L'ennemi est parmi nous

I have seen the original Seven Days in May no fewer than 15 times. I know, I need to get a life. However, the original cast of Lancaster, Douglas, March, Gardner, Houseman, Duggan, etc. was pure magic. The tension was palpable,and the chemistry was awesome.

That being said, The Enemy Within was a light, or lite, version of the original. Could there be more of a mis-casting than putting poor old Jason Robards as the Joint Chiefs Chairman. He looked like he had oatmeal drooling on his bib. Don't get me wrong, he was a very fine actor, and perhaps he could have pulled it off when he was twenty or thirty years younger.

The rest of the cast with the exception of the sultry Dana Delaney was weak. The plot was John Kerryesque nuanced. The ending was farcical.

I enjoy the idea of remaking fine older movies. Perhaps George Clooney can pull it off, as he did with the remake of Failsafe. However, The Enemy Within comes across as a poor man version of a classic thriller.

Just catching up on some oldschool flicks. The story plot was interesting got me thinking, about the military aspect of this. What really was to go down if some crazyness like this ever where to happen right now in this current era we are in.

If humankind ever evolved to the point where godlike feats were remotely possible, we'd be in big trouble, but the first order of business would no doubt be to go back to the garden of Eden and remake everything. Not that it needed remaking. Just for the challenge. And the paycheck.

I am not usually so sassy about remakes -- actors have got to eat, agents have to make deals, the maw that is cable TV needs to be fed -- but this one gets under my craw.

The original wasn't merely good, it wasn't merely great, it was perfect, it was so good that the original A-B rolls should have been sent directly to a film museum instead of merely being stored. The original had some of the best performance on record from three of the best actors of all time - I am talking Lancaster, Douglas and March. And writing by Serling. I mean, it does not get any better than that.

But try telling THAT to the clowns behind this production. In fairness it is not all bad. Whitaker has achieved in his career what some like to call "journeyman" status, he can take almost any role and make it real. Waterston was a delight to watch then, still is now. And Dana Delaney, well, let's just say that the high watermark of her career might just be her Lois Lane voice, and leave it at that.

But here is thing, and this should be a cautionary tale for other producers whose reach exceeds their grasp. Even before you started production on THE ENEMY WITHIN, the odds, the probabilities, the Sigmas, of making this equal to or better than the original were slim and none. And Slim had just left the building.

So kind viewer you have a clear choice. Watch this for passable entertainment.

Or track down the original for the film experience of a lifetime.

Up to you.

The mid-1990s were HBO's heyday as Clintonesque liberals and they took it upon themselves to present this sort of viewpoint in nearly all of their productions. This one is no exception.

It's saved by the fact that it's a tremendously literate story from the great screenwriter Rod Serling, and it has Forrest Whitaker in top form. The typical HBO heavy-handed preachiness is kept to a minimum here and the intrigue is maximized, of course with some rather tough to fathom plot maneuvers concerning the Soviets, in this case as allies of a sort.

It's not as fine a film as the original Seven Days in May, but it's not a waste either and it's always good to see Whitaker in his usual good form with Sam Waterston doing more subtly nuanced acting than he's allowed to do on Law & Order.

Nice little suspense film from HBO. Does a good job of building up to the climax, but then falters. I felt the ending was very "convenient," and not believable. I did not see the original, so I'm not sure if it had the same ending. As the film progresses, we get to see Forest Whitaker do some mini-marathons throughout the city. This film reminded me of a cross between "No Way Out" and "The Shadow Conspiracy." No Way Out was also a military conspiracy film and had George Dzundza in a supporting role. "The Shadow Conspiracy," an awful film starring Charlie Sheen, was also about a government conspiracy revolving around a plot to assassinate the President from within the Government. Coincidentally, Sam Waterston plays the President in that too.