A gay filmmaker becomes involved with an obsessive fan while still pining for his absent true love. Meanwhile, he shares a close but complex relationship with his trans sister, an actress.A gay filmmaker becomes involved with an obsessive fan while still pining for his absent true love. Meanwhile, he shares a close but complex relationship with his trans sister, an actress.A gay filmmaker becomes involved with an obsessive fan while still pining for his absent true love. Meanwhile, he shares a close but complex relationship with his trans sister, an actress.
- Awards
- 10 wins & 3 nominations total
Fernando Guillén
- Inspector de policía
- (as Fernando Guillen)
Nacho Martínez
- Doctor Martín
- (as Nacho Martinez)
Bibiana Fernández
- Ada - madre
- (as Bibi Andersen)
Rossy de Palma
- Locutora tele.
- (as Rosy Von Donna)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe iconic hose scene was shot twice. The first one wasn't useful because the pressure was so big that Carmen Maura fell down. While the crew adjusted the hose, Maura dried herself and changed the dress. The second time the scene was shot perfectly.
- Quotes
Pablo Quintero: It's not your fault if you don't love me and its not my fault if I love you.
- Crazy creditsPedro Almodóvar appears in a scene as an employee in a DIY shop and serves Banderas's character.
- ConnectionsFeatured in T'as de beaux yeux, chéri (2007)
- SoundtracksSymphony No. 10 in E minor, Op. 93
Composed by Dmitri Shostakovich (as D. Shostakovich)
Performed by Orquesta Sinfonica de la Flarmonicade Mosou
Conducted by Kirill Kondrashin (as Kirill Kondrachine)
Featured review
This film is centred on two siblings; Pablo, a gay film director who makes homo-erotic films; and his sister Tina, who is a transsexual lesbian who dreams of being an actress and is raising a ten year old girl named Ada who is the daughter of her former girlfriend. After Pablo's lover, Jaun, goes away for the summer he begins a relationship with Antonio, not suspecting that the latter will get dangerously jealous of his love for Juan.
As with most films by director Pedro Almodóvar the plot is secondary to the characters; it is there to put the characters in an interesting, and fairly melodramatic positions. This of course requires interesting central characters and here we get those. As is often the case they are a fairly unconventional group. There are things that may disturb some viewers such as Tina talking about her incestuous relationship with her father who persuaded her to get a sex change before leaving her... particularly shocking is that she doesn't feel abused. Pablo's relationships with Juan and Antonio are surprisingly frank for a film made in the eighties. The cast is solid with Eusebio Poncela and Carmen Maura really impressing as Pablo and Tina; Antonio Banderas is great as Antonio and young Manuela Velasco impresses as Ada. Things do get melodramatic towards the end but that doesn't feel out of place; in fact it is relatively mild compared to some of Almodóvar's other films. Overall I'd say this won't be for everybody but it is a must see for fans of Almodóvar's work.
These comments are based on watching the film in Spanish with English subtitles.
As with most films by director Pedro Almodóvar the plot is secondary to the characters; it is there to put the characters in an interesting, and fairly melodramatic positions. This of course requires interesting central characters and here we get those. As is often the case they are a fairly unconventional group. There are things that may disturb some viewers such as Tina talking about her incestuous relationship with her father who persuaded her to get a sex change before leaving her... particularly shocking is that she doesn't feel abused. Pablo's relationships with Juan and Antonio are surprisingly frank for a film made in the eighties. The cast is solid with Eusebio Poncela and Carmen Maura really impressing as Pablo and Tina; Antonio Banderas is great as Antonio and young Manuela Velasco impresses as Ada. Things do get melodramatic towards the end but that doesn't feel out of place; in fact it is relatively mild compared to some of Almodóvar's other films. Overall I'd say this won't be for everybody but it is a must see for fans of Almodóvar's work.
These comments are based on watching the film in Spanish with English subtitles.
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Details
Box office
- Gross US & Canada
- $72,442
- Opening weekend US & Canada
- $13,399
- Aug 13, 2006
- Gross worldwide
- $100,566
- Runtime1 hour 42 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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