When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.
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- Nominated for 1 Oscar
- 20 nominations total
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When this first came out I thought it was a masterpiece. I was also a young man and had not experienced too many films yet. While this is still probably the best Frankenstein film IMO, in a recent viewing I was shocked to find that I really didn't hold it as high of regard as I did. Branaghs acting is way over the too and quite ridiculous even. I saw many things in the plot lines that are what I call lazy screenplay writing. Certain events were so forced by the charachters unrealistic actions that a lot of this film seemed quite silly. Deniro is really the main reason to watch the film. His performance was still quite good IMO. All in all this was a pleasant memory that didn't hold water for me personally with a more mature mindset. Still some great stuff in the film though.
One of Branagh's more maligned works, though for the life of me I can't see why. Sticking closer to the book than to any preconcieved notions of Boris Karloff (perhaps that's why), this injects true horror into the story of a medical student who brings a corpse to life. If you don't like melodrama then maybe it's not the thing for you, but this deserves a far better reputation than it has.
as i watched the trailer of the movie on TV, i thought it'll be another horror movie with the same old clichés, full of blood and disgusting scenes...However,when i saw the movie i was moved by the dramatic melancholic and tragic way in which branagh directed it...it wasn't at all such a trivial horror movie..on the contrary..it was another philosophical deep way of reviving Shelley's novel..it was another masterpiece of branagh's...he adopted the novel in such a delicate dramatic romantic way..and dipped into the moral that Shelley meant by her story..Branagh made of Victor Frankenstein another Odesseus whose vanity and arrogance makes him think that he could imitate God and defy Him..he made him a tragic hero haunted by the death of his mother which has created in him the urging desire of fighting death and creating an alternative life...Branagh's choice of the actors was more than perfect, De Niro made a sympathetic touching creature despite his violence and thick hands ,the creature in this movie managed to escape being another scary pale dead monster walking the earth as it was in the old Frankenstein movies,the genius De Niro made us feel and believe that this creature bears great equal amounts of love and rage and that if he cannot satisfy one ,he'll indulge the other (as he says to frankenstein), Helena Bonham Carter was splendid as Elizabeth,she was like the refreshing breeze in the movie which could decrease the intensity of the bloody scenes, Tom Hulce in the role of Henry was in his friendship to Victor as intimate as the friendship of Horatio to Hamlet, Ian Holm as the baron Frankenstein was very good ,but his part was too small that he couldn't show all his talents, Richard Briers was great in the role of the tender grandfather, and of course Kenneth Branagh himself as Frankenstein was perfect,he could make us pity for Frankenstein rather than hating him. Generally the movie despite its several bloody scenes,makes an intense powerful drama..and makes you saturated with a strange sense of melancholy after seeing it...Branagh's Frankenstein is really a must-see :)))
This interpretation of the story "Frankenstein", with personalities like Kenneth Brannagh,Ian Holmes,Helena-Bonham Carter and John Cleese amongst others is so incredible in its execution and dramatic flare.
John Cleese,especially,makes a very memorable part as the mysterious mentor Professor Waldman,which shows Frankenstein the secrets of Life.
And not to forget Kenneth Brannaghs characterization of the manic, desperate and not too forget intense Dr. Victor Frankenstein is completely without competition.
It's in this part Brannaghs sense of Dramatical flare and theatrical intensity really comes into its right, and manages to put the madness of Frankenstein into an incredible sharp relief.
You get an understanding of why Frankenstein does what he does.. The Death of his mother,the want to beat Death, all of these factors formed Frankenstein up to the moment where he creates and reanimates the Monster
Ah, The Monster.. In all the excitement I almost forget Robert De Niro's excellent rendition of the monster. In his characterization the monster isn't just a lifeless and soulless being,but a humane being with wishes,desires,wants and lusts..
He feels and experiences everything with such a strenght and intensity as noone really can describe. And he tries to adapt to a world which is completely hostile to his existence, even his Father he learns will not love him or know him.
The Monster is like a child, trying to cope with emotions and feelings much stronger than anything we can imagine or percieve. And maybe it is that which makes the Monster so reckognizable?. Because he is us, and we are him?
John Cleese,especially,makes a very memorable part as the mysterious mentor Professor Waldman,which shows Frankenstein the secrets of Life.
And not to forget Kenneth Brannaghs characterization of the manic, desperate and not too forget intense Dr. Victor Frankenstein is completely without competition.
It's in this part Brannaghs sense of Dramatical flare and theatrical intensity really comes into its right, and manages to put the madness of Frankenstein into an incredible sharp relief.
You get an understanding of why Frankenstein does what he does.. The Death of his mother,the want to beat Death, all of these factors formed Frankenstein up to the moment where he creates and reanimates the Monster
Ah, The Monster.. In all the excitement I almost forget Robert De Niro's excellent rendition of the monster. In his characterization the monster isn't just a lifeless and soulless being,but a humane being with wishes,desires,wants and lusts..
He feels and experiences everything with such a strenght and intensity as noone really can describe. And he tries to adapt to a world which is completely hostile to his existence, even his Father he learns will not love him or know him.
The Monster is like a child, trying to cope with emotions and feelings much stronger than anything we can imagine or percieve. And maybe it is that which makes the Monster so reckognizable?. Because he is us, and we are him?
This version is overly melodramatic in an effort to romanticize Shelly's novel and allow for the many actors a chance to put forth their acting chops.
The direction and acting remind me of older movies like 1939s Wuthering Heights where It was all about actors chewing the scenery helped with an epic soundtrack crescendoing to punctuate moments.
This is what reminded me why I like the original B&W version so much, it was so minimal and stark for its day. When I saw it on a large screen several years ago, it really scared me and I'd seen it on TV many many times before. Something about the silence at certain moments in the film created eery and shocking scenes that much "more".
As the creature In Branagh's version, De Niro's NY accent made me chuckle at times and HB Carter chose to ham it up as Elizabeth ( and in this version becomes the bride of the creature as well!! Yikes) I think there were too many famous named actor's to please, so they made each character an important enough role to extend this to nearly two and a half hours long (Maybe longer).
Now that's Self involved story telling.
Sorry, I know this will be an unpopular review, but it's honest.
Did you know
- TriviaVeteran horror actor Sir Christopher Lee, who played the Creature in Hammer Studio's Frankenstein s'est échappé (1957), was asked at the premiere of this film about the differences between his version and this new adaptation. Lee replied, "About forty years and forty million dollars."
- GoofsThe opening crawl states that Captain Robert Walton set sail in the early 19th century. Then the next caption states that it is 1794, which is still in the 18th century.
The prologue actually states that it is "the dawn of the 19th Century," which in common English vernacular refers to the period of time around the start of the new century. The year 1794 would fall within this reference.
- Quotes
The Creature: I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.
- Alternate versionsThere is a work-print circulating which contains gore which was cut to earn an "R" rating, as well as other scenes, including the Fay Ripley scene and the re-animated dog scene.
Details
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- Also known as
- Mary Shelley's Frankenstein
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Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $22,006,296
- Opening weekend US & Canada
- $11,212,889
- Nov 6, 1994
- Gross worldwide
- $112,006,296
- Runtime2 hours 3 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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