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Au nom du père

Original title: In the Name of the Father
  • 1993
  • Tous publics
  • 2h 13m
IMDb RATING
8.1/10
196K
YOUR RATING
POPULARITY
2,166
92
Daniel Day-Lewis in Au nom du père (1993)
DocudramaLegal DramaPeriod DramaPrison DramaTragedyTrue CrimeBiographyCrimeDrama

An Irish man's coerced confession to an I.R.A. bombing he did not commit results in the imprisonment of his father as well. Meanwhile, a British lawyer fights to clear their names and free t... Read allAn Irish man's coerced confession to an I.R.A. bombing he did not commit results in the imprisonment of his father as well. Meanwhile, a British lawyer fights to clear their names and free them.An Irish man's coerced confession to an I.R.A. bombing he did not commit results in the imprisonment of his father as well. Meanwhile, a British lawyer fights to clear their names and free them.

  • Director
    • Jim Sheridan
  • Writers
    • Gerry Conlon
    • Terry George
    • Jim Sheridan
  • Stars
    • Daniel Day-Lewis
    • Pete Postlethwaite
    • Alison Crosbie
  • See production info at IMDbPro
  • IMDb RATING
    8.1/10
    196K
    YOUR RATING
    POPULARITY
    2,166
    92
    • Director
      • Jim Sheridan
    • Writers
      • Gerry Conlon
      • Terry George
      • Jim Sheridan
    • Stars
      • Daniel Day-Lewis
      • Pete Postlethwaite
      • Alison Crosbie
    • 236User reviews
    • 38Critic reviews
    • 84Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Top rated movie #197
    • Nominated for 7 Oscars
      • 7 wins & 41 nominations total

    Photos133

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    Top cast99+

    Edit
    Daniel Day-Lewis
    Daniel Day-Lewis
    • Gerry Conlon
    Pete Postlethwaite
    Pete Postlethwaite
    • Giuseppe Conlon
    Alison Crosbie
    • Girl in Pub
    Philip King
    • Guildford Soldier
    Emma Thompson
    Emma Thompson
    • Gareth Peirce
    Nye Heron
    • IRA Man 1
    Anthony Brophy
    Anthony Brophy
    • Danny
    Frankie McCafferty
    Frankie McCafferty
    • Tommo
    Paul Warriner
    • Soldier
    Julian Walsh
    • Soldier
    Stuart Wolfenden
    Stuart Wolfenden
    • Soldier
    • (as Stuart Wolvenden)
    Jo Connor
    Jo Connor
    • Bin Lady
    Karen Carlisle
    • Female Rioter
    Seamus Moran
    • IRA Man 2
    Billy Byrne
    • IRA Man 3
    Maureen McBride
    • Mother
    Jane Nolan
    Jane Nolan
    • Girl with Baby
    Laurence Griffin
    • Boy in Riot
    • Director
      • Jim Sheridan
    • Writers
      • Gerry Conlon
      • Terry George
      • Jim Sheridan
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews236

    8.1196.2K
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    Summary

    Reviewers say 'In the Name of the Father' is a powerful film exploring injustice and family bonds, based on Gerry Conlon's wrongful imprisonment. Daniel Day-Lewis and Pete Postlethwaite deliver strong performances, with Emma Thompson's lawyer role noted. The film's direction, pacing, and emotional impact are praised, though some find it oversimplified or confusing. Its portrayal of the IRA and British legal system is both lauded and critiqued. Overall, it resonates deeply but receives mixed reviews on certain aspects.
    AI-generated from the text of user reviews

    Featured reviews

    10jcanettis

    Extremeley Powerful, With Superb Performances

    A film fully deserving to be in IMDb's top 250, Jim Sheridan's "In The Name of the Father" is an excellent piece of work. Based on a true and very touching story, the film recounts the story of Gerry Conlon (Day-Lewis) who is wrongly accused as an IRA terrorist. Not only are the police bending the facts to prove their case, but in the process they also implicate members of his friends and family, including his father Giuseppe (Postlethwaithe) whose health condition is rather frail. Gerry is a rebellious and mildly delinquent boy who does not seem to have grown up, and his attitude toward his father is not the appropriate one; however, as they start to go through the ordeal together, Gerry gradually matures, and starts feeling a deep affection and respect for Giuseppe.

    The story is heart-breaking and shocking at the same time, all the more so when one realizes that these things actually DID happen. Although there have been some minor modifications for the purpose of the film, the backbone of the story is left completely intact.

