Roja

For once it is reasonably clear why the heroine falls in love with the hero, and also the motivation of the hero, even if it is unlikely, is well presented. This was one of the few movies that actually made me cry, and its images of Kashmir are beautiful.

I watched this almost after 20 years of its initial release and I regret it that I watched it so late.

This is a masterpiece where terrorism is chosen as a topic and mixed up with a romantic drama. A political essence just adds to its panache.

Not only directing, the actors have done equally well. Not to mention A R Rahman, the stalwart initiating his glorious career and going on winning two Oscars. Now I know why he deserved that! :D

The plot is so cool that it binds perfectly with the realism that our world is experiencing right now (2012)

A must watch for everyone!

Roja is a film that many feel has been a turning point in Indian cinema. The North, that usually gets all the media hype & coverage in spite of poor techniques and stories got a slap on its face when this Tamil movie was dubbed in Hindi, to enable the larger population to watch this film with a topical theme (of Kashmiri militancy). Movies from the South have always been better in content and form compared to the North. And this movie created that awareness amongst the public there, and its success encouraged many other films to be dubbed in Hindi.

And many a star was born:

1. Mani Ratnam (who had given better films like Mouna Ragam, Nayakan, Geetanjali and Anjali before)

2. A R Rahman aka Dileep Shekar: The man who brought in the New Sound to the Indian film music (lest they forget Music Maestro Ilayaraja's genius, with whom he was a lead keyboard player once) and threat to the copycats of yore: The Annu Maliks and the Anand Milinds

3. Santosh Sivan: The cinematographer, now-turned director

4. Arvind Swamy: The chubby-cheeked fair-skinned hero who appealed to the color-conscious Northies. And his patriotic fervour was well lapped up.

5. Madhoo: The ugly duckling as she was presented in her debut movie was transformed into a lovely and believable Roja- a village belle in awe of the city life and courageous when her life becomes hell with her husband's abduction.

What was interestingly presented in the Tamil Original (but lost completely in the Hindi version, as every character speaks Hindi) was the language problem she faces in the North.

I watched the film thrice.

The threat of terrorists in India meshed with mild romance is the summary of this movie. Roja(the rose) the heroine is an innocent girl whose newly wed husband gets kidnapped by Pakistani terrorists. The story revolves around how she runs from pillar to post to get her husband freed. The movie is quite intense in the later parts.

Seen it ages ago ,still the memories stay as fresh as seen the first time. The deep struggles endured against militants who are humans also are brilliantly depicted in the movie. Well in the original language of the movie the scenes of village girl trying to cope up with the big city and north Indian culture are very vividly depicted by Mani(lost in translation in other languages). With a crew of supremely talented technicians and back ground staff Mani brings us another classic. He should also be credited for getting the best tunes of a innocently brilliant music genius. They just don't make music like those anymore. Personal Rating 10/10. I would prefer him to direct a movie remake of "THE TENANT" (original by Polanski)