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6.5/10
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Several players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others t... Read allSeveral players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.Several players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.
Jon Pennell
- Bobby Collins
- (as Jon Maynard Pennell)
Joey Lauren Adams
- Louanne
- (as Joey Adams)
Leon Pridgen
- Ray Griffen
- (as J. Leon Pridgen II)
Michael Flippo
- Coach Humes
- (as Mike Flippo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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The Program may very well be the best film on college football ever done in that it shows its not quite the way it was when Pat O'Brien was playing Knute Rockne or even when Knute Rockne himself was coaching at Notre Dame.
During the Nineties another classic film about professional football was done, Any Given Sunday. The main theme about Any Given Sunday was that sports was now more business than anything else. But pro football has always been a business. What The Program shows is just how much a business college football is, yet it maintains the fiction that this is amateur athletics.
As is so eloquently put, no one is going to pay for a ticket to see a chemistry exam. Football with its ticket revenue, its alumni contributions, it's TV and radio rights, it's memorabilia rights is a very big business. It brings in money for the colleges, hence the colleges have a vested interest in a winning team. And some will do quite a bit more than others.
James Caan does a fine job as the coach of mythical ESU who is a decent man caught up in the system. He operates his program straining the bounds of ethics. He knows full well that some of his kids are being greased right through college without an education, but football is his life and living and Caan operates the best he can.
His players are a cross section of young America. Craig Sheffer is the very talented quarterback from a white trash background trying hard to rise above it. Omar Epps is the inner city ghetto kid who sees football as his ticket out. Andrew Bryniarski is the defensive player that steroids gave us, something Caan pretends not to notice until it really smacks him in the face. By the way Bryniarski was also in Any Given Sunday.
My favorite in the entire film is Duane Davis who is another kid from the ghetto who both really loves the game, can barely read and write, and who also sees it as a way of rising from poverty. He's a nice kid, but a bad influence on Epps who he constantly tells that The Program will grease him through. Davis just lives for that National Football League contract.
I do love the way Davis psyches himself before a scrimmage. You have to see the film to appreciate. Sad to say his is the saddest of all the stories here. You have to be made of stone to not be moved by seeing him at home, leg in a cast, listening to the final championship game with his mother, knowing the future he foresaw for himself is blasted to smithereens.
Halle Berry and Kristy Swanson are there as love interests to both Epps and Sheffer respectively. There characters are quite a bit more than the usual air-headed cheerleaders cast in these parts.
Another good performance is John Maynard Pennell as Sheffer's second string backup. He romances and talks Caan's daughter into taking an exam for him. When she's caught both are expelled. Caan personally kicks him out of the university and then has to swallow his pride and a good deal more to bring Pennell back when Sheffer has to go into rehab. That's also a classic scene.
The Program is one of the finest, if not the finest film on college football ever done. I think more than sports fans will appreciate this finely crafted piece of cinema.
During the Nineties another classic film about professional football was done, Any Given Sunday. The main theme about Any Given Sunday was that sports was now more business than anything else. But pro football has always been a business. What The Program shows is just how much a business college football is, yet it maintains the fiction that this is amateur athletics.
As is so eloquently put, no one is going to pay for a ticket to see a chemistry exam. Football with its ticket revenue, its alumni contributions, it's TV and radio rights, it's memorabilia rights is a very big business. It brings in money for the colleges, hence the colleges have a vested interest in a winning team. And some will do quite a bit more than others.
James Caan does a fine job as the coach of mythical ESU who is a decent man caught up in the system. He operates his program straining the bounds of ethics. He knows full well that some of his kids are being greased right through college without an education, but football is his life and living and Caan operates the best he can.
His players are a cross section of young America. Craig Sheffer is the very talented quarterback from a white trash background trying hard to rise above it. Omar Epps is the inner city ghetto kid who sees football as his ticket out. Andrew Bryniarski is the defensive player that steroids gave us, something Caan pretends not to notice until it really smacks him in the face. By the way Bryniarski was also in Any Given Sunday.
