, all he finds is an empty room. Gah! Thankfully, after this, the film gets progressively more unhinged, and much more entertaining as a result. Chris proves to be quite crazy (hence the film's alternative title Schizo), the man holding conversations with his imaginary childhood friend, Daniel, who turns out to be none other than Ilok, still alive and as twisted and sadistic as ever. Egged on by Daniel/Ilok, Chris kills off Paul and Marcy and attempts to do the same to Jenny.

The death scenes are entertaining, although a little too 'dry' for my liking (the rotary saw chair should have been a lot gorier), and Ilok -- a hilarious zombie-like puppet creation -- is pure '90s cheese. The film also features a brief sex scene, Aliff going topless, and a fun performance from Vincent Schiavelli (the subway spook in Ghost) as Roman Hart, the man wrongly convicted for the murder of Chris's parents.

6/10, plus a bonus point for Ilok - he's worth waiting for!

Well, I really can say only good things about this movie: It's a high-quality psychological thriller with few holes in the script, good performances and director's work. I liked the idea of putting the action and characters in an old mysterious monastery in Serbia, where the tragedy have happened.

"Schizo" or "Playroom" has a close and mystical atmosphere, but it is not the psychological thriller it claims and wants to be. The story twist is too fast moving concerning to what you know about the main character from the beginning of the movie.

Chris, played by Chris McDonnell of "Happy Gilmore", never has the sympathy of the viewer. McDonnell's acting is overdone. The other characters, Marcy (Jamie Rose) and Paul, seem to be only important for being killed by Chris, who turns into a murderer way to fast. But...nice ways to kill the others...!

Wonderful landscape, average story.

5 out of 10

A while back I saw and greatly enjoyed the loopy medical themed slasher comedy Dr. Giggles, so with that in mind I was very much looking forward to hitting up an earlier horror from director Manny Coto. Playroom is a very different beast though, a serious minded and strange take on childhood imagination, archaeology and the supernatural. It gets off to a good start with a camera scroll over freaky wall carvings, strange figures and symbols, numerous people in various states of distress, it sets up an arcane atmosphere before entering a more visceral nightmare scenario via a child drawing. This is before we get to the main bulk of the film, which involves a reporter/explorer/archaeologist type (profession never specified) who gets a clue as the the hidden resting chamber of an ancient prince and so sets of with his editor, a camera man and his girlfriend in tow to find the tomb and thusly exorcise his personal demons (tragedy claimed his family when he was younger). Within an ancient monastery, the past comes alive, with deadly consequences…The main thing that sticks out about the is film is the setting. Leading up to the monastery in which the bulk of the film is set we get some great exteriors, but the monastery itself is where things come alive, it's a terrific place. Candles and cobwebs, skeletons and statues, nooks and crannies and strange carvings, shot with unearthly urinary hues for maximum atmosphere. Unfortunately other aspects here aren't up to the quality of the setting. The worst decision is having a bratty child as pivotal character, in regular children's garb he looks nothing more than a generic irritating kid and simply isn't scary, moreover he never gets to anything vicious enough to invest him with effective creep value. Basically he'll make most viewers want give him a good kicking, and not in a good way. The film is also slow, only really getting to the boil at around the hour mark, which leaves it up to the actors to keep things going. As the lead, Christopher McDonald isn't great, a one note performance that's compelling enough but goes from zero to crazy so quickly that he simply isn't too interesting. James Purcell does little of note as the washed up photographer while Lisa Allit is a competently likable but un-dynamic heroine. Fortunately Vincent Schiavelli appears in a side role and relishes it, burning up every moment of screen time he has as a wild eyed headcase. He has far too little screen time though, so can't quite keep the fun going. Director Manny Coto works well enough, but the film is quite dull in the first two thirds and even when things do get moving its never scary and mostly fun for trash geeks. The final half hour does get pretty mental though, moves at a belting pace with a cheerful disregard for sanity, there are a couple of decent tense scenes, a little meanness, some unfortunate cringe making silliness that's just about forgivable and even a few fun gore shots. Things really go out on a high note, but I cant bring myself to rate this one too highly, there are a few too many bad decisions and it disappoints with a great concept. For fans of the more dopey and unusual side of horror trash this one is worth a peek, but I suspect many will find it more frustrating than anything else. Still, I had a good enough time with it, more or less. A contented 5/10.

albeit an interesting start of a story, playhouse is just that, a start. In horror movies, every question you ask must be answered and playhouse just doesn't cut it. On the verge of being a really good horror classic, it faltered. and just because it bothers me! Why does the ten year old "prince of evil" wear modern-day street clothes?! He's supposed to be hundreds of years old! It doesn't make any sense!