You have to wonder whether Holliday Grainger misses the corsets. It’s been five years since the star of Strike last wore the punishing vintage garment; an eternity really, given that she spent the better part of a decade bound into one playing frothy aristocrats in shows such as The Borgias and haughty royalty in films like Anna Karenina. “I’ve worn so many I think my bloody liver is bruised,” she cackles, a trace of her native Manchester accent peeping through the negative space of her vowels. The short answer, then, is no. She does not miss the corsets.
These days, Grainger is about comfort. The actor calls me from bed one afternoon, her hair pulled back from her high-boned, full-moon face, which is bare. Not celebrity bare (meaning concealer and mascara) but actually bare. She’s in workout clothes and her rosy cheeks are rosier than usual. I...
These days, Grainger is about comfort. The actor calls me from bed one afternoon, her hair pulled back from her high-boned, full-moon face, which is bare. Not celebrity bare (meaning concealer and mascara) but actually bare. She’s in workout clothes and her rosy cheeks are rosier than usual. I...
- 9/4/2022
- by Annabel Nugent
- The Independent - TV
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