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Metropolitan (1990)

Quotes

Metropolitan

Edit
  • Nick Smith: The most important thing to realize about parents is that there is absolutely nothing you can do about them.
  • Man at Bar: The acid test is whether you take any pleasure in responding to the question "What do you do?" I can't bear it.
  • Nick Smith: Rick Von Slonecker is tall, rich, good looking, stupid, dishonest, conceited, a bully, liar, drunk and thief, an egomaniac, and probably psychotic. In short, highly attractive to women.
  • Nick Smith: The cha cha is no more ridiculous than life itself.
  • Nick Smith: Playing strip poker with an exhibitionist somehow takes the challenge away.
  • Nick Smith: The titled aristocracy are the scum of the earth.
  • Sally Fowler: You always say "titled" aristocrats. What about "untitled" aristocrats?
  • Nick Smith: Well, I could hardly despise them, could I? That would be self-hatred.
  • Charlie Black: Of course there is a God. We all basically know there is.
  • Cynthia McLean: I know no such thing.
  • Charlie Black: Of course you do. When you think to yourself, and most of our waking life is taken up thinking to ourselves, you must have that feeling that your thoughts aren't entirely wasted, that in some sense they are being heard. Rationally, they aren't. You're entirely alone. Even the people to whom we are closest can have no real idea of what is going on in our minds. We aren't devastated by loneliness because, at a hardly conscious level, we don't accept that we're entirely alone. I think this sensation of being silently listned to with total comprehension... something you never find in real life... represents our innate belife in a supreme being, some all-comprehending intelligence.
  • Nick Smith: You're opposed to these parties on principle.
  • Tom Townsend: Yes.
  • Nick Smith: Exactly what principle is that?
  • Tom Townsend: Well...
  • Nick Smith: The principle that one shouldn't be out at night eating hors d'oeuvres when one could be home worrying about the less fortunate.
  • Tom Townsend: Pretty much, yes.
  • Nick Smith: Has it ever occurred to you that you are the less fortunate?
  • Nick Smith: It's a tiny bit arrogant of people to go around worrying about those less fortunate.
  • Charlie Black: Fourierism was tried in the late nineteenth century... and it failed. Wasn't Brook Farm Fourierist? It failed.
  • Tom Townsend: That's debatable.
  • Charlie Black: Whether Brook Farm failed?
  • Tom Townsend: That it ceased to exist, I'll grant you, but whether or not it failed cannot be definitively said.
  • Charlie Black: Well, for me, ceasing to exist is - is failure. I mean, that's pretty definitive.
  • Tom Townsend: Well, everyone ceases to exist. Doesn't mean everyone's a failure.
  • Tom Townsend: You don't have to have read a book to have an opinion on it.
  • Nick Smith: But, unlike you, I've always assumed I'd be a failure anyway. That's why I plan to marry an extremely rich woman.
  • Audrey Rouget: [after Tom disappears with Serena] Tom's not used to places like this. Maybe he went through one of those stairway doors that lock from the inside.
  • Nick Smith: He can't get locked in. I used to have to use those doors when people forgot to invite me to their parties.
  • Tom Townsend: [pulls out a gun after Rick punches him] Get back, Rick!
  • Rick Von Sloneker: Jesus, he's got a gun!
  • Charlie Black: I warn you! He's a Fourierist!
  • Audrey Rouget: By Tolstoy, "War and Peace" and by Jane Austen, "Persuasion" and "Mansfield Park".
  • Tom Townsend: "Mansfield Park"? You've got to be kidding.
  • Audrey Rouget: No.
  • Tom Townsend: But it's a notoriously bad book. Even Lionel Trilling, one of her greatest admirers, thought that.
  • Audrey Rouget: Well, if Lionel Trilling thought that, he's an idiot.
  • Tom Townsend: The whole story revolves around, what the immorality of a group of young people putting on a play.
  • Audrey Rouget: In the context of the novel it makes perfect sense.
  • Tom Townsend: But the context of the novel, and nearly everything Jane Austen wrote is near ridiculous from today's perspective.
  • Audrey Rouget: Has it ever occurred to you that today, looked at from Jane Austen's perspective would look even worse?
  • Tom Townsend: [to Serena Slocum] I haven't been giving you the silent treatment. I just haven't been talking to you.
  • Cynthia McLean: Is our language so impoverished that we have to use acronyms of French phrases to make ourselves understood?
  • Charlie Black: Yes.
  • Man at Bar: You go to a party, you meet a group of people, you like them and you think "These people are going to be my friends for the rest of my life." Then you never see them again. I wonder where they go. We simply fail without being doomed. I'm not destitute. I've got a good job that pays decently. It's just that it's all so mediocre, so unimpressive. The acid test is whether you take any pleasure in responding to the question "What do you do?". I can't bear it. You start out expecting something much more, and some of your contemporaries achieve it. You start reading about them in the papers or seeing them on TV. That's the danger of midtown Manhattan - running across far more successful contemporaries. I try to avoid them whenever I can. But when I can't, they're always friendly. But inevitably they ask what am I doing - or think it.