My favorite in the entire film is Duane Davis who is another kid from the ghetto who both really loves the game, can barely read and write, and who also sees it as a way of rising from poverty. He's a nice kid, but a bad influence on Epps who he constantly tells that The Program will grease him through. Davis just lives for that National Football League contract.
I do love the way Davis psyches himself before a scrimmage. You have to see the film to appreciate. Sad to say his is the saddest of all the stories here. You have to be made of stone to not be moved by seeing him at home, leg in a cast, listening to the final championship game with his mother, knowing the future he foresaw for himself is blasted to smithereens.
Halle Berry and Kristy Swanson are there as love interests to both Epps and Sheffer respectively. There characters are quite a bit more than the usual air-headed cheerleaders cast in these parts.
Another good performance is John Maynard Pennell as Sheffer's second string backup. He romances and talks Caan's daughter into taking an exam for him. When she's caught both are expelled. Caan personally kicks him out of the university and then has to swallow his pride and a good deal more to bring Pennell back when Sheffer has to go into rehab. That's also a classic scene.
The Program is one of the finest, if not the finest film on college football ever done. I think more than sports fans will appreciate this finely crafted piece of cinema.
OK, so this movie isn't a big Academy Award winner. OK, so it doesn't rank up there with Brian's Song or is as flashy and symbolic as Any Given Sunday.
Maybe it doesn't have the attitude of The Last Boy Scout or North Dallas Forty; it lacks the comic appeal of Necessary Roughness. But you know what it does have that all of those above-mentioned films lack, a connection to any person that has ever stepped out on that field and experienced the pressures and bliss that comes with the nitty gritty game of football. I remember seeing this movie in the sixth grade and having never been into football that much, I didn't expect a lot. Yet,I walked away in awe at the sheer excitement experienced from this movie. This was an instant classic and even years later in my high school football days, the players were still talking about it. It is one of the best and most realistic football movies made. It puts you in the mindset of a big play maker like Jefferson or a back-breaking linebacker like Alvin Mack. It also has its human side displaying the pressures of trying to live up to expectations and coping anyway you know how. In Joe's case it's through a bottle. Lattimer sees enhancement drugs as the only way out...the film just takes you down to their level. Better yet, it's a college experience that you haven't experienced yet, or are trying to remember (it goes so fast!). After viewing this movie so many times every year when the college ball season starts, or even back in the day before two-a-days began; I can't help but to get excited and giddy from viewing it. My tape has worn out and I now own the DVD, I just wish they would add the deleted scenes. The Program will always be on my top ten list and that's why I give it a great rating.
Maybe it doesn't have the attitude of The Last Boy Scout or North Dallas Forty; it lacks the comic appeal of Necessary Roughness. But you know what it does have that all of those above-mentioned films lack, a connection to any person that has ever stepped out on that field and experienced the pressures and bliss that comes with the nitty gritty game of football. I remember seeing this movie in the sixth grade and having never been into football that much, I didn't expect a lot. Yet,I walked away in awe at the sheer excitement experienced from this movie. This was an instant classic and even years later in my high school football days, the players were still talking about it. It is one of the best and most realistic football movies made. It puts you in the mindset of a big play maker like Jefferson or a back-breaking linebacker like Alvin Mack. It also has its human side displaying the pressures of trying to live up to expectations and coping anyway you know how. In Joe's case it's through a bottle. Lattimer sees enhancement drugs as the only way out...the film just takes you down to their level. Better yet, it's a college experience that you haven't experienced yet, or are trying to remember (it goes so fast!). After viewing this movie so many times every year when the college ball season starts, or even back in the day before two-a-days began; I can't help but to get excited and giddy from viewing it. My tape has worn out and I now own the DVD, I just wish they would add the deleted scenes. The Program will always be on my top ten list and that's why I give it a great rating.
That's the best way to describe 1993's "The Program" in as few words as possible. It's a realistic drama/sports film focusing on a handful of players and their stories as individuals and members of the ESU Timberwolves.
