Chassé-croisé

Only 11 reviews, mine included, which means this is truly one of the forgotten romantic comedy gems on Imdb. Such a shame, because it has got sharp humor, a frivolous story, a lovely feel good spirit and such great subtle sarcastic dialogues. All one could wish for in an edgy romantic comedy, which is quite a bit different from the average romcom stuff. That is the reason why guys could love this comedy as well, because there is very little sentimental romantic stuff going on. The romance part is more of a side note, because the main "theme" is about young people messing up their lives and trying to find a new place where they feel at home.

The story: Matthew Broderick is poor and finally finds an apartment in New York City. There's a catch, there is always a catch: he has to share his appartment with 2 other persons, meaning he has got only 2 days per week that he can call his apartment his own. This sharing creates a lot of confusion, resulting in several frivolous (romantic) encounters, for the better and for the worse...

Especially recommended for Matthew Broderick fans, because I think this is one of his better performances of his carreer. And I have seen ALL his movies. What I especially like is the understated, casual and sarcastic tone of this comedy, which is so typical of many Matthew Broderick movies. In this one this typical sarcastic comedy style is tweaked into perfection. Lovely and funny and with a great sarcastic bite to it!

My review was written in April 1993 after watching the film in a Times Square screening room.

A quintessential New York movie, "The Night We Never Met" takes a novel premise and develops it in fits and starts. A guaranteed crowd-pleaser on its home turf, episodic effort could attract a hip audience elsewhere as well.

Debuting filmmaker Warren Leight has come up with an offbeat notion: time-sharing a Greenwich Village apartment by days of the week (practice exists, but is hardly a trend). Hissable yuppie Kevin Anderson is behind the scheme, wanting two nights out a week with his poker-playing, football watching buddies while living with patrician fiancee Justine Bateman.

One customer is Matthew Broderick, moping over losing his performance artist girlfriend Pastel (Jeanne Tripplehorn, spoofing a familiar downtown type). Broderick is sharing a flat with too many noisy, vulgar roommates and needs a crash pad.

Third tenant is frustrated housewife Annabella Sciorra, who uses it to get away from her dense husband (Michael Mantell) and spend a couple of days painting.

This format allows Leight to develop some surefire situation comedy. The three tenants never met but are aware of their differing habits: boorish slob Anderson leaves a mess each time; Sciorra fixes up pretty curtains and furnishings; Broderick is a gourmet cook (he works in an upscale food store) who provides fabulous leftovers for Sciorra.

Plot is set in motion when Anderson innocently switches one of his designated days with Broderick but doesn't update the posted schedule, causing Sciorra to confuse the two guys, swearing at Broderick over the phone for leaving a mess and fixing her sights on a romance with "dream guy" Anderson.

Finale has the threesome of nearly 30-year-olds finally meeting in the apartment, but not until after Sciorra has slept with Anderson, almost ruining her life, and further complications when (predictably) fiancee Batemean half-learns of the apartment and assumes Anderson carries on all week long.

Wonderfully atmospheric use of New York locations and familiar characters bring "Night" to life. Unfortunately, there are many scenes, particularly those of Anderson and his obnoxious pals, which kill time and detract from the romantic leads. Ultimately it's not really as much an ensemble piece as a film of alternating casts or vignettes.

Broderick, making a notable screen comeback after his laughless "Out on a Limb" fiasco, is utterly convincing as the hapless hero. Sciorra immediately garners sympathy, giving the film some heart and depth beyond the surface yocks. Anderson throws himself whole-heartedly into his stereotyped assignment.

Garry Shandling pops up uncredited as a wiseguy patient of dental hygienist Sciorra, while Christine Baranski is perfect as Sciorra's best friend.

Lensin gby John Thomas (who photographed Gotham-set "Metropolitan") is sharp and Evan Lurie's sprightly score is a definite asset.

Three New Yorkers decide to share a Greenwich Village apartment, rotating use of the place for different purposes, on different days. First up is bearded gourmet cheese clerk Matthew Broderick (as Sam Lester); he wants a quiet place to cook romantic dinners for dates, and hopefully have sex. Next tenant is bored painter Annabella Sciorra (as Ellen); she wants a place to paint, and also considers an extramarital affair. Third is well-coiffed sports fan Kevin Anderson (as Brian McVeigh); he wants a place to drink beer and watch ballgames with the guys, without fiancée Justine Bateman (as Janet Beehan) around. The three mix-up their days and Ms. Sciorra accidentally targets Mr. Anderson as a sex partner when she really wants Mr. Broderick. Oops...

***** The Night We Never Met (4/30/93) Warren Leight ~ Matthew Broderick, Annabella Sciorra, Kevin Anderson, Justine Bateman

Mildly entertaining comedy about a threesome timesharing a New York City apartment, but never meet. Broderick is the standout as a fed-up cheese clerk at an upscale grocery store.

While the film itself is barely worth a watch on cable, I thought it was interesting that the movie had no less than three (3!) future Sopranos cast members in roles varying from starring (Anabella Sciorra) to supporting (Dominic Chianese) to walk on (Michael Imperioli). David Chase definitely saw potential in all of these actors, so it's sad to see that the movie really wasted Sciorra's talents...

Sam (Matthew Broderick) works in a gourmet food shop in New York City. Of course, he really wants to be a chef, but this job will do for now. However, the pay is not great, making it necessary for him to live with a small pack of roommates. He is also still pining for an eccentric wannabe-actress named Pastel (Jeanne Tripplehorn). One day, he spies a slice of salvation in the newspaper. There is a nice apartment for rent in Manhattan, but only for a couple of nights a week. That's fine with Sam, for the price is right and he can have peace, quiet, and the occasional date with a lady. Ellen (Annabella Sciorra) also sees the ad and is desperate for some time away from her inconsiderate husband. She signs up for two of the days, with plans to pursue her interest in painting. The third tenant is the owner. Brian (Kevin Anderson), an Ivy league stockbroker/sleazebag who wants a place to hang out with his male buds, away from his own domineering fiancé (Justine Bateman). Soon, Sam builds a nice plant holder for Ellen and leaves her some great leftovers. However, through a mixed communication, she believes it is Brian who has done these acts, and she contemplates making a pass at him, despite her marital status. Will the lives of these three people remain separate or will circumstances allow them to meet, even though they are never at the apartment on the same days? This is a nice film with a clever story and script. Only in the Big Apple, I suppose, would you find folks willing to rent a place for only two nights a week. The cast is terrific, with Broderick, especially, giving a very funny and touching performance. As for the costumes, sets and production values, they are great, resulting in a movie that looks mighty nice. If you are a romantic comedy fan, you can't miss this one! It's fresh plot elements and well-drawn characters make it a welcome find in the world of light-hearted love stories. Yet, even if you are not a regular romcom viewer, the film still has some funny situations and universal themes that make it a diverting watch for most anyone.