  • Jane Clark: What are you reading?
  • Nick Smith: The story of Babar... I'd forgotten how beautiful it was.
  • Rick Von Sloneker: Get outta here and take this flat-chested, goody-goody, pain in the neck with you
  • [referring to Audrey]
  • Tom Townsend: She is NOT a goody-goody.
  • Charlie Black: That was really embarrassing. Thank you for including me.
  • Nick Smith: Jane's father's dead. Very suddenly, last year.
  • Tom Townsend: Must have been awful for her.
  • Nick Smith: Yes. It was tough on him too.
  • Nick Smith: You haven't seen this? Detachable collar. Not many people wear them anymore. They look much better. So many things which were better in the past have been abandoned for supposed convenience.
  • Tom Townsend: I had no idea anyone wore those anymore.
  • Nick Smith: It's a small thing, but symbolically important. Our parents' generation was never interested in keeping up standards. They wanted to be happy, but, of course, the last way to be happy is to make it your objective in life.
  • Tom Townsend: I wonder if our generation's any better than our parents'.
  • Nick Smith: Oh, it's far worse. Our generation's probably the worst since - the Protestant Reformation. It's barbaric, but a barbarism even worse than the old-fashioned, straightforward kind. Now barbarism is cloaked with all sorts of self-righteousness and moral superiority. Will you look at this?
  • Tom Townsend: You're obviously talking about a lot more than just detachable collars.
  • Nick Smith: Yeah, I am.
  • Jane Clark: Why should we believe you over Rick? We know you're a hypocrite. We know your "Polly Perkins" story was a fabrication...
  • Nick Smith: A composite.
  • Jane Clark: Whatever. And, that you're completely impossible and out of control, with some sort of drug problem and a fixation on what you consider Rick Von Sloneker's wickedness. You're a snob, a sexist, totally obnoxious, and tiresome. And lately, you've gotten just weird. Why should we believe anything you say?
  • Nick Smith: I'm not tiresome.
  • Audrey Rouget: What Jane Austen novels have you read?
  • Tom Townsend: None. I don't read novels. I prefer good literary criticism. That way you get both the novelists' ideas as well as the critics' thinking. With fiction I can never forget that none of it really happened, that it's all just made up by the author.
  • Charlie Black: That's interesting, because actually there's very little social snobbery in the United States. I mean, it's considered unacceptable. There's... there's almost a national taboo against it. It's looked down upon.
  • Cynthia McLean: That's good, isn't it?
  • Charlie Black: Well, I'm not talking about what's good or bad. I'm just making an observation of fact.
  • Sally Fowler: Well, I think it IS good. I can't stand snobbery or snobbish attitudes of any kind.
  • Nick Smith: Driver! Follow that pedestrian!
  • Nick Smith: Dawn in the big city. There are eight million stories out there.
  • Charlie Black: I can't believe you don't have a driver's license.
  • Tom Townsend: Of course I don't. I live in Manhattan.
  • Tom Townsend: Pomfret. Where did you go?
  • Jane Clark: Farmington. Both of us did.
  • Tom Townsend: Did you know Serena Slocum there?
  • Jane Clark: The inevitable question.
  • Tom Townsend: What?
  • Jane Clark: All the guys ask that. Serena had an incredible number of boyfriends. At least 20. She could manage it because they were all at different schools and she wrote letters incredibly quickly - three in a single study hall. She became really famous. It's incredible how naive some guys are. How do you know Serena?
  • Audrey Rouget: [Interrupting] Actually, that might give someone the wrong impression. She wrote a lot of guys, but I'm sure she liked some a lot more than others.
  • Jane Clark: Oh, you think so? I never noticed that. How do you know Serena?
  • Tom Townsend: I was one of her boyfriends.
  • Jane Clark: [Taken aback] Oh! You must be "Pomfret." Your letters were really good.
  • Audrey Rouget: Yes.
  • Tom Townsend: I'm a committed socialist, not a Marxist. I favor the socialist model developed by the 19th-century French social critic Fourier.
  • Charlie Black: You're a Fourierist?
  • Tom Townsend: Yes.
  • Tom Townsend: Yesterday I was thinking, maybe Fourier was a crank. His ideas completely unworkable.
  • Charlie Black: I wouldn't want to live on a farm with a lot of other people.
  • Nick Smith: I guess you could say it's extremely vulgar, I like it a lot.
  • Charlie Black: The term 'bourgeois' has almost always been - been one of contempt. Yet it is precisely the - the bourgeoisie which is responsible for - well, for nearly everything good that has happened in our civilization over the past four centuries. You know the French film, "The Discreet Charm of the Bourgeoisie"? When I first heard that title I thought, "Finally, someone's gonna tell the truth about the bourgeoisie." What a disappointment. It would be hard to imagine a less fair or accurate portrait.
