Gau yat san diu haap lui

This is an action sci-fi adventure from Hong Kong, starring Aarok Kwok as the graying black-clad swordsman Silver Fox, out to wreck havoc on mercenaries Ching (Andy Lau), Kwan (Anita Mui) and Chuen (Kenny Bee). He kills Chuen (Kenny Bee), but is wounded by Kwan (Anita Mui). Kwan is later poisoned by a spell, which only the powerful Madam Pet (Carina Lau) has the antidote. While Ching hopes to obtain the antidote from her, Silver Fox is out to defeat them all.

Filled with wild, sword-wielding action, sci-fi elements, drama and some wacky comic relief, this film is definitely a medieval fantasy with reality-suspended moments. Aaron Kwok plays quite the formidable villain, somebody you would love to hate. Andy Lau was OK as the protagonist, but Anita Mui is the main highlight of the film. Quite the fast-paced movie, but there's a little too much genre elements all slapped into one story.

Grade B-

I just saw "Dance Of A Dream", which also starred Andy Lau and Anita Mui and I liked their chemistry, even though the film has nothing in common with this one. This one is a sci-fi fantasy with superheroes. Ms. Mui plays May and, of course, looks wonderful. She also plays her sister, who keeps getting herself shot, blown up (its comic relief, she doesn't die). Aaron Kwok plays The Silver Fox, who wants to kill May because May blinded his mentor. Mr. Lau, as Ching, tries to protect her. There are pretty good action sequences in this film, decent fight scenes. Nothing terribly original or revelatory, but you can do a lot worse. Its a great Saturday afternoon movie, play it on a big screen TV and enjoy. The acting is fine, especially the always mesmerizing Anita Mui. If you're a fan of this genre, watch it, its fun.

This film demonstrates to young and novice film makers what can be done if you have real talent. The composition of every shot in every scene is what many film makers can only wish to achieve.

The story apart as this is a corny movie, this film will show you perfect camera angles, superior editing and how to use light, shadow and colour like a master. Please bear in mind that this was all achieved using basic film techniques and no digital effects.

You will see great washes of colour and lighting to which the actors are set against and into, the use of water and lighting is seen to produce a magnificent feel and add great drama and movement to scenes.

Andy Lau, seems to have located or created locations that reflect the scene being shot by the colours and lighting used and plays on this by not being restricted to primary colours.

Too me, this film seems like a test bed for superior camera work and set design and succeeds to that end.

Also to note is the direction of the actors. Their movements are measured and seem to strive for perfection. It seems like the most minute actions were included to endorse the objectives of the characters, so that even the most impossible actions can be seen as plausible in the world this film is set in.

Listen for the "your the one that I want" line sung in engrish in the scene before the toilet fight. Travolta eat your heart out.

This is the movie that got me hooked on Hong Kong action cinema, so regardless of its faults, I will always have a weak spot for it. Most ingredients are standard HK action fare: wooden acting, some forgetable cantopop song, dubious humor, and a slightly incomprehensible plot. Yet there's also lots of action, and this is where the film really shines. There is swordplay with flexible swords, there are vicious yo-yo's (!), there are silly supernatural villains, and there's a hero whose shirt keeps slipping from his shoulders. This hero is Andy Lau, who lets his charisma do most of the acting. he is supported by Aaron Kwok and Anita Mui (in a semi-funny double role). All in all, it's better-than-average HK fare, that probably will also appeal to non-fans.

I love Anita Mui. That 1963 born beauty began her career as a singer and soon started to act, too. She has the most beautiful eyes and face I've ever seen. If a movie she stars in is pretty mediocre, I will still want to check it out because of Anita. Savior of the Soul is directed by Corey Yuen and David Lai, both are professional directors and have many films on their filmography. Savior of the Soul starts very promisingly with one of the most incredible action scenes I'd ever seen. The start is fantastic, but soon the film turns into usual comedy, but still doesn't forget those effects laden action parts, which along Anita save this film from total failure. The story is very confusing even at Hong Kong standards, so it is no use in trying to describe it. It involves one mean demon named Silver Fox who is trying to kill Anita's character for vengeance and so on. There are many characters and many turns, but that is usually the case in Hong Kong films.

The action scenes are incredible and fantastic, as wires are used and camera flows and twists all the time with the flying and fighting characters. If you have seen films like Ching Siu Tung's Heroic Trio (also starring Anita!), you know what to expect from this, as the action scenes are equally great, even though not as plenty as in Heroic Trio. The drama parts in Savior of the Soul are often stupid, and the film tries to be too funny, and fails like Ching Siu Tung's other film, Terra Cotta Warrior, which has great beginning and ending, but stupid and "funny" middle part. Savior of the Soul could have been greater if they had left out those slapstick parts and concentrated more on serious fantasy film making.

Savior of the Soul is still very nice film for fans of Hong Kong cinema, and has also many positive things. Never have I seen such a great visuality and cinematic magic anywhere else, than in these Orient movies. Their cinema is so unique, it is even too much for many, and I know many movie fans, that don't like Hong Kong films at all. I think it is mostly because of the lack of imagination and tolerance for something never before seen. Action, horror and fantasy are the genres Orient is almost unbeatable in. There are many great Orient film makers, and internationally known Tsui Hark, John Woo and Ringo Lam are only few, and many great talents are almost unknown for many western viewers.

Savior of the Soul is another wonderfully shot and edited fantasy adventure film, but there are too many stupid moments and also little slow moments to fully appreciate the film. Still, as the cinematography and other magic elements are so perfect, I gladly give this 7/10 rating!