Jazz dans la nuit

One of the best movies about jazz musicians out there. And jazz musicians make a movie so good. Whitaker is a particular talent. The bromance was real fine. The relationship between the three of them was fine too. Bringing in real musicians toward the end made it live and breathe.

Problem: Can't get hold of the movie. Got a video tape after much searching. Where did you guys access it?

"Lush Life" is a film that shows the world of jazz musicians with accuracy, something other films have tried, but failed to do. Thanks to director Michael Elias we are presented a realistic film with some of the best music heard in this type of movies. Mr. Elias must know this milieu well, judging what one sees in the picture.

The three principals, Jeff Goldblum, Kathy Baker and Forest Whitaker do good work together. Best of all, the characters they are playing appear to be real. We watch as these musicians struggle to make a living going from gig to gig in order to make ends meet. Their world is all about music and the pleasure they get from playing together. The surprise was Kathy Baker singing a jazz standard with great style and voice.

The story of Buddy's illness is not exploited to make the viewer feel sorry for the man. In fact, Buddy doesn't want anyone's pity as he faces a horrible end.

The supporting cast is excellent in conveying the atmosphere of the world of jazz in New York.

I really enjoyed this movie. You could call this a "slice-of-life" movie, the kind of movie that I usually hate, so why did this one work?

Reason one: Great stars. The three leads, Jeff Goldblum, Forest Whitaker, and Kathy Baker are three of my favorites. I've seen Jeff and Forest mis-cast in some bad movies, so it does my heart good to see them in roles where they seem to slip into their characters so easily. Forest's earlier experience in Clint Eastwood's Bird (a movie I did not enjoy) may have been useful here. The shots of Goldblum playing the sax made it look like he was really playing it. Kathy Baker can do it all. Her natural sweetness comes through in every performance. The script was probably written with younger actors in mind, and would have worked better, but Goldblum here at 41 and Baker at 43, manage to convince us they are a thirty-something Bohemian couple still working out their life plan.

Reason two: Great supporting cast. Don Cheadle and Lois Chiles head a supporting cast where all the performances are spot-on.

Reason three: Great music.

Reason four: good dialog.

This is a low-key, warm and fuzzy movie you don't have to think too hard about.

Lush Life is a fairly standard buddy movie (with Forest Whitaker and Jeff Goldblum), but this time the buddies are interesting people and have talent. There's also a slight "cherchez la femme" subplot, but it adds to the story instead of distracting from it. Kathy Baker does a wonderful job of proving her character's importance to the story without taking (too much) away from the interactions between Goldblum and Whitaker, two jazz musicians each facing their share of turning points in each of their lives.

The music is what kept me interested. Each of the principals has a big-name jazz stand-in, and the voice and virtuoso playing of the stand-ins practically steal the movie. I love classic jazz; if you do, too, see -- and, more important, listen to -- Lush Life.

P.S. If anyone knows whether a soundtrack album exists, or even a few CDs where I can find the tunes, please let me know.

I'd say the strongest point is the music by Lennie Niehaus. He also did the music for all of Clint Eastwood's movies. The acting is really terrific, and the story is an accurate portrayal of the Bohemian life style of New York jazz musicians.

One error in some of the reviews: Kathy Baker did NOT sing the songs, Sue Raney did. This was apparently a lip-sync by Raney, who is a well-known and respected vocalist here in southern California.

The producer was generous in letting real musicians have some of the acting roles. For example, Jack Sheldon had a cameo role as one of the musicians, and the obnoxious booking agent was played by Buddy Arnold, a long-time jazz reed player on the west coast.