    The two protagonists, Daniel Day-Liewis and Pete Postlethwaithe are delivering powerful performances, and they both deserved the Oscar hands-down. However, it would be unfair not to mention that virtually everyone in the film is great in his/her role.

    Jim Sheridan's direction is also very good, giving the plot a fair and balanced perspective; although the film might initially appear as pro-Irish / anti-English, in fact I consider it as quite objective. Granted, it vividly shows that some key figures in the London police were profoundly biased and manipulated maliciously the case against the Conlons; yet, it also shows that English public attitudes turned highly supportive for the Conlons' freedom when it started to become clear that they were not the culprits for the atrocities they had been charged with. We have always to remember that the film depicts a period of big tensions, with emotions running high to levels of hysteria, so we have to understand the events within this context.

    Of course, what happened to the Conlons is totally deplorable and unjustifiable; and it is real shame that the people who conspired against them have not been punished yet for their crimes. Still, one should understand the hostile attitude shown by those who were not part of this conspiracy (such as the judge, for example), who were influenced by the climate of terror and the outrage of the public. The Conlons had the terribly bad luck to be at the wrong place, in the wrong time, and with the wrong nationality; the also have the great misfortune to be captured by people who in their quest to show results were shamelessly willing to risk indicting people who could possibly be innocent.

    "In the Name of the Father" is a fantastic film, which one should not miss. 10/10.
    8gavin6942

    History and Court Drama

    A man (Daniel Day-Lewis)'s coerced confession to an IRA bombing he did not commit results in the imprisonment of his father as well. An English lawyer fights to free them.

    This film is a great combination of history and court drama. Sometimes both mix very nicely (as with the Nuremberg trial) and sometimes they do not. Here, we get a nice glimpse at the IRA in Ireland without dwelling on it too much and also get the true story of a family that was wronged by the state for their alleged involvement in terror.

    Ireland today is not the same place it was a generation ago, but it is not so far removed that this story is "distant history" and not important. Heck, Americans should probably know more about it than what they pick up from a U2 song.
    8philip_vanderveken

    Perhaps a bit too black and white but still very impressive.

    Even though this movie seems a bit too black and white from time to time I must say that it still is an impressive piece of cinema. Too black and white because I sometimes had the feeling that they had left out some parts to make it all a lot easier for the viewer. I can't help believing that Conlon and Hill weren't the nicest guys either, but the movie shows them almost as saints (except for the fact that they steal some lead from the roofs, they never really do anything wrong). Does that mean that this movie isn't any good? Certainly not! It still remains very impressive and the idea that injustice in the name of protecting the country should be allowed is awful and so it is good that at least some movie makers aren't afraid to protest against it.

    The movie tells the story about Gerry Conlon and his old school friend Paul Hill. They both are small time criminals and because of their own safety they have to live in London for a while. Otherwise they might get shot by the IRA. In London they stay in a community of hippies, but aren't welcomed by everybody. As a bomb explodes in a pub, one of the members from the community goes to the police and accuses them of the crime. They are immediately apprehended, together with Conlon's father, his aunt and her family. What follows is a process full of corruption and false accusations, putting them in jail for many years even though they haven't done anything wrong.

    The film is very good. It's well acted, well paced and well directed. The story is touching and I never got bored when watching it. Therefor I give it an 8/10.
    8TOMASBBloodhound

    Terrorism hurts everyone.

    In watching this fine film, on idea kept running though my mind. That being terrorism often hurts the innocent much more than the declared enemy. In the Name of the Father is a powerful, well-acted drama about terrorism and injustice. And also the love one man feels for his father. Some of the events in this film are factual, and others are not. Despite some liberties taken with history, the film still makes a strong point, however.

    Daniel Day-Lewis plays Gerry Conlon, a young man falsely accused along with several other friends and family members, of bombing a London pub in 1974. The bombing, performed by the IRA, killed a few persons and wounded several others. Conlon and his friends just happen to be near by when the bombing takes place. Through police torture, Conlon and his best friend confess to the crime, thinking a trial will exonerate them. Trouble is, there had been so many recent bombings that the legal system in Britain was just crying out for a scapegoat. Conlon and four friends are given life sentences. Several members of Conlon's family are also given stiff jail sentences. Even his own father who seems to be the most righteous and kind person imaginable and who never set foot in England at all during the time of the bombing!

    The film starts out like a shot from a cannon, as we see just how violent and chaotic Blefast was during the early seventies. Just living a normal life looked impossible. If the British troops weren't after you, then the IRA members were. The film also scores when we see Conlon head off to London to presumably make a better life for himself. He and a friend force themselves into a commune and enjoy a brief period of free love and decadence. The film gets very heavy once Conlon is arrested and tortured. And the last hour detailing his time behind bars is just plain somber. We watch his father just sort of waste away with him behind bars while an aggressive lawyer (Emma Thompson) fights to get them out. Pete Postletwaite is exceptional as Gerry's father, and seeing him grow sicker and weak is very difficult for the viewer.

    The film tries to shift gears down the stretch and show how Conlon has become determined and more radicalized, but these scenes are nothing spectacular. Even the conclusion seems a little anti-climatic, but at least we see some justice finally get done. The acting is very, very good. Lewis is as good as ever, and nobody looks out of their league. There are some historical liberties taken. Gerry and his father never actually lived in the same cell, for instance. Overall, this film will stick with you, though.

    In watching this film, one cannot help but feel for the victims of terrorism. I have personally not much knowledge of the conflict between the IRA and Britain, except to say that I'm well aware of how long and deep the scars run between the English and Irish peoples. That said, there is simply no excuse for terrorism. Look at how many victims that pub bombing created. Not only those who perished or were injured. That act of terror sent several innocent people to jail and ruined their lives! The British legal system is certainly to blame for sending the wrong people to jail, but would this have even happened if the IRA had not bombed that pub? A similar situation can be seen in the Middle East today. Radical Muslims look to strike out at Western interests, but their actions often hurt scores more other Muslims than any actual Western interests! Will we ever all learn to get along on this planet?

    8 of 10 stars.

    The Hound.
    10Howlin Wolf

    Stunning.

    Words cannot accurately describe how affecting this movie is.

    The story itself is harrowing, but the way in which Day Lewis portrays Gerry Conlon is heartbreaking at times. Several scenes in the film may be hard to take for those with a sensitive nature.

    Captures the mood and the time perfectly for someone like me, who is not Irish, lives nowhere near Guildford and wasn't even alive at the time of the pub bombings.

    I really wasn't expecting anything special when I sat down to watch this. I could not have been more wrong.

    The soundtrack is great without exception too!

    A total and utter classic.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In preparation for his role, Daniel Day-Lewis lost thirty pounds and spent nights in the jail cell on the set as crew members threw water and verbal abuse at him.
    • Goofs
      In court, Inspector Dixon states that he "never even spoke to Gerry Conlon". Some minutes later, when Gerry Conlon is being interrogated, the accused says "You told Inspector Dixon that you had committed a robbery" holding Gerry's statement. There's proof that Inspector Dixon and Gerry spoke, thus making his testimony in court false. Any defendant's attorney would have noticed this.
    • Quotes

      [Speaking to people outside the court]

      Gerry Conlon: I'm an innocent man. I spent 15 years in prison for something I didn't do. I watched my father die in a British prison for something he didn't do. And this government still says he's guilty. I want to tell them that until my father is proved innocent, until all the people involved in this case are proved innocent, until the guilty ones are brought to justice, I will fight on. In the name of my father and of the truth!

    • Connections
      Featured in Siskel & Ebert & the Movies: The Pelican Brief/Beethoven's 2nd/Philadelphia/What's Eating Gilbert Grape/Wrestling Ernest Hemmingway (1993)
    • Soundtracks
      In the Name of the Father
      Performed by Bono and Gavin Friday

      Written by Bono / Gavin Friday (as Friday) / Maurice Seezer (as Seezer)

      Published by Blue Mountain Music (UK)

      Mother Music/Blue Mountain Music (Eire)

      Taiyo Music/Blue Mountain Music (Japan)

      Polygram Music/Blue Mountain Music (ROW)

      (P) 1993 Island Records Limited

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    FAQ20

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    Details

    Edit
    • Release date
      • March 9, 1994 (France)
    • Countries of origin
      • Ireland
      • United Kingdom
      • United States
    • Language
      • English
    • Also known as
      • En el nombre del padre
    • Filming locations
      • Kilmainham Jail, Dublin, County Dublin, Ireland(Jail scenes)
    • Production companies
      • Hell's Kitchen Films
      • Universal Pictures
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $13,000,000 (estimated)
    • Gross US & Canada
      • $25,096,862
    • Opening weekend US & Canada
      • $109,805
      • Jan 2, 1994
    • Gross worldwide
      • $65,796,862
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 13 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Stereo
      • DTS
    • Aspect ratio
      • 1.85 : 1

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