I was well into the second half of the film when it dawned on me that I was into the characters' stories and had forgotten I was watching a movie, which is always a good sign. The characters include the quarterback (Craig Sheffer) who has to deal with the incredible pressure of his position and the fact that his Dad's an aloof drunkard who's given up on life; the linebacker who takes steroids to compete and starts to become a rage-oholic; the black dude from the ghetto who memorizes big words to appear smart; and more. For most of them, their lives and futures hinge on the game and so getting seriously injured can wipe out their very reason for existence. James Caan is notable as the coach.
As for women, there's Halle Berry in her prime and Kristy Swanson, but their roles are too limited and there are essentially no other women to be found, except cheerleaders & students in the background.
People who have played university football have pointed out that "The Program" is realistic in its depiction. It's a really good sports film for sure, but 1999's "Varsity Blues," which focuses on Texas high school football, edges it out. In fact, "Varsity Blues" ranks with my all-time favorite movies; it's got a more compelling story & characters, a funner vibe and better women. But both of them are must-see sports flicks.
The film runs 112 minutes and was shot at Duke University, Durham, North Carolina, and the University of South Carolina, Columbia, SC.
GRADE: B+
I was well into the second half of the film when it dawned on me that I was into the characters' stories and had forgotten I was watching a movie, which is always a good sign. The characters include the quarterback (Craig Sheffer) who has to deal with the incredible pressure of his position and the fact that his Dad's an aloof drunkard who's given up on life; the linebacker who takes steroids to compete and starts to become a rage-oholic; the black dude from the ghetto who memorizes big words to appear smart; and more. For most of them, their lives and futures hinge on the game and so getting seriously injured can wipe out their very reason for existence. James Caan is notable as the coach.
As for women, there's Halle Berry in her prime and Kristy Swanson, but their roles are too limited and there are essentially no other women to be found, except cheerleaders & students in the background.
People who have played university football have pointed out that "The Program" is realistic in its depiction. It's a really good sports film for sure, but 1999's "Varsity Blues," which focuses on Texas high school football, edges it out. In fact, "Varsity Blues" ranks with my all-time favorite movies; it's got a more compelling story & characters, a funner vibe and better women. But both of them are must-see sports flicks.
The film runs 112 minutes and was shot at Duke University, Durham, North Carolina, and the University of South Carolina, Columbia, SC.
GRADE: B+
Trips Bunch. The Power I. The Cover 2. If you know what these terms mean, and understand their uses in football strategy, then you'll really enjoy watching David S. Ward's the Program. Ward also wrote and directed Major League, a great movie; however, with The Program, it is obvious how much his sports writing style has evolved.
The movie traces one season of college football for a once dominant, but now struggling Division 1 powerhouse, the fictional ESU Timeberwolves. James Caan is hilarious and well-cast as the Head Coach on the hot seat, and it's really great watching him deal with serious issues both on and off the field. Craig Shaeffer does a solid job at both his role and the QB position. His character is like a young, much more tortured Steve Young: he can throw the long ball, he can buy time with his feet, and he can do it all while battling inner demons. Omar Epps (the Wood) is simply perfectly cast as Darnell Jefferson, the prototype freshman Tailback fighting for his spot on the 1st team (plus the beautiful Halle Berry plays his love interest).
The movie is filled with hilariously awesome lines and performances, and is a classic among people who actually play football. While the editing work could be scrutinized among movie Nazis (the editing job when Kane and his girl are riding his motorcycle is questionable at times), the good far outweighs the bad. Namely, the in-helmet camera work really puts you on the field with them. Overall, David S. Ward does an excellent job of jumping from perspective to perspective, and it quickly builds into this chaotic, early 90s mosaic of Division 1 college football. And surprisingly, the issues explored in the film really resonate with the issues going on in today's sports (i.e. Steroids, Motorcycle death wishes).
Listen, if you haven't seen this movie, and you love football, and are of mild intelligence, then you are either really young or really lucky that you missed it because I wish i could watch it again for the first time. However, if you have no appreciation for the game of football, you're better off going elsewhere. Football idealists, be warned as well. This movie is the anti-Rudy. It's the story of one school's fight for a bowl bid, and fighting for that bid at all costs.
