Music Box

Awright, I don't approve of all your politics, Mr. Costa Gavras, particularly in "State of Siege" and "Hanna K.", but in this one you truly excel, both in terms of authenticity and a willingness to stay unprovocative when dealing with a sensitive issue as the Holocaust.

The movie is supposed to have been inspired by the real-life case of John Demjanjuk, an Ohio resident accused of war crimes at Treblinka and Sobibor, extradited to Israel for trial in the mid 80's. The movie even has a brief reference to this Demjanjuk guy when someone tries to pronounce his complicated last name in a conversation with Jessica Lange. Costa Gavras seems to be intrigued by our very perception of the Holocaust and our ambivalent approach toward it. Lawyer Ann Talbot's Hungarian-born father is accused of war crimes, her ex-father-in-law is somewhat scornful towards the inviolability of the Holocaust, and even had drinks with "those monsters" when the West used ex-Nazis as spies against Communism. Not to mention the difficulty of prosecuting war crimes 40 odd years later when justice can be won by either concocted evidence or the cunning of legal argument, and historical truth becomes less important.

The courtroom scenes and dialogues are truly remarkable in their restraint, and give the viewer just enough background as is needed about the atrocities of Arrow Cross in Hungary between 1944 and 1945. Specially the testimony of one Mr. Bodai is awesome, that of man so much ravaged by horror that his delivery is almost a monotone, with little emotional difference between responding a "yes" and a "no".

But it is Jessica Lange that outshines everyone else in performance, may be one of her best ever.

The movie focuses on two universal questions-do we actually know people we believe we do,including close ones,and does productive and outwardly respected life erase or diminish a past of hineous and sadistic crimes. I find the acting in the movie,including in the supporting roles,powerful.The courtroom scenes,with victims confronting a Hungarian ex SS man,deeply moving,and far from any cliche. worth noting is the senior lawyer,uttering his views about the holocaust to his grandson.One wonders what it will take to disrupt his aloof equanimity. I think that the movie has unique value,in light of the proliferation of the holocaust deniers,practitioners of historiographic hooliganism,by doing its part in telling us what happened.

I was astounded in reading the comments on these films to see people saying that Armin Muehler-Stall's character is flat and empty.Also, those that say his angry outbursts are not threatening.

My father is a Hungarian immigrant who I have wondered where he has a similar "true story". I can say from personal experience that Armin's performances are consistent with my father's outbursts and for me personally were terrifying when seeing the movie.

In terms of the generalization that the performance was "flat", there is a cold, clinical, almost sociapathic sense to some elderly Hungarians. Additionally, I found Jessica Lange's performance COMPLETELY believeable as someone raised under such strong expectations and often silent or restrained about true expressions of emotion or fear.

That's my two cents. DO NOT underestimate the ACCURACY of this film.

Jessica Lange is very good as Ann Talbot, a lawyer who takes up the task of defending her father (Armin Mueller-Stahl) against charges of Nazi war crimes. The charges are ridiculous to her at first, but she slowly begins to realize they might be true. Lukas Haas, giving an exceptionally bright-eyed and intelligent performance, plays Ann's 12-year-old son, who believes unquestioningly that his beloved grandfather is innocent.

Roger Ebert wrote that the father, while very well-played by Mueller-Stahl, does not devote enough time to helping us to understand his character, but I don't know that any film could do that for such a person. Mueller-Stahl and the script at least offer suggestions and let our imaginations do the rest.

I found this film, scripted by Joe Eszterhas and directed by Costa-Gavras, to be a quietly effective courtroom thriller (even though the idea of a lawyer defending her own father in this situation requires a high suspension of disbelief) and found the central drama of a woman discovering her father is, or at least was, a monster to be moving.

A lawyer (Jessica Lange) defends her father (Armin Mueller-Stahl) accused of war crimes, but there is more to the case than she suspects.

Roger Ebert gave the film a lukewarm two star review. Among his complaints were that the film was "not about guilt or innocence; it is a courtroom thriller, with all of the usual automatic devices like last-minute evidence and surprise witnesses" and that "Nazism is used only as a plot device, as a convenient way to make a man into a monster without having to spend much time convincing us of it." He is right, but I do not think this takes away from the film. Maybe not as hard-hitting as other political thrillers, it is still a strong drama.

For me, it was great to see Michael Rooker. His role is very small, unfortunately, but it may be one of the most "normal" roles he has ever had to play. He is not a killer or an alien or anything weird, just a member of the family.