12h01 - prisonnier du temps

I can't really express in writing just how extremely happy I am that 12:01 is finally out on DVD. It's been on my wish list since the DVD format was invented. The only copy I had was on the VHS that I had recorded off the air (with commercials (:(( on FOX-TV in 1993 and watched over and over and over, not unlike Barry's day repeating. As others have noted, the always beautiful Helen (Supergirl) Slater positively glows in this film. In the lead role, Jonathan Silverman excels as the discouraged office worker who witnesses his only real love being murdered in broad daylight, then being given the chance to undo it, while being thwarted at every turn.

As a fan of all time-warp stories, I count this as my favorite. Had it been released in the theater, it would have done very well indeed. It is good for all ages to see the the lengths that the hero of the story goes to in his desperate attempt to save the lady that he loves from afar. Ten stars out of ten and two thumbs up from me.

Run, don't walk, to get this exceptional movie while it's available!

...out of all the good reviews from people that liked this film, a crummy review was displaying on the main page.

This movie stuck with me, and every time I watch it I enjoy it all the more. As with Groundhog Day, I enjoy watching this movie over and over. But they are two different movies, altogether.

I must say (without spoiling) that the scene in the office where Jonathan Silverman tells Slater how he feels about her is one of the most touching, romantic, well-played scenes I have ever seen.

I thought the underplayed comedy was great and perfect for Silverman's abilities, and as for Slater and her performance, all I can say is: YUMMY!

This isn't as good as "Groundhog Day," but it's not bad. I compare it to that film because a similar storyline with each day repeating itself. The main difference in this story is that it's a crime story in addition to the romance, and it doesn't have the likable lead characters the much more famous Groundhog Day had. Here, we get Jonathan Silverman, not exactly Bill Murray. Helen Slater, meanwhile, should have terminated her career after Supergirl. The movie also could have used a little better humor.

Despite all these negatives there is something appealing about the film. Maybe it's just the interesting premise that once it hooks you in, has you to stay just so you can see if the hero is going to make everything right. For that, it gets five points but only a point for the rest. Still, if you see it on TV, check it out.

12:01 is one of those movies that no one ever heard of but if they see it will remember it forever. In the same vein as Groundhog Day but with a much more interesting plot, 12:01 is the story of someone caught in a time bounce who must live the same day over and over and each day see the woman he secretly adores killed before his eyes. Silverman plays the part beautifully from answering his Mothers pointed questions to his impatience to finally get it right. Helen Slater is also wonderful as the love interest killed each day.

The movie moves quickly through the days and provides all sorts of interesting little moments as Barry Thomas tries to stop the bounce while saving his girl.

A beautiful story acted out by excellent acting and directing. I strongly urge you to find it in a video store or tape it off late night TV if you have the chance. Once you have seen it you wont forget it.

SPOILER: Barry Thomas is having one. The really bad news is it keeps coming back.

Barry starts out as a likable, well-intentioned goofball marking time in a dead-end job. Underutilized, doing his best but going nowhere fast under the heel of the department head from Hell. A lot of people can empathize when he writes on his calendar: "Get new job or die!" Jonathan Silverman does a good job as Barry, making him sympathetic (maybe a little pathetic, as well) and vulnerable, but his unique circumstances eventually bring out a steely determination born of sheer frustration.

Unlike "Groundhog Day," there's a lucid explanation for why this is happening to Barry and the film revolves around how he tries to "get off the hamster wheel," as he puts it. "Groundhog" seems to offer an almost divine explanation, that all would progress once Bill Murray's character got things right. Barry was trapped in a self-perpetuating science experiment gone awry and he knew early on how to get out of it. Too bad it's easier said than done.

Helen Slater basically reprises the role she played six years earlier in "The Secret of My Success." Attractive, driven, young prodigy, brilliant beyond her years, emotionally cold in the beginning, worshiped from afar by a kind, wisecracking young man who eventually wins her heart and turns her into a giggling schoolgirl.

The plotting is intricate and it's fun to watch how each cycle changes even without Barry's direct intervention. Some things, like the coworker getting splashed with hot coffee, seem unavoidable in the grand scheme.

The editing in the home video edition is exceptionally fluid. Unlike most TV-movies available on tape or laserdisc, it's nearly impossible to remember where the commercial breaks were.

Still, if there were one flaw, it would be that Barry should have waited through one more cycle before breaking out. He'd only gone through four or five repetitions; one more wouldn't have been so bad. Getting out when he did left one of the good guys irrevocably dead.

It's interesting to see how many of this cast went on to NBC comedies. Silverman went on to star in two seasons of "The Single Guy." Paxton Whitehead and Robin Bartlett had recurring roles in "Mad About You." And Helen Slater had a guest role as a pyromaniac on "Caroline In the City," finally playing a role other than harmless ingenue.

One possible in-joke. Lisa confides to Barry that her favorite music is from the Carpenters. Coincidence? Or was this story originally called "Yesterday Once More"?SPOI