Mort d'un mathématicien napolitain
- 1992
- Tous publics
- 1h 48m
Naples. Professor Renato Caccioppoli, professor of pure mathematics, is a tormented and disillusioned man living a difficult life. Back from the psychiatric hospital, abandoned by his wife, ... Read allNaples. Professor Renato Caccioppoli, professor of pure mathematics, is a tormented and disillusioned man living a difficult life. Back from the psychiatric hospital, abandoned by his wife, and having become a stranger to his own party colleagues of the PCI and its employees to t... Read allNaples. Professor Renato Caccioppoli, professor of pure mathematics, is a tormented and disillusioned man living a difficult life. Back from the psychiatric hospital, abandoned by his wife, and having become a stranger to his own party colleagues of the PCI and its employees to the University, he lives his life with disenchanted posting.
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- 12 wins & 16 nominations total
- Gentiluomo
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This movie can be disappointing purely because it gives the audience the impression of being fictitious, which is definitely not the case. Although some of the scenes may have been improvised to add flavour to it's screen display. It is actually based upon the real life of the genius Neapolitan mathematician - Renato Caccioppoli who sadly committed suicide in 1959 (brilliantly performed by Carlo Cecchi). It is not a movie which can be taken lightly, otherwise you will easily miss the point. You really have to follow it carefully and it helps to know something about the academic works and life of this great charming genius of the 20th century to appreciate it's full effect. I notice that the movie does not strongly stress the biographical features of Renato Caccioppoli such as the influences he experienced with Ernesto Pascal and that of Mario Picone. I do not recall any mentioning of his works to at least identify the character for his important published works such as on integration (area of mathematics). There was so much in the life of this genius which was not highlighted by this movie, which could have made it of superlative quality. But in all fairness, I guess that the essence of the movie was not so much on his life but on a man suffering in silence where others in similar predicaments can relate to. This was emphasized more towards the later part of his life where he had become very isolated, depressed and turned to drinking, as he did not fit in and lacked the compassion and understanding of those around him.
This movie can in itself be a thriller in judgment as the agenda is very grey, hence very open to interpretation. I strongly believe that the brilliance of director Mario Martone purposely planned it this way, while simultaneously trying to deliver to the general public and beg the audience to see another side of a genius who was also a victim (like Vincent Van Gogh, Ernst Hemingway, Alan Turing and Ettore Majorana)while striving for their sanity. The mind of a genius can be a lonely battler where they live in a world that often tries to unintentionally empathise them the wrong way.
There are luscious sceneries sometimes because of it bareness alone. The way the characters interact have a certain quality which seems both surreal and too real.
It is a good little film that should not be taken lightly.
Did you know
- ConnectionsReferences La Passion de Jeanne d'Arc (1928)
- SoundtracksNotturno in F-sharp Major Op. 15 No. 2
Written by Frédéric Chopin
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