Maysles brothers documentary covering the first arrival of "Beatlemania" in the U.S., as well at the band's historical appearances on "The Ed Sullivan Show."Maysles brothers documentary covering the first arrival of "Beatlemania" in the U.S., as well at the band's historical appearances on "The Ed Sullivan Show."Maysles brothers documentary covering the first arrival of "Beatlemania" in the U.S., as well at the band's historical appearances on "The Ed Sullivan Show."
- Awards
- 1 nomination total
John Lennon
- Self
- (archive footage)
Paul McCartney
- Self
- (archive footage)
George Harrison
- Self
- (archive footage)
Ringo Starr
- Self
- (archive footage)
Cynthia Lennon
- Self
- (archive footage)
Brian Epstein
- Self
- (archive footage)
Ed Sullivan
- Self
- (archive footage)
Murray the 'K'
- Self - DJ, New York
- (archive footage)
The Beatles
- Themselves
- (archive footage)
Geri Miller
- Self
- (archive footage)
Brian Sommerville
- Self - Beatles Press Officer
- (archive footage)
Walter Cronkite
- Self - CBS News
- (archive footage)
- (uncredited)
Chet Huntley
- Self - The Huntley-Brinkley Report
- (archive footage)
- (uncredited)
Featured reviews
This is essentially a re-edit of the Maysles brothers' documentary about the Beatles' first visit to the US. About 20 minutes from the TV movie version ("What's Happening! The Beatles in the U. S. A.") have been dropped and live footage from their Ed Sullivan Show appearances and their concert at the Washington Coliseum have been inserted.
So, here's the thing. This isn't like most Maysles projects in that they only had a small window to film the band, so the Beatles are constantly aware of and playing to the camera. To be frank, their incessant capering started to get on my nerves, and coupled with the nearly constant sound of young women shrieking at them made this a pretty tough watch. It's an invaluable document, but not one I really enjoyed.
So, here's the thing. This isn't like most Maysles projects in that they only had a small window to film the band, so the Beatles are constantly aware of and playing to the camera. To be frank, their incessant capering started to get on my nerves, and coupled with the nearly constant sound of young women shrieking at them made this a pretty tough watch. It's an invaluable document, but not one I really enjoyed.
8dboh
The Beatles' First U.S. Visit is, behind "The Compleat Beatles" and their self-produced "Anthology", the most entertaining and revealing about this musical group of four doing what they were born to do, on the way to the crest of their musical creativity. The performances on the American "Ed Sullivan Show" are entertaining for fans and interesting as historical documents, but the true gems are the sequences of non-performance documentary footage of all four members of the group, Brian Epstein, and (briefly, hush-hush ;)) Cynthia Lennon. This footage provides a window into The Beatles' emotional state during this life-altering point in their career. They balance organized professionalism (largely achieved by Brian Epstein, often under-appreciated in that he was managing a musical act achieving unprecedented popularity with no precedented business or professional model) with their excitement of their success in America. Then and now, largely the Holy Grail of success in entertainment. It is interesting to compare their reaction to fame with, on one hand, more impressionable, and on the other hand, more stoic celebrities. Paul, as would seem to be his role in their entire career together, acts as a conduit between George, John, Ringo and their handlers, like gently encouraging Ringo to pack his suitcase thoroughly in a "mother hen" voice. Funny. Watching them listen to themselves on the radio in America, seeing footage of car-mobbing people from the INSIDE of their car, seeing John tease instrumental DJ Murray The K (none the wiser) with pervy English slang, and The "Ed Sullivan" performances themselves are priceless. Though by February 1964 they were well versed in Hotel Room culture, their upbeat moods reveal their happiness (and reported surprise) at their reception from the moment they stepped off the trans-Atlantic airplane. Seeing this week of pivotal events in rock n' roll history from is a wonderful peek behind the Beatles' curtain on par with their "Anthology" and not to be missed by any casual or greater fan. Probably, if purchased, one of the Beatles-related home media films you will find yourself repeat watching more than others. Well shot by the Maysles brothers, directed and edited. Highly recommended.
Shown here as part of BBC2's Beatles' night, this vibrant documentary is the real-life alter-ego of the "A Hard Day's Night" Beatles' stereotypes and shows that the Fab Four were quite witty and offbeat enough, without fictional embellishment.
Covering their arrival in the States in early 1964, just as "I Want To Hold Your Hand raced up the charts as their debut US hit and taking in concerts in Washington and Miami, interspersed with their historic and record-breaking appearances on the Ed Sullivan Show, we get a first hand glimpse of the punishing schedule the Beatles endured in their bid to break America. Their youthful exuberance and enthusiasm gets them through and it's obvious that they take delight in their new-found celebrity in the homeland of rock 'n' roll, from where they took so much early inspiration. This of course was to pall, so that within two short years they'd exert their collective wills to get off the constant grind of globe-trotting touring.
