When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.
- Awards
- 1 nomination total
Marcos Woinsky
- Big Thug
- (as Marcos Woinski)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Amazing. What struck me right from the start was the intense use of rich colour and brooding shade. The camera seems to leer through a fish-like, distorted lens at times. The story itself is very dynamic, with frequent turns and revolutions in the plot. The creators have used an ingenious blend of futuristic, and what seems to me to be late nineteenth/early twentieth century set and costume, so we are left wondering exactly when and where this story is set. By turns bloody, beautiful, outrageous, mysterious, dark and passionate, this is a very stirring film. The tension and attraction between the protagonists is so palpable it seems to tear up the screen! The final showdown in the abattoir is a cinematic crescendo, putting it politely. I rate this film most highly because it is a classic example of what a director can do when they really let their imagination run wild.
Vincent D'Onofrio is beyond gorgeous in this pretentious little ditty. It's a gorgeous film, very "foreign" and decadent and moody, but what of sense? It's silly - I get it, the tango is sensuous. Yeah, I got that. Wow, she's naked and he's cruel and hot. Wow, he's good in bed and it took a lot to get him to do it. He's not a whore, but she was forced to be! Tell me, isn't this film reminiscent of a "Kids in the Hall" episode with Francessca Foray (a Scott Thompson character, "International B - Movie Star") and everyone was speaking in movie metaphors? Yeah, it is. It's overwrought but I enjoyed this movie. Dumb yes, but it was fun and glorious to look at, from the bondage - bed scenes to Vincent all lean and dressed to the nines. Good Lord that man 's a typhoon of hottness (how's that phrase for you?)
In spite of a strong cast, including the very talented Fernando Rey, and sumptuous settings, this movie is simply a pretentious failure. The story revolves around the sado-masochistic relation between a hoodlum and a hapless woman, the latter abducted into forced prostitution in Argentina. There is surprisingly little eroticism in this movie, even with the presence of the ever lovely, and ever nude, Ms. May. The ill-fated couple tango their way to romance, but the utter lack of chemistry between D'Onofrio and May, compunded by a poorly scripted story line, strains the viewer's credulity. I admire Mr. Schraders' work in other films, but this one was definitely off-the-mark. The video is hard to find but it is most assuredly not a lost masterpiece.
Upon witnessing a suicide on board a trans-Atlantic vessel, a woman assumes the identity of the deceased to escape for a new life.
It turns out that the woman who's life she is replacing in a Polish mail order bride for a rich man in Argentina, who just so happens to run a brothel for the unequal male-female ratio population.
Ah-ha, not quite the lucky break she was hoping for then.
Two rival gangs operate in the city: the Argentines and Jews, and a powerful figure in the Jewish gangland is scheduled to be her first official customer.
I won't spoil it by telling what happens from here on out, but the woman's obsession with the tango-swirling hit-man of the Argentinian gang, Cholo, complicates things, as he battles with himself to keep his emotional distance from a woman he finds truly fascinating...
Superb acting, lavish sets, a simple yet powerful script and all that tango just makes this one quite unforgettable.
I'd strongly suggest anyone looking for something new to hunt down a copy and give this one a go.
It turns out that the woman who's life she is replacing in a Polish mail order bride for a rich man in Argentina, who just so happens to run a brothel for the unequal male-female ratio population.
Ah-ha, not quite the lucky break she was hoping for then.
Two rival gangs operate in the city: the Argentines and Jews, and a powerful figure in the Jewish gangland is scheduled to be her first official customer.
I won't spoil it by telling what happens from here on out, but the woman's obsession with the tango-swirling hit-man of the Argentinian gang, Cholo, complicates things, as he battles with himself to keep his emotional distance from a woman he finds truly fascinating...
Superb acting, lavish sets, a simple yet powerful script and all that tango just makes this one quite unforgettable.
I'd strongly suggest anyone looking for something new to hunt down a copy and give this one a go.
This movie does not have any special or original plot, acting is just average. There's some nice camera work and colored-lights usage, but that would be it. But the thing is, that this movie captures all that tango is. The movie is raw, erotic, sometimes vulgar. It is the only movie (as far as I've seen) that captures the essence of tango so very good. The knife fights are choreographed with tango steps, and are made sensual and erotic just as it is described in original tango songs. Cholo is a perfect compadrito, hoodlum from Buenos Aires, pimp, killer. Dance choreographies are nothing special, so if you're into that, I would rather recommend Saura's "Tango" or Potter's "Tango Lesson". But I would recommend this movie to fans of tango because it truly captures the atmosphere of Buenos Aires suburbia, how it was, when tango was danced by it's makers, whores and killers. I would give it 8/10 for atmosphere, but 5/10 for the rest. In the end, it's worth a look.
Cheers.
Cheers.
Did you know
- TriviaWilliam Hurt was considered for the role of Cholo, but pulled out, and Esai Morales was in line for the role before being cast as Zico.
- Alternate versionsAlternate Ending: In the European version of the film, Cholo shoots the lights out before being fatally shot by the police.
- ConnectionsFeatured in Serdtse: Gospodin Nikto (2015)
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Details
Box office
- Gross US & Canada
- $81,777
- Opening weekend US & Canada
- $12,283
- Aug 25, 1991
- Gross worldwide
- $81,777
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.85 : 1
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