Body & Soul

This is a wonderful showcase for Kristin Scott Thomas' talent -- incroyable! Her Anna Gibson/Sister Gabriel is exquisitely conflicted. Her 1993 Chicago Film Festival win for this film was quite well-deserved. Amanda Redmond is fantastic as Anna's sister-in-law, Lynn, and I adored Madeleine Christie's Sister Godric. Must see!

Once again, I am disappointed how little people have seen this marvelous film. I think it is because the main character is a nun. And how attractive is that? But aren't you interested about the story of a smart, modern woman, who chooses to flee in a convent? And don't you want to know what happens if she has to leave?

I must say it is the best role I saw Kristin Scott Thomas play ever. You really feel why she makes her decisions. Only by acting, without spelling it out, this movie makes you understand the behaving of several people. And that is real Art.

It's one of the movies you will be thinking of for days. And every time you see Kristin, or hear someone talk about her, you relive the moments this movie showed you.

This was a superb story of a nun in conflict with her life choices and movement in her nunnery to her transitional departure due to family issues. Kristin Scott Thomas was superb as she ALWAYS is in whatever work she performs. The plot was intricate yet inviting as you moved through the 6 episodes or so of her life and choices. I felt the acting was very good by one and all, the setting interesting and unique and the storyline was really, really good in enticing us to watch more and stirring the desire to "finish" what was started. Pretty outstanding drama as MANY British productions tend to be these days COMPARED with those of Hollywood, USA. I don't know why this is but I continue to find it true.

What a wild career K.S. Thomas has had. I found this doing a 'Brit' search of Prime this week. There is a real woman sensibility apparent here. Adult, reasoned, understated yet effective. My mother took me to see The Nuns Story when I was age 6. Rather minimalist for a Catholic preadolescent but sacrifice for the spiritual life is kinda baked into the C cake! Some know of which I speak! 1993 is still early in Brit tv production value fortunes. The cinematography kinda sucks. Choices made can only be for budget constraints. I didn't dig the look. But Scott transcends every screen second. Don't believe me? Please just... I gotta go but more people should see this and not annoy me with clever non habit forming reasoning.

Boy, what a surprise this was. Who would have thought that a PBS Masterpiece production with one of the most celebrated of international leading ladies could be such a STINKER. Hackneyed and tedious almost from the get-go, and I stayed with it well past the get-go (in fact, 2 whole hours before I decided to get-going). I mean, one should have been prepared, I suppose, for something wonky when one is asked to accept Kristin Scott Thomas as a contemporary cloistered nun. Was it the (merely hinted it) Lesbian angle in the convent? Was it Thomas's anguished reaction when she stumbles upon a couple bonking in a shed? Was it the prune-faced nun who assaults her upon her return to the convent with the words "God doesn't want you here"? Was it the hunky young factory foreman with whom she allies herself when she decides to save the family textile mill? Now don't misunderstand, it's not that I actually want these questions answered…I was just wondering which WAS it that finally made me give up on this piece of overcooked tripe.