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5.9/10
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On Christmas Eve, a little girl named Marie falls asleep after a party at her house and dreams of a fantastic world where toys become larger than life.On Christmas Eve, a little girl named Marie falls asleep after a party at her house and dreams of a fantastic world where toys become larger than life.On Christmas Eve, a little girl named Marie falls asleep after a party at her house and dreams of a fantastic world where toys become larger than life.
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this is no spoiler I think people have seen this movie The Nutcracker...it was good I loved it...in fact I loved The Nutcracker since I saw it live at the historic Jefferson Theater in Beaumont, Texas in December 1980 when I was 11....loved the music and the growing tree in fact everything in the film was what I remembered seeing live except it was in a movie and I don't understand that person griping cause Macaulay Culkin's outfit was pink it was a nice color....wonder what happened to Jessica Lynn Cohen who played Marie????!!!..is she not acting now????!!!....I know Darci Kistler turned 50 this year and quit the ballet...wonder if any of the other ballet stars who were in the film are still dancing especially Bart Robinson Cook who played Drosselmeier who was Marie's godfather who gave her the Nutcracker who became the prince...I would recommend this movie for anyone for Christmas it's fun and clean and can be seen by anyone
BEWARE OF BOGUS REVIEWS & REVIEWERS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION. NOW I HAVE REVIEWED OVER 400 Christmas MOVIES. I HAVE NO AGENDA. I AM FARE.
The director of "Dirty Dancing" could have done a better job in filming this production. The is not the first feature film to showcase the world's most beloved ballet.
This is a huge chore to watch this interpretation of the holiday classic ballet! The Nutcracker tells the story of a young girl whose love for a toy turns it into the handsome prince Macaulay Culkin ("Richie Rich," "Home Alone"), and together they are brought to the Land of Sweets, where an enchanting spectacle awaits them. Directed by Academy Award-winner Emile Ardolino ("Sister Act," "Dirty Dancing") and narrated by Academy Award-winner Kevin Kline ("Dave," "A Fish Called Wanda").
The lack of closeups and static shots hinder the viewer from fulling embracing it. The 1986 Nutcracker: The Motion Picture is a better viewing experience!
The director of "Dirty Dancing" could have done a better job in filming this production. The is not the first feature film to showcase the world's most beloved ballet.
This is a huge chore to watch this interpretation of the holiday classic ballet! The Nutcracker tells the story of a young girl whose love for a toy turns it into the handsome prince Macaulay Culkin ("Richie Rich," "Home Alone"), and together they are brought to the Land of Sweets, where an enchanting spectacle awaits them. Directed by Academy Award-winner Emile Ardolino ("Sister Act," "Dirty Dancing") and narrated by Academy Award-winner Kevin Kline ("Dave," "A Fish Called Wanda").
The lack of closeups and static shots hinder the viewer from fulling embracing it. The 1986 Nutcracker: The Motion Picture is a better viewing experience!
As far as I can recall, Balanchine's alterations to Tchaikovsky's score are as follows:
1) The final section of the Grossvatertanz (a traditional tune played at the end of a party) is repeated several times to give the children a last dance before their scene is over.
2) A violin solo, written for but eliminated from Tchaikovsky's score for The Sleeping Beauty, is interpolated between the end of the party scene and the beginning of the transformation scene. Balanchine chose this music because of its melodic relationship to the music for the growing Christmas tree that occurs shortly thereafter.
3) The solo for the Sugar Plum Fairy's cavalier is eliminated.
It seems to me the accusation that Balanchine has somehow desecrated Tchaikovsky's great score is misplaced.
1) The final section of the Grossvatertanz (a traditional tune played at the end of a party) is repeated several times to give the children a last dance before their scene is over.
2) A violin solo, written for but eliminated from Tchaikovsky's score for The Sleeping Beauty, is interpolated between the end of the party scene and the beginning of the transformation scene. Balanchine chose this music because of its melodic relationship to the music for the growing Christmas tree that occurs shortly thereafter.
3) The solo for the Sugar Plum Fairy's cavalier is eliminated.
It seems to me the accusation that Balanchine has somehow desecrated Tchaikovsky's great score is misplaced.
I'd seen parts of this production before but I wanted to refresh my initial reactions and see if they were correct. I think they were!
I've always thought Balanchine was very old-fashioned in his attitudes, particularly in the ballerina-and-her-cavalier prototype. But this is, of course, what Russian ballet is all about.
I was mostly interested in seeing if Balanchine would keep the music up to speed and I find he has. After seeing the traditional performances where everything is slowed down to a glacial pace to accommodate the dancers, this is most refreshing and as a record of Mr. B's approach, this video production is invaluable.