Their infectious, unscripted witticisms raise many a smile at their numerous press conferences and it's easy to see them unconsciously debunking the myth of fame and cult of personality which was the norm amongst pop idols of the pre-Beatle era, notably a certain Mr Presley, of course.
The music's terrific, all the early classics turned out with vim and skill, again before their growing tiredness and cynicism, allied to their inability to hear what they were playing, conspired to drag down their performing standards.
My only criticism is that a certain Mr Lennon is strangely absent from much of the backstage proceedings, perhaps because he required to attend to the needs of his wife, she unsurprisingly hidden away (you just see her in one scene) in the background while Paul refers to him at another point as "the married one"). That said, Paul George and particularly Ringo put themselves about entertainingly, so that in the end you never doubt that America will catch the British wave and propel them to super-stardom.
As a long-term Beatles fan, who admittedly finds the later era Beatles a much more interesting proposition as people and musicians than the lovable mop-tops on show here, this was a fascinating insight into how four provincial lads would become world figures and mostly deserving of everything that came their way through personality, hard work and of course, loads of talent.
Covering their arrival in the States in early 1964, just as "I Want To Hold Your Hand raced up the charts as their debut US hit and taking in concerts in Washington and Miami, interspersed with their historic and record-breaking appearances on the Ed Sullivan Show, we get a first hand glimpse of the punishing schedule the Beatles endured in their bid to break America. Their youthful exuberance and enthusiasm gets them through and it's obvious that they take delight in their new-found celebrity in the homeland of rock 'n' roll, from where they took so much early inspiration. This of course was to pall, so that within two short years they'd exert their collective wills to get off the constant grind of globe-trotting touring.
Their infectious, unscripted witticisms raise many a smile at their numerous press conferences and it's easy to see them unconsciously debunking the myth of fame and cult of personality which was the norm amongst pop idols of the pre-Beatle era, notably a certain Mr Presley, of course.
The music's terrific, all the early classics turned out with vim and skill, again before their growing tiredness and cynicism, allied to their inability to hear what they were playing, conspired to drag down their performing standards.
My only criticism is that a certain Mr Lennon is strangely absent from much of the backstage proceedings, perhaps because he required to attend to the needs of his wife, she unsurprisingly hidden away (you just see her in one scene) in the background while Paul refers to him at another point as "the married one"). That said, Paul George and particularly Ringo put themselves about entertainingly, so that in the end you never doubt that America will catch the British wave and propel them to super-stardom.
As a long-term Beatles fan, who admittedly finds the later era Beatles a much more interesting proposition as people and musicians than the lovable mop-tops on show here, this was a fascinating insight into how four provincial lads would become world figures and mostly deserving of everything that came their way through personality, hard work and of course, loads of talent.
I thought the movie was absolutely marvelous (an inside joke to anyone who has seen the movie). This one is definitely a keeper. The footage captures the innocence of the Beatles during the begining of their career. It is full of laughs and great fun. Any beatle fan would enjoy this one and I personally would go to any lengths to get a hold of it.
If you wish to experience the group's charm and musical euphoria of this time full on, without the intrusions of a tacked on plot or supplementary characters, check out the wonderful documentary "The Beatles' First U.S. Visit". Done by the Maysles brothers - the duo behind the Rolling Stones' "Gimme Shelter" later in the decade - the film captures all the excitement [and footage] of the Beatles' triumphant arrival in America, including all their Ed Sullivan appearances, various backstage reflections and shenanigans, and an extended, supercharged sequence of their concert at Washington Coliseum. For my money, this film is even MORE essential than A Hard Day's Night; it is, quite simply, the best extended visual document of the Beatles that we have.
Did you know
- TriviaThe Beatles fans gathered together at the airport are singing the song "We Love You Beatles" by The Carefrees which was a single released in 1964.
- GoofsThe end credits on the original video release of THE BEATLES: THE FIRST U.S. VISIT erroneously gave the composer credit for "Till There Was You" to Richard Rodgers. Subsequent releases corrected this credit and accurately gave Meredith Willson credit for composing the song.
- Quotes
[At a press conference at Kennedy Airport.]
Girl: Can you please sing something for us?
The Beatles: No!
Reporter: Is it because you can't sing?
John Lennon: No, we need money first.
- ConnectionsEdited from What's Happening! The Beatles in the U.S.A. (1964)
- SoundtracksAll My Lovin
Written by John Lennon and Paul McCartney
Courtesy of EMI Blackwood Music, Inc.
ATV Music (Maclen)
Details
- Release date
- Country of origin
- Language
- Also known as
- 'Битлз': Первый визит в США
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 23 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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