PS- My vote is very biased. I love to quote this movie with friends. I love to watch football on both Saturday and Sunday. I play fantasy football. I play Madden. I played Division 3 football in college. You have been warned.
The movie traces one season of college football for a once dominant, but now struggling Division 1 powerhouse, the fictional ESU Timeberwolves. James Caan is hilarious and well-cast as the Head Coach on the hot seat, and it's really great watching him deal with serious issues both on and off the field. Craig Shaeffer does a solid job at both his role and the QB position. His character is like a young, much more tortured Steve Young: he can throw the long ball, he can buy time with his feet, and he can do it all while battling inner demons. Omar Epps (the Wood) is simply perfectly cast as Darnell Jefferson, the prototype freshman Tailback fighting for his spot on the 1st team (plus the beautiful Halle Berry plays his love interest).
The movie is filled with hilariously awesome lines and performances, and is a classic among people who actually play football. While the editing work could be scrutinized among movie Nazis (the editing job when Kane and his girl are riding his motorcycle is questionable at times), the good far outweighs the bad. Namely, the in-helmet camera work really puts you on the field with them. Overall, David S. Ward does an excellent job of jumping from perspective to perspective, and it quickly builds into this chaotic, early 90s mosaic of Division 1 college football. And surprisingly, the issues explored in the film really resonate with the issues going on in today's sports (i.e. Steroids, Motorcycle death wishes).
Listen, if you haven't seen this movie, and you love football, and are of mild intelligence, then you are either really young or really lucky that you missed it because I wish i could watch it again for the first time. However, if you have no appreciation for the game of football, you're better off going elsewhere. Football idealists, be warned as well. This movie is the anti-Rudy. It's the story of one school's fight for a bowl bid, and fighting for that bid at all costs.
PS- My vote is very biased. I love to quote this movie with friends. I love to watch football on both Saturday and Sunday. I play fantasy football. I play Madden. I played Division 3 football in college. You have been warned.
This is a great football movie. Being a former college footballo player I can speak from experience of the pressures of the field and the perks you get off it. Craig Sheffer was outstanding as Joe Kane the star Quarterback dealing with demons, his demon was a big one alcohol. Kristy Swanson was great as Camile Joe's love interest. These two have excellent chemistry. Andrew Bryhanski roll as Lattimer was dead on. He played a steroid abuser perfectly. The best part of the movie is the last game when Latts makes the goal line play and The coach(played by James Caan) grabs him looks at him and they both know latts is back on the juice. All in all this is a outstanding movie and I would recommend it to anyone.
Did you know
- TriviaThe original release of the film contained a scene where several ESU players lay on the yellow dividing line of a busy local road as a test of their courage. When two young men were killed, and several others injured, by imitating the stunt, Buena Vista cut the scene from the film. The scene is included on the Hong Kong Laserdisc and the Australia Region 4 DVD.
- GoofsThe endzone design frequently changes colors from Maroon and Yellow to Red and Black. At one point "Carolina" appears visible (during the Michigan game) in the end zone.
- Quotes
Alvin Mack: Let's open up a can of kick ass and kill 'em all, let the paramedics sort 'em out.
- Alternate versionsA scene showing college students lying in a street in the middle of car traffic as a way to prove their courage. A few weeks after the film's release, the studio recalled all copies and deleted this sequence from the film in response to public outrage, A teen boy, Michael Shingledecker, was killed attempting this. The only known versions containing this scene is the Hong Kong Laserdisc and the Australia Region 4 DVD.
- SoundtracksGood Things
Written by Kurt Neumann and Sammy Llanas (as Sam Llanas)
Performed by BoDeans
Courtesy of Slash/Reprise Records
By Arrangement with Warner Special Products
- How long is The Program?Powered by Alexa
Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $23,032,565
- Opening weekend US & Canada
- $6,821,931
- Sep 26, 1993
- Gross worldwide
- $23,032,565
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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