Others have mentioned the music-tampering but this is not unusual in the dance world or even in Balanchine. One glaring example of this is his "Serenade" where Tchaikovsky's last two movements are reversed; the "Elegy" is the last thing heard instead of the fast finale. In all fairness, Balanchine assumed that his own works would be forgotten with time and would not become the monuments they have.
Is the 12 year old Culkin as bad as all that? In context, his star power has proved a liability here and this is at least partly due to his overall awkwardness in the nephew-prince role. Smiling or smirking professionally in that dreadful pink Lord Fauntleroy suit he can often look downright sinister. (He later used that quality in "Party Monster" for example.) And, with almost nothing to do except lend his presence to the second part, whenever they show him in passing I find the effect jarring.
Mack aside, the photography is good in general though awkward in the pan-and-scan version close-ups. The narration really shouldn't have happened but it's not too disturbing.
the DVD: It's a two-sided DVD with no real labels. (Watch your fingers!) The second side is the letterboxed one which I think is more successful than the pan-and-scan first side. The extras are informative but sparse.
6 or 7 out of 10.
I've always thought Balanchine was very old-fashioned in his attitudes, particularly in the ballerina-and-her-cavalier prototype. But this is, of course, what Russian ballet is all about.
I was mostly interested in seeing if Balanchine would keep the music up to speed and I find he has. After seeing the traditional performances where everything is slowed down to a glacial pace to accommodate the dancers, this is most refreshing and as a record of Mr. B's approach, this video production is invaluable.
Others have mentioned the music-tampering but this is not unusual in the dance world or even in Balanchine. One glaring example of this is his "Serenade" where Tchaikovsky's last two movements are reversed; the "Elegy" is the last thing heard instead of the fast finale. In all fairness, Balanchine assumed that his own works would be forgotten with time and would not become the monuments they have.
Is the 12 year old Culkin as bad as all that? In context, his star power has proved a liability here and this is at least partly due to his overall awkwardness in the nephew-prince role. Smiling or smirking professionally in that dreadful pink Lord Fauntleroy suit he can often look downright sinister. (He later used that quality in "Party Monster" for example.) And, with almost nothing to do except lend his presence to the second part, whenever they show him in passing I find the effect jarring.
Mack aside, the photography is good in general though awkward in the pan-and-scan version close-ups. The narration really shouldn't have happened but it's not too disturbing.
the DVD: It's a two-sided DVD with no real labels. (Watch your fingers!) The second side is the letterboxed one which I think is more successful than the pan-and-scan first side. The extras are informative but sparse.
6 or 7 out of 10.
Wendy Whalen's performance as Coffee is the best that I've seen. I recently the San Francisco's Ballet rendition of Coffee and although entertaining, it was not as awe inspiring as Wendy's caressing of the earth with the soles of her feet in this film version of the Nutcracker. I am on a quest to find Coffee performed as a pas de deux, which I was told in fantastic. I will continue to see different versions of the Nutcracker performed by various troupes until I am satisfied. Thank you Ms. Whalen, for the inspiration! I hear there is a Barishnikov version of this film recorded in 1976 that is really out of sight. Barishnikov has such a boyish charm to him that I am sure that I am in for treat. Also, for those of you who live in San Francsico, try to see the Yuan Yuan Tan as the Queen of the Snow. Her lines are so perfect that they scythe time and space. Chinese Tea accompanied by the dragon is also a show stopper. However, I do have one criticism that the dancers from act one do not return to the stage to take their bows at closing curtain. Anyhoo, if this film film proves anything, it that the performing arts is still worth attending. Furthermore, theatrical effects can be far more imaginative and innovative than CGI special effects.
Did you know
- TriviaNarration recorded by Kevin Kline was a last-minute addition that was heavily protested by Macaulay Culkin's father, Kit Culkin, who vowed that his son would do no publicity for the movie until the narration was dropped. Reluctantly, producer Arnon Milchan dropped the narration to appease the Culkins. Kit Culkin then returned with a list of other demands which so incensed Milchan that he reinstated Kline's narration, losing the use of the Culkins' publicity.
- Crazy creditsIn the opening credits, Macaulay Culkin is listed as playing Drosselmeier's nephew, but he is not listed as playing either The Nutcracker or The Prince.
- Alternate versionsThe Warner Bros. Family Entertainment logo is removed from the 2015 DVD due to 20th Century Fox, later Disney who acquired Fox in 2019, owning a 20% stake in Regency.
- SoundtracksThe Nutcracker: Overture
(uncredited)
Music by Pyotr Ilyich Tchaikovsky
The New York City Ballet Orchestra (with chorus) conducted by David Zinman
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Cascanueces
- Filming locations
- New York City, New York, USA(Studio)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $2,119,994
- Opening weekend US & Canada
- $783,721
- Nov 28, 1993
- Gross worldwide
- $2,119,994
- Runtime
- 1h 32m(92 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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