Home video distributor Shout! Studios has acquired the worldwide rights (excluding select Asian territories) to the Golden Princess movie library – a deal that Variety reports will “electrify action film aficionados” because the Golden Princess library is “a treasure trove of 156 Hong Kong cinema classics that’s been Mia from Western markets for decades. The deal, which brings together Hollywood’s indie powerhouse with one of Hong Kong cinema’s most prestigious catalogs, includes genre-defining works from directing legends John Woo and Tsui Hark, alongside star-studded vehicles featuring Chow Yun-fat, Tony Leung Chiu-wai and Leslie Cheung.“
The line-up that is now in the hands of Shout! Studios includes “Woo’s action masterpieces Hard Boiled, The Killer, the complete Better Tomorrow trilogy, Bullet in the Head, and Once a Thief. The library also boasts Ringo Lam’s City on Fire, Prison on Fire and its sequel; Eric Tsang’s Aces Go Places...
The line-up that is now in the hands of Shout! Studios includes “Woo’s action masterpieces Hard Boiled, The Killer, the complete Better Tomorrow trilogy, Bullet in the Head, and Once a Thief. The library also boasts Ringo Lam’s City on Fire, Prison on Fire and its sequel; Eric Tsang’s Aces Go Places...
- 1/13/2025
- by Cody Hamman
- JoBlo.com
In a major move set to electrify action film aficionados, Shout! Studios has nabbed worldwide rights (excluding select Asian territories) to the coveted Golden Princess movie library, a treasure trove of 156 Hong Kong cinema classics that’s been Mia from Western markets for decades.
The deal, which brings together Hollywood’s indie powerhouse with one of Hong Kong cinema’s most prestigious catalogs, includes genre-defining works from directing legends John Woo and Tsui Hark, alongside star-studded vehicles featuring Chow Yun-fat, Tony Leung Chiu-wai and Leslie Cheung.
The acquisition’s crown jewels include Woo’s action masterpieces “Hard Boiled,” “The Killer,” the complete “Better Tomorrow” trilogy, “Bullet in the Head” and “Once a Thief.” The library also boasts Ringo Lam’s “City on Fire,” “Prison on Fire” and its sequel; Eric Tsang’s “Aces Go Places”; Tsui’s “Peking Opera Blues”; Tony Ching’s “Chinese Ghost Story” trilogy; and additional hits...
The deal, which brings together Hollywood’s indie powerhouse with one of Hong Kong cinema’s most prestigious catalogs, includes genre-defining works from directing legends John Woo and Tsui Hark, alongside star-studded vehicles featuring Chow Yun-fat, Tony Leung Chiu-wai and Leslie Cheung.
The acquisition’s crown jewels include Woo’s action masterpieces “Hard Boiled,” “The Killer,” the complete “Better Tomorrow” trilogy, “Bullet in the Head” and “Once a Thief.” The library also boasts Ringo Lam’s “City on Fire,” “Prison on Fire” and its sequel; Eric Tsang’s “Aces Go Places”; Tsui’s “Peking Opera Blues”; Tony Ching’s “Chinese Ghost Story” trilogy; and additional hits...
- 1/13/2025
- by Naman Ramachandran
- Variety Film + TV
Only at Fantasia Fest could you confuse the sound of a movie premiere for feeding time at the local cat cafe. As attendees continue to cycle through the latest edition of Montreal’s historic three-week genre event (held this year from July 18 to August 4), the time-honored tradition of audience callbacks once again has guests meowing at the screen.
Yes. Meowing. At the screen.
“It’s something that I always have to remember to warn new filmmakers about because they’re so excited to see a big room, but when they hear that meowing, it terrifies them,” co-festival director Mitch Davis told IndieWire. “It implies that the audience maybe doesn’t have much of an attention span. The film hasn’t even begun yet, and the crowd is making noise. But the actual experience of watching a movie with them is the complete opposite.”
Other film festivals have similar traditions. At Cannes,...
Yes. Meowing. At the screen.
“It’s something that I always have to remember to warn new filmmakers about because they’re so excited to see a big room, but when they hear that meowing, it terrifies them,” co-festival director Mitch Davis told IndieWire. “It implies that the audience maybe doesn’t have much of an attention span. The film hasn’t even begun yet, and the crowd is making noise. But the actual experience of watching a movie with them is the complete opposite.”
Other film festivals have similar traditions. At Cannes,...
- 8/1/2024
- by Alison Foreman
- Indiewire
The Hong Kong star was named Asian Filmmaker of the Year at Busan International Film Festival.
Hong Kong superstar Chow Yun-fat has reflected on the struggles of filmmakers under Chinese censorship and how it contrasts with the creative freedom in Korean cinema.
Speaking at Busan International Film Festival, where he received the Asian Filmmaker of the Year Award last night, the star of Crouching Tiger, Hidden Dragon was asked by Screen for his take on the state of Hong Kong cinema.
“We have a lot of censorship requirements in mainland China so our scripts must go through a lot of...
Hong Kong superstar Chow Yun-fat has reflected on the struggles of filmmakers under Chinese censorship and how it contrasts with the creative freedom in Korean cinema.
Speaking at Busan International Film Festival, where he received the Asian Filmmaker of the Year Award last night, the star of Crouching Tiger, Hidden Dragon was asked by Screen for his take on the state of Hong Kong cinema.
“We have a lot of censorship requirements in mainland China so our scripts must go through a lot of...
- 10/5/2023
- by Michael Rosser
- ScreenDaily
By Manny Araneta
“Double Vision” is the fifth film by writer/director Chen Kuo-fu, who previously helmed the comedy “The Personals” (1998). This film is one of the many Chinese/Taiwanese movies co-financed and/or distributed by Columbia Pictures during the late 90s and early 2000s, along with other notable films like “Double Team” (1997) and “Time and Tide” (2000). This film was also screened at the 2002 Cannes Film Festival, under the Un Certain Regard section.
The film follows the plight of downtrodden and burnt out cop Huang Huo-tu (Tony Leung Ka-fai) as he is tasked with solving a series of gruesome but inexplicable murders. In one of them, a businessman apparently freezes to death in his very hot and humid office and in another, a woman is burnt alive, even if there are no traces of fire or damage to be found. When the latest victim turns out to...
“Double Vision” is the fifth film by writer/director Chen Kuo-fu, who previously helmed the comedy “The Personals” (1998). This film is one of the many Chinese/Taiwanese movies co-financed and/or distributed by Columbia Pictures during the late 90s and early 2000s, along with other notable films like “Double Team” (1997) and “Time and Tide” (2000). This film was also screened at the 2002 Cannes Film Festival, under the Un Certain Regard section.
The film follows the plight of downtrodden and burnt out cop Huang Huo-tu (Tony Leung Ka-fai) as he is tasked with solving a series of gruesome but inexplicable murders. In one of them, a businessman apparently freezes to death in his very hot and humid office and in another, a woman is burnt alive, even if there are no traces of fire or damage to be found. When the latest victim turns out to...
- 8/27/2019
- by Rhythm Zaveri
- AsianMoviePulse
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