Allô maman, c'est Noël

Original title: Look Who's Talking Now

IMDb RATING

4.4/10

32K

YOUR RATING

John Travolta, Kirstie Alley, David Gallagher, and Tabitha Lupien in Allô maman, c'est Noël (1993)

Home Video Trailer from Columbia Tristar

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99+ Photos

Animal Adventure Comedy Family Romance

The dogs can talk at a family of 4, where mom loses her job the same day dad gets a job as pilot for a cute, single boss.The dogs can talk at a family of 4, where mom loses her job the same day dad gets a job as pilot for a cute, single boss.The dogs can talk at a family of 4, where mom loses her job the same day dad gets a job as pilot for a cute, single boss.

See production info at IMDbPro

IMDb RATING

4.4/10

32K

YOUR RATING

See production info at IMDbPro

Awards
- 1 win & 4 nominations total

Trivia
Tabitha Lupien did her own basketball moves.

Goofs
At the beginning of the movie when the parents are putting the children to bed, the window at the end of the hallway shows that it is still daytime.

Quotes
[Daphne and Rocks are starting at each other]
Julie Ubriacco: Look! They like each other!
James: [to Mollie] See honey, they like each other.
Daphne: Mongrel.
Rocks: Bitch.

Alternate versions
The music video "It's Christmas, C'est Noel" starring by Jordy Lemoine and the movie main stars during the end credits, was deleted on DVD editions, being replaced for a classic end credits roll with "Sleigh Ride" as musical score.

Connections
Featured in Siskel & Ebert & the Movies: Flesh and Bone/RoboCop 3/Look Who's Talking Now/A Home of Our Own/The War Room (1993)

Soundtracks
Hound Dog
Written by Jerry Leiber & Mike Stoller
Performed by Elvis Presley
Courtesy of The RCA Records Label of BMG Music

User reviews48

Featured review

Deeply unsettling, hopelessly inept and really boring.

At least the second film in this god-awful trilogy had the benefit of being so bad and inappropriate it was unintentionally hilarious. This scattershot, occasionally offensive, always unsettling and very dumb film is one of the most boring cinematic experiences in recent memory. The side plot of dogs, (how'd they score DeVito and Keaton, both of whom were doing much better that Alley or Travolta at this point in their carreers?), is useless; the 'dad is hard at work' subplot is just recycled from the second film, (they even use the same dream gag), and the plot doesn't really exist. And why does everyone keep ragging on Travolta's carreer? Being a pilot is no easy feat!

Travolta and Alley, who seem to get along in real life, seem to repel each other onscreen; maybe because they're platonically inclined to each other in reality; onscreen they're like two positively charged magnets pushing each other apart. On top of all that, the casual misogyny throughout is grating and extremely distasteful. Dumb, dumb, dumb.