Future Shock

This film is not a masterpiece and I shall not pretend that it is. However it does offer some surprisingly fresh and effective ideas and is overall and enjoyable watch.

Segment one is surprisingly tense for a film with a clearly tiny budget. The lead actress' performance is strong enough to sustain the segment, the camera-work creates a good feeling of isolation and vulnerability, and the downplayed musical score adds to the sense of dread throughout. This is the simplest short and uses this to its advantage.

Segment two veers into a more darkly comedic tone. It works due to the entertaining performances of the leads and the effectively surrealist atmosphere. However overall this is the weakest segment, mostly due to feeling out of place with the rest of the film.

Segment three is the best, due to its less goofy attempts at dark comedy over the last segment. It actually offers a fairly entertaining and in depth character study and offers some fairly complex ideas on the nature of mortality. The writing is good, the acting is solid and the humorous moments are well integrated.

Overall I was very impressed by this simple yet effective anthology. Its low budget charm and snappy writing really created an enjoyable tone for this one, and I highly recommend it, despite its quirks.

FUTURE SHOCK is complete garbage although it definitely had potential. Certain scenes are great but I was turned off by the whole virtual reality thing and by some of the incredibly bad acting. The actor that played Dr. Langdon looked like the late actor Michael Landon and I thought that the character name was actually Dr. Landon. Coincidentily, Michael Landon died in Malibu, California where some of this movie was made. The best actor in this sad film had to be James Karen who gave yet another hillarious performance as Kefka, the mute boss. Overall, not BAD BAD, but not as good as it could've been. I strongly believe that it was the whole virtual reality thing that sunk FUTURE SHOCK into future schlock-**1/2out of****.

One woman, by herself in a house for 45-minutes of screen time, doesn't sound like a formula to hold you on the edge-of-your-seat... but FUTURE SHOCK is truly as thrilling as they come! Writer / star Vivian Schilling takes on those little fears we all suppress, and enlarges them to terrifying proportions, so don't watch this film alone!

Future Shock (Eric Parkinson et al., 1993)

This could have been a fantastic movie. It's an anthology film set around the office of a therapist who's come up with a new method of hypnotherapy. Over the course of the day, he sees three of his truly screwed-up patients, subjects them to the hypnosis, and waits. We get to watch what happens during the waiting.

The writing is just shy of good. The acting is just shy of good (save a few memorable performances, most notably from Bill Paxton, back when his contract still allowed him to play sleazy bad guys; he's as good and rowdy in here as he is in Near Dark). The production is just shy of good. Unfortunately, it all adds up to bad, albeit bad in a kind of endearing way. The potential in each of these stories tends to get in the way of the sheer, mindless enjoyment. The exception is the last story, "Mr. Petrified Forest," a shaggy-dog story about a guy having a near-death experience who can't remember how he got outside the gates of heaven.

Ah, the potential. It's worth a free viewing if it pops up on TV, but don't go out of your way. **

An anthology of maybe horror stories where Martin Kove plays a psychiatrist who uses a virtual reality machine to probe the minds of his patients. Three overlong crappy tame made-for-tv style stories follow, none of which are worth your time in the slightest. Bill Paxton shows up to chew some scenery in the second segment but can't even save it. There's a nice cast of whose who including Brion James, Vivian Schilling, etc. And apparently J. J. Abrams composed the music.