  • Sally Fowler: Well, of course. Buñuel's a surrealist. Despising the bourgeoisie is part of their credo.
  • Nick Smith: Where do they get off?
  • Charlie Black: But the truth is, the bourgeoisie does have a lot of charm.
  • Nick Smith: Of course it does. The surrealists were just a lot of social climbers.
  • Audrey Rouget: People see the harm in what excessive candor can do.
  • Fred Neff: Men are dates, date substitutes or potential dates. I find that dehumanizing.
  • Tom Townsend: I've never been this drunk before. The problem is, with Fred no longer drinking, I can't pace myself.
  • Sally Fowler: Good night! Oh... good luck with your Fourierism!
  • Serena Slocum: I didn't save your letters but I didn't throw them away.
  • Tom Townsend: I don't understand, is that a riddle?
  • Charlie Black: I don't see how you can stand him. You're always complaining about people being frauds and phoneys. This guy is the phoney of the decade, yet you act as he were your long-lost best friend.
  • Nick Smith: Tom's hardly a phoney. Just mildly deluded. He's a perfectly nice guy.
  • Charlie Black: That's just another aspect of his phoniness. He's a terrible phoney, and when he's not being a phoney, he's a bastard.
  • Nick Smith: Oh, come on.
  • Charlie Black: You saw how he treated Audrey last night.
  • Nick Smith: Well, Audrey seems to have forgotten it.
  • Charlie Black: She has to act that way. Otherwise it would be even more humiliating. But I don't have to pretend Tom Townsend is a nice guy.
  • Nick Smith: You're really gaga about Audrey, aren't you?
  • Charlie Black: If by "gaga" you mean, do I like her? Yes, I do.
  • Nick Smith: Well, why don't you do something about it, instead of just going on and on about what a bastard Tom Townsend is.
  • Charlie Black: What do I do? Declare myself? That would be an absolute disaster. I don't think I haven't thought about these things. But I think if the situation could just continue as it has been, they gradually, over time, it'd grow into something more. That, at least, is what I've been hoping for.
  • [first lines]
  • Mrs. Rouget: You can't listen to what your younger brother has to say. I can't think of anyone less an authority of female anatomy.
  • Audrey Rouget: He can see... It's hideous.
  • Mrs. Rouget: No, it isn't. You're being very subjective. You know, there was a survey of girls your age some years ago and nearly all of them were convinced that either their behinds, or their noses, were grotesquely oversized. And there was no apparent correlation between this conviction and their actual size.
  • Audrey Rouget: Really? They did a survey of that?
  • Mrs. Rouget: Yes. Why don't you show me the dress again?
  • Cynthia McLean: You see the world from such lofty heights that everything below is a bit comical to you, isn't it?
  • Nick Smith: Yes.
  • Nick Smith: I'm not sure if you realize this, but these girls are at a very vulnerable point in their lives. All of this is much more emotional and difficult for them than it is for us. They're on display. They have to call the guys up and invite them as escorts. And preppy girls mature socially much later than others do.
  • Audrey Rouget: I think my father considers himself a failure although I don't think he's one. I guess few people's lives match their own expectations.
  • Tom Townsend: I'm not planning to go to any more dances.
  • Nick Smith: You weren't? Well, I strongly advise you to change your mind. Is it that your resources are limited? This is about the only economical social life you're gonna find in New York. Music, drinks, entertainment, hot, nutritious meals all at no expense to you. Basically, all you need is one suit of evening clothes and a tailcoat. Dances are either white tie or black tie, so you only need two ties.
  • Charlie Black: Where do you get off, "you're suprised"? At what? You were Audrey's escort, yet you blithely left her stranded in the middle of the dance so you can try to work things out with Serena! And then you try to shirk the whole thing off on Fred.
  • Tom Townsend: I'm not trying to shirk it off on Fred. And I was not Audrey's escort. We were all there as a group. In any case, I'm very sorry there was a mixup.
  • Charlie Black: There was no mixup.
  • Tom Townsend: I'm sorry I left. But it wasn't intentional.
  • Charlie Black: When you're an egoist, none of the harm you do is intentional!
  • Sally Fowler: What have you against Tom?
  • Charlie Black: Just one thing: He's not a good person.
  • Tom Townsend: He seems less pessimistic than you.
  • Charlie Black: I know: it doesn't ring true.
  • Charlie Black: But I *am* authorized to use my mother's card: I use it all the time.
  • Nick Smith: What a mystery. Rick Von Sloneker and Serena Slocum, still together. Seems like months.
  • Sally Fowler: It has been months.
  • Nick Smith: Well, one thing's for certain - she's lost her virginity by now.
  • Jane Clark: How can you say that?
  • Nick Smith: You're right. Maybe she wasn't a virgin.

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