Shame

I always wondered if the film title was in homage of the 50's movie classic, since Shame's story line of the outsider showing up, fighting wrongs, and ultimately, helping a community get back their self-respect seems to have the same themes. This movie was re-made as a 1992 made for TV movie with Amanda Donahoe as the lead character and the locale changed to be the Pacific Northwest of the US rather than the outback of Australia. The theatrical film is the more powerful of the two. If you like this film, you might also enjoy the 1996 movie "Foxfire," where a teenage Angelina Jolie is cast as the trouble-making outsider showing up to help right wrongs.

I remember watching this on tv several times in the 80's as a young girl just a few years younger than the character of Lizzie. I also lived in WA, so I have always found this grim and realistic to watch. Rewatched for the first time as an adult now in my 40's - I still find this a powerful and important film. It's obviously dated, but it is just perfect honestly. Once again I found myself near tears over Lizzie's fate and so angry that things like that can and do happen. I hope not to that extent in this day and age.

Not the Ingmar Bergman or Michael Fassbender films of the same title, this Australian drama focuses a female lawyer who decides to stay overnight in an unfriendly rural town while her motorcycle is fixed. Concerned about the apparent lawlessness in the town with an ineffectual police sergeant in charge, her stay soon becomes longer as she tries to convince a local teenager to speak out against those who have wronged her, leading to division and unease in the sleepy town. The messages at hand are hardly subtle and the pro-feminist angle is certainly nothing new, however, the film gets good mileage from its portrait of a town so cut off from the world that they believe themselves to be beyond the law, instead deciding their own regulations and ideas of right and wrong. When she is almost assaulted at night, the lawyer is told to simply "stay off the street" at night despite her protests that "I am a citizen; I have every right to do what I chose", while "these things happen" is the attitude of one local woman, dismissive of the charges that the lawyer wants her teen client to bring. A more interesting film may have probed into whether the lawyer created more harm than good by opening up a can of worms in regards to lawlessness in the town, but the film makes for decent viewing either way with Deborra-Lee Furness and Simone Buchanan both in fine form as the main female characters. While more eerie nighttime shots would have helped, the film is nicely photographed too on-location in Toodyay - less than an hour away from where I currently reside.

Dated, big hair, blurry, bad writing & screenplay, poor acting, sophomoric messaging & stereotyping, probably an insult to Outback residents. A feminist message cures all film ills? I don't think so. A shame that this film was made and a shame it was rated so highly. A shame I wasted my time.

...this is director Jodrell's best work. Also known for some HALIFAX instalments, Jodrell has created a near-brilliant masterpiece from what is essentially an unoriginal story which could have easily been made into a non-consequential telemovie (notably, similar themes are dealt with in NATURAL JUSTICE: HEAT, a 1996 telemovie starring Claudia Karvan as the motorbike-riding lawyer based on the series of the same name). Furness, while not perhaps the best choice to play the lead role, ends up fitting nicely, with her tough-looking exterior (and shocking 1980's hair!!). She's a barrister, roaming the outback on her motorbike, when she comes across a small town which is hiding a shocking secret: seems the town's "lads" have been having more than a little "fun" with some teenage girls. Thing is, the local constabulary would much rather sweep it under the carpet than have to lock his mates up, and the girls have enough trouble convincing their own families of the truth, let alone the parents of the "nice, good boys" who have "never been in any trouble." Stereotypes abound here, but that's okay, it actually adds a dimension to the story and really lets us get angry at the characters. And just when you think you're hooked, Jodrell manages to pull in a bit of THE CARS THAT ATE PARIS and even MAD MAX to spice things up a bit... SHAME is an unconventional, highly emotive and stunning piece of work from a little-known director who, by these standards, deserves to be up there alongside Peter Weir and Scott Hicks as the most successful Australian filmmakers. Rating